References
Alloa, Emmanuel (2015). “Prégnances du devenir: Simondon et les images.” Critique 816: 356-371.
Bardin, Andrea (2015). Epistemology and Political Philosophy in Gilbert Simondon: Individuation, Technics, Social Systems. Dordrecht: Springer.
Belting, Hans (2011). An Anthropology of Images. Princeton: Princeton University Press.
Fales, Cornelia (2005). “Short-Circuiting Perceptual Systems: Timbre in Ambient and Techno Music.” In Paul D. Greene and Thomas Porcello (eds.), Wired for Sound: Engineering and Technologies in Sonic Cultures (pp. 156-236). Middletown: Wesleyan University Press.
Farocki, Harun (2004). “Phantom Images.” Public 29: 17.
Ganchrow, Raviv (2021). “Earth-Bound Sound: Oscillations of Hearing, Ocean, and Air.” Theory & Event 24/1: 67-117.
Ganchrow, Raviv (2009). “Hear and There: Notes on the Materiality of Sound.” OASE, Journal for Architecture 78: 70–75.
Hansen, Mark (2011). “From Fixed to Fluid: Material-Mental Images Between Neural Synchronization and Computational Mediation.” In Jacques Khalip and Robert Mitchell (eds.), Releasing the Image: From Literature to New Media (pp. 83-111). Redwood City: Stanford University Press.
Hoelzl, Ingrid and Rémi Marie (2017). “From Softimage to Postimage.”Leonardo 50/1: 72-73.
Hoelzl, Ingrid (2018). “The Postimage.” In Rosi Braidotti and Maria Hlavajova (eds.), Posthuman Glossary (pp. 361-362). London: Bloomsbury.
Ingold, Tim (1996). “Hunting and Gathering as Ways of Perceiving the Environment.” In Roy Ellen and Katsuyoshi Fukui (eds.), Redefining Nature - Ecology, Culture and Domestication (pp. 40-60). London: Routledge.
Kahn, Douglas (1990). “Audio Art in the Deaf Century.” In Dan Lander and Micah Lexier (eds.), Sound by Artists (pp. 301-328). Toronto: Art Metropole.
Lucier, Alvin (1995). Reflections: Interviews, Scores, Writings. Köln: Edition MusikTexte.
Nancy, Jean-Luc (2005). The Ground of the Image (trans. Jeff Fort). New York: Fordham University Press.
Ochoa Gautier, Ana Maria (2014). Aurality: Listening and Knowledge in Nineteenth-Century Colombia. Durham: Duke University Press.
Ochoa Gautier, Ana Maria (2017). “Sound Studies and Auditory Neuroscience.” Lecture at Columbia University.
Ochoa Gautier, Ana Maria (2016). “Acoustic Multinaturalism, the Value of Nature, and the Nature of Music in Ecomusicology.” boundary 2 43/1: 107-141.
Peraica, Ana (2022). “The Horrors of Postdigital Photography.” Fotograf 41: 61-65.
Purgar, Krešimir (2015). “What is Not an Image (Anymore)? Iconic Difference, Immersion and Iconic Simultaneity in the Age of Screens,” Phainomena XXIV/92-93: 145-170.
Quinn, Douglas (1998). Antarctica [CD]. Miramar 09006-23113-2.
Rossi, Luis Sebastian (2018). “El modo de existencia de las imágenes a la luz de Simondon.” Reflexiones Marginales 48.
Sahlins, Marshall (2008). The Western Illusion of Human Nature. Chicago: Prickly Paradigm Press.
Schaeffer, Pierre (1966). Traité des objets musicaux. Paris: Éditions du Seuil.
Simondon, Gilbert (2022). Imagination and Invention (trans. Joe Hughes and Christophe Wall-Romana). Minneapolis: University of Minnesota Press.
Simondon, Gilbert (2020). Individuation in Light of Notions of Form and Information (trans. Taylor Adkins). Minneapolis: University of Minnesota Press.
Steyerl, Hito (2013). “Too Much World: Is the Internet Dead?” e-flux Journal 49.
Wittek, Helmut (2007). “Perceptual Differences between Wavefield Synthesis and Stereophony” (Doctoral dissertation). Guildford: University of Surrey.