This exposition is published in the Proceedings of the 1st symposium Forum Artistic Research: listen for beginnings.

The Title of the Contribution using <h1> Element. If there is a subtitle, it should go here within <span> element

First Last Name

This exposition is a sandbox used to create the layout, you can use it to “peek” into the different tools, if you are unsure how to achieve a particular typographic element.

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Section using H2 Element

I think of spaces as nested bundles. They are not sub-spaces, in the sense of being “contained,” but they are really si­mul­ta­neous with each other and with the overall space. Not one produces the other, but they sustain each other together at the same time, without becoming one.

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Text for visually impaired

Figure 1: The development of the sound installation from the roof-top situation in San Cesario (left) to the reduced “Medusa” at Domenig Steinhaus (right).

Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor. Because it is machine-blown1 I was able to design its shapes.
  1. Thanks to Foo Bar for assistance.

The ‘lorems’2 have the status of test instruments for experience sensitive patterns and dynamics. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed
  1. They have been created with the help of Baz and Foo.

I see words. What I say is pure present… Even if I say “I lived” or “I shall live” it’s present because I’m saying them now.

—Clarice Lispector, Água viva

References

  • Barthes, Roland. 1982. L’obvie et l’obtus. Essais critiques III, Éditions du Seuil.
  • Krämer, Sybille. 2016. “Script and Sound: Reflections on the Creative Function of Visualization and Spatialization for Time-Bound Processes like Speech and Music.” In Danish Musicology Online Special Edition 2016: Word and Music Studies – New paths, new methods, edited by Lea Wierød, Ane Martine Kjær Lønneker, Fedja Borčak, and Christian Verdoner Larsen, 14–24. Accessed July 26, 2024. http://danishmusicologyonline.dk/arkiv/arkiv_dmo/dmo_saernummer_2016/dmo_saernummer_2016_WMS_02.pdf
  • Slobin, Dan Isaac. 1996. “From ‘Thought and Language’ to ‘Thinking for Speaking’.” In Rethinking Linguistic Relativity, edited by J. J. Gumperz and S. C. Levinson, 70–96. Cambridge University Press.

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