Research Catalogue

About this exposition

This practice-based artistic research explores the integration of several chord voicing concepts drawn from Hristo Vitchev’s publications into my personal harmonic vocabulary as a guitarist and composer. Approaching this process from the perspective of a predominantly rock guitarist, the research investigates how engaging with these unfamiliar voicings influences my compositional instincts, harmonic language, and evolving musical identity. The project is divided across two parts utilising both deliberate and exploratory practice methods. The first part focuses on the technical practice of the material, with the creation of etudes and exercises designed to investigate the potential of these concepts and assimilate the material through manual engagement and reflection. The second part moves to explore the creative application of the material through composition, where the assimilation of Vitchev’s voicings aided in the production of new works without predefined stylistic boundaries, resulting in compositions that organically lean towards a fusion aesthetic. The findings are presented through annotated scores, audio/video recordings, and critical analysis, highlighting how practicing foreign harmonic concepts can ultimately serve as a catalyst for creativity.

type	research exposition
keywords	harmony, guitar, fretboard knowledge, composition, explorational practice, harmonic geometry, fretboard geometry, fretboard skills, chord voicing, guitar chords, deliberate practice, hristo vitchev, artistic research
date	03/03/2025
last modified	18/06/2025
status	in progress
share status	public
copyright	Gurcharanjit Matharu
license	CC BY-NC-ND
language	English
url	https://www.researchcatalogue.net/view/3472364/3472809

name	Harmonic Horizons
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name	Diatonic Regeneration Chords
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name	Diatonic regen C
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name	X-ing Cmajor - pos1
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name	Etude 5 - Climbing the Walls
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name	Etude 1 - One Fractal
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name	Have yourself a merry little Christmas
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name	Etude 7 - Autumn Leaves
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name	Etude 1 -One Fractal Etude
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name	Etude 2 - Point to Point Etude 1
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name	Etude 3 - Point to Point Etude 2
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name	Etude 4 - Point to Point Etude 3
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name	Etude 5 - Climbing the walls
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name	Have yourself Xmas
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name	Etude 8 - Jazz Blues fractals
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name	Etude 9 - Picking Fractals
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name	Etude 10 - Hybrid Picking Fractals
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name	Shards
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name	Goodbye
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name	Bare
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name	Butterflies
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name	Song: Cog
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name	Deluge
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name	Atrophy
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name	Bittersweet
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name	Ex1 - MMin - Modal X-ing
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name	Ex3 - HMaj - Modal X-ing
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name	Ex2 - C HM - Modal X-ing
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name	Ex4 Fractal Arpeggios
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name	Ex5 - Diagonal Fractals
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name	Ex6 - Connecting Fractals 1 - LR
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name	Ex7- Connecting Fractals 2 CR
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name	Ex8 - Connecting Fractals 3 - LCR
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name	Ex9 - Fractal Mirrors Exercise
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name	Ex10 - C Lydian - Motif Exercise
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name	Ex11 - E Dorian - Motif Exercise
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name	Ex12 - A Melodic Minor Cascade
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name	Ex13 - A Major Cascade
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name	Ex14 - Diatonic Regeneration
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name	Ex15 - HMaj Diatonic regeneration
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name	Ex16 - Central Voicing ii m7-V7-I maj7
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name	Shards Loop Pedal
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name	Shards 2
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name	Shards
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usages	audio

name	Shards Annotated
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name	Bare
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name	Bare
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name	Bare intro 1
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name	Bare Solo
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usages	video

name	Bare Motif
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name	Bare Solo End
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name	Butterflies
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name	Butterflies
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name	Butterflies Ostinato origin
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name	Butterflies B sec DP
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name	3-11 reflection
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name	Ostinato 21:16
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usages	video

name	Structure reflection
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name	Goodbye
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name	Goodbye
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name	Solo Improv
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usages	video

name	Goodbye Head
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name	Atrophy Fractal line
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name	Atrophy: A Section
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name	Atrophy: B section
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name	Atrophy Beginning
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name	Atrophy: Exploration, searching for a C section
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name	Atrophy Beginnings 1
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name	Atrophy
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usages	audio

name	Atrophy
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name	Cog*
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name	Cog*
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name	Cog Ambient
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name	Cog Origin
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name	Cog - C Section Ambient
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name	Cog A2
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name	Deluge New
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name	Deluge
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name	Deluge A development
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name	Deluge B1
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name	Deluge B2
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name	Bittersweet
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name	Bittersweet
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name	Bittersweet - A and B
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name	Bittersweet - potential B
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Harmonic Horizons: An exploration of Hristo Vitchev’ s Harmonic Geometry concepts through practice and composition. (last edited: 2025)

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