Last Time

Here follows all audio excerpts and pictures from the timeline of “Last Time” as discussed in chapter three.

Laste Time audio excerpts

Last Time - Excerpt A – First improvisation (27.02.2018 – Session 1) Last Time – Excerpt B – Remix of first improvisation (27.02.2018 – Session 1) Last Time – Excerpt C – First Day of tracking and toplining (22.11.2020 – Session 3) Last Time - Excerpt D – First version with lyrics (08.04.2021 – Session 6) Last Time – Excerpt E - From mastering enginere (August 2023) Last Time – Excerpt F – EQ adjusted master third itteration (20.11.2023 – Session 9)

Laste Time figures

Last Time – Figure 1 – Picture of the IPAD application Samplr from Hagelia (2018). Last Time – Figure 2 – Screenshot by the author showing how lead vocal track was compiled on Last Time. Last Time – Figure 3 – Screenshot by the author that shows the pitchdown of the piano in the second verse. Last Time – Figure 4 – Screenshot by the author that shows how I used Cubase VariAudio on the Saxophone. The screenshot showcases a point in the song where the melody was altered (0:51–0:53). Last Time – Figure 5 – Screenshot by the author that show adjustments to the master on Last Time from the external master. Last Time – Figure 6 – Screenshot by the author that shows an overview of all the tracks on the song.

Sober

Here follows all audio excerpts and pictures from the timeline of “Sober” as discussed in chapter three.

Sober audio excerpts

Sober – Excerpt A – Session 3 (6.12.2020) Sober – Excerpt B – Session 6 (31.12.2020) Sober – Excerpt C – Session 8 (13.1.2021) Sober – Excerpt D – Session 12 (25.1.2021) Sober – Figure 3 – Audio Example – The Hardanger fiddle with processing Sober – Figure 3 – Audio Example – The Hardanger fiddle without processing Sober – Figure 4 – Audio Example – The piano with processing Sober – Figure 4 – Audio Example – The piano without processing

Sober figures

Sober – Figure 1 – A partial screenshot of Ola Brandsnes Vårtun’s logic project for keyboard overdubs forwarded to the author. The signature track at the top indicates the variation between different metric structures Sober – Figure 2 – Screenshot by the author that shows an example of how the Saxophone was processed on Sober Sober – Figure 3 – Screenshot by the author that shows the Hardanger fiddle processing Sober – Figure 4 – Screenshot by the author that shows the processing on the piano Sober – Figure 5 – Screenshot by the author that shows an overview of all tracks

Eyes Closed

Eyes Closed audio excerpts

Eyes Closed – Excerpt A – Session 1 (11.9.2021) Eyes Closed – Excerpt B – Session 12 (12.12.2021) Eyes Closed – Excerpt C – Session 17 (3.12.2022) Eyes Closed – Excerpt D – Session 20 (18.2.2023) Eyes Closed – Figure 2 – Audio Example – Piano dry Eyes Closed – Figure 2 – Audio Example – Piano wet

Eyes Closed figures

Eyes Closed – Figure 1 – Screenshot by the author that shows the piano that was recorded through the Samplr app on iPad Eyes Closed – Figure 2 – Screenshot by the author that shows the processing chain of the piano Eyes Closed – Figure 3 – Screenshot by the author that shows the automation of the piano in the first and second chorus Eyes Closed – Figure 4 – Screenshot by the author that shows an image of all automation Eyes Closed – Figure 5 – Screenshot by the author that shows Trackspacer and some additional plugins utilized on Eyes Closed Eyes Closed – Figure 6 – Screenshot by the author that shows the vocal chain in Eyes Closed Eyes Closed – Figure 7 – Screenshot by the author that shows all tracks on Eyes Closed

Using You To Get To Me

Using You To Get To Me audio excerpts

Using You To Get to Me – Excerpt A – Session 3 (14.03.2020) Using You To Get to Me – Excerpt B – Session 13 (13.05.2020) Using You To Get to Me – Excerpt C – Session 21 (30.03.2021) Using You To Get to Me – Excerpt D – Session 37 (11.9.2021) Using You To Get to Me – Excerpt E – Session 41 (13.03.2022) Using You To Get to Me – Excerpt F – Session 43 (22.2.2023) Using You To Get to Me – Figure 1 – Audio Example – Material recorded by Samplr and the piano by Ingolv

Using You To Get To Me Figures

Using You To Get to Me – Figure 1 – Screenshot by the author that shows an image from the DAW project Using You To Get to Me – Figure 2 – Screenshot by the author that shows an image of the entire DAW project Using You To Get to Me – Figure 3 – Screenshot by the author that shows vocal send automation as of excerpt D

Do We Decide Now

Do We Decide Now audio excerpt

Do We Decide Now – Excerpt A – Session 1 (18.01.2021) Do We Decide Now – Excerpt B – Session 4 (30.01.2021) Do We Decide Now – Excerpt C1 – Thats why we are better – Session 1 (20.02.2021) Do We Decide Now – Excerpt C2 – Thats why we are better – Session 16 (14.01.2023)

Do We Decide Now – Excerpt C3 – Thats why we are better – Session 23 (04.09.2023)

Do We Decide Now – Excerpt D – Session 22 (16.05.2021) Do We Decide Now – Excerpt E – Session 34 (13.03.2022) Do We Decide Now – Excerpt F – Session 35 – External master (August 2023) Do We Decide Now – Excerpt G – Session 45 (28.05.2023) Do We Decide Now – Figure 2 – Audio Example – Processed piano chopped and quantized Do We Decide Now – Figure 2 – Audio Example – Processed piano not quantized Do We Decide Now – Figure 2 – Audio Example – Unprocessed piano chopped and quantized

Do We Decide Now figures

Do We Decide Now – Figure 1 – Screenshot by the author that shows a section of the MIDI for the bass using Trillian Do We Decide Now – Figure 2 – Screenshot by the author that shows the recorded and edited piano in the intro of That’s Why We Are Better Screenshot by the author showing Soundtheory’s Gullfoss (bottom right) applied to the instrumental and SoundRadix’s SurfEQ (top left) applied to the synth bass, alongside other plugins used for the lead vocal and bass Do We Decide Now – Figure 4 – Screenshot by the author that show an overview of adjustments to the master of Do We Decide Now