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This performance seeks to form visually narratives about gender fluidity, identity, vulnerability, and the sense of the fragmented self in this fast changing world monitored by cameras, frames and the feeling that we are constantly observed . Body is the main research tool, a moving diary. On its surface are imprinted all the stories, desires and fears experienced during the years. They are collected, and then, interpreted kinetically, blurring the boundaries between the material reality, and the reality of the unspoken. A keeper of all the intimate and domestic moments, trying to protect them from the external world. In this journey, Camera obscura is a companion and an opponent.
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my body does not fit in your frame,
it has been digested into a dark room
gazes are stowed on my back,
with a cinematic way
Ι want to return to the whiteness of black
without ever forgetting where we come from
I carry your bones, underneath my skin
while holding in my hands the stones of silence
white, oh white, twenty four hours
Quatation from the lyrics of the poet Suheir Hammad/ Broken and Beirut
