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Caiafa, A., Canovi, A., & Varriale, S. (2024). Piccole storie rivoluzionarie. Antonio Caiafa racconta il “suo” Rione Sanità. Conversazione con Antonio Canovi e Simone Varriale. In A. Canovi, H. Merini, & D. Valisena (Eds.), A memoria futura: Storie e paesaggi del Rione Sanità (pp. 23–48). Mimesis.
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d’Eramo, M. (2022). Il selfie del mondo: Indagine sull'età del turismo da Mark Twain al Covid-19. Feltrinelli.
Daniel, J. (2003). Spatial sound encoding including near-field effect: Introducing distance-coding filters and a viable new ambisonic format. 23rd AES Conference.
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Di Scipio, A. (2003). Sound is the interface: From interactive to ecosystemic signal processing. Organised Sound, 8(3), 269–277.
Di Taranto, G., & Montella, P. (2023). Field recording come rappresentazione del mondo – Il processo artistico nelle registrazioni sul campo. d.a.t. [divulgazione audiotestuale], 12, 45-65.
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Giomi, F. (2022). Musica imprevedibile. Storia, metodi e training per l’improvvisazione collettiva. Arcana.
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Griffero, T. (2010). Dal bello all’atmosferico: Un’estetica dal punto di vista pragmatico. In G. Böhme, Atmosfere, estasi, messe in scena: L'estetica come teoria generale della percezione (pp. 21–36). Christian Marinotti Edizioni.
Griffero, T. (2017). Atmosferologia: Estetica degli spazi emozionali. Mimesis.
Guezenoc, C., & Seguier, R. (2020). Hrtf individualization: A survey. arXiv preprint arXiv:2003.06183.
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Havik, K., Teerds, H., & Tielens, G. (2013). Building atmosphere. OASE Journal for Architecture, 91(1), 3–12.
Heller, A. (2014). Ambisonics decoder toolbox. https://bitbucket.org/ambidecodertoolbox/adt/src/master/
Heller, A. J., & Benjamin, E. M. (2014). The ambisonic decoder toolbox: Extensions for partial-coverage loudspeaker arrays. Linux Audio Conference.
Heller, A., Lee, R., & Benjamin, E. (2008). Is my decoder ambisonic? Audio Engineering Society Convention 125.
Hodgkinson, T. (1996). Siberian shamanism and improvised music. Contemporary Music Review, 14(1–2), 59–66.
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Hodkinson, T. (1996). Improvised music and shamanism. Musicworks 66, Toronto.
Horsburgh, A. J., McAlpine, K. B., & Clark, D. F. (2011). A perspective on the adoption of ambisonics for games. Paper presented at the Audio Engineering Society: 41st International Conference: Audio for Games.
Hulme, D. (2018). Into the soundfield – Michael Gerzon and ambisonics at Oxford [Video]. YouTube.
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IEM. (2017). IEM plug-in suite.
Ikeshiro, R., Charrieras, D., & Lindborg, P. M. (2022). Charting the scene(s) of sonic arts in Hong Kong. Organised Sound, 27(3), 369–378.
Ingold, T. (2007). Against soundscape. In Autumn leaves: Sound and the environment in artistic practice (pp. 10–13). Double Entendre.
Ingold, T. (2021). Being alive: Essays on movement, knowledge, and description. Routledge.
International Organization for Standardization. (2014). Acoustics – Soundscape – Part 1: Definition and conceptual framework (Standard No. ISO 12913-1:2014).
IRCAM. (n.d.). Spat 5.
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Jackaudio. (2006). JACK audio connection kit.
Jiang, X. (2017). Fundamentals of audio class D amplifier design: A review of schemes and architectures. *IEEE Solid-State Circuits Magazine, 9*, 14–25.
Jo, H. I., & Jeon, J. Y. (2020). Effect of the appropriateness of sound environment on urban soundscape assessment. Building and Environment, 179, 106975. https://doi.org/10.1016/j.buildenv.2020.106975
Jo, H. I., & Jeon, J. Y. (2021). Urban soundscape categorization based on individual recognition, perception, and assessment of sound environments. Landscape and Urban Planning, 216, 104241.
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Kelman, A. Y. (2010). Rethinking the soundscape: A critical genealogy of a key term in sound studies. Senses and Society, 5(2), 212–234. https://doi.org/10.2752/174589210X12668381452845
Kessling, P., & Görne, T. (2018). Studio for immersive media research and production: Immersive audio lab at Haw Hamburg. Audio Engineering Society 145th Convention.
Kim, H. Y. (2024). To be or to have the body: Husserl in the global context. Taylor and Francis.
Kjeldgaard, M. (2022). Notes for setting up a Raspberry Pi 4 for audio work. https://madskjeldgaard.dk/posts/raspi4-notes/
Kronlachner, M. (2011). AmbiX – Ambisonics plugin suite. www.matthiaskronlachner.com/?p=2015
Kubisch, C. (n.d.). Electrical walks. Retrieved May 5, 2025, from https://electricalwalks.org/electrical-walks/
LaBelle, B. (2010). Acoustic territories: Sound culture and everyday life. Continuum.
Laino, G. (2009). Innovazione delle politiche per l’abitare: una strategia enzimatica per il programma di recupero dei bassi di Napoli. Archivio di Studi Urbani e Regionali, 96, 127–150.
Lähdeoja, O. (2016). Composing for an Orchestra of Sonic Objects: The Shake-ousmonium Project. Ann Arbor, MI: Michigan Publishing, University of Michigan Library.
Lim, M. J. Y., & Lindborg, P. M. (2013). How much does quality cost? Listening to music with earphones on buses and trains. Proc 3rd Int. Conf. on Music Emotion (ICME3).
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Lindborg, P. M. (2015). LW24. Frontal auditory display with 21 channels data sonification of four decades of predicted weather in South-East Asia (2015-55). Commissioned by the National Gallery of Singapore and ArtsFission for the inaugural exhibition.
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Lindborg, P. M., & Pisano, G. (2023). Workshop with the Open Ambisonics Toolkit. The 28th International Conference on Auditory Display (ICAD 2023): Sonification for the Masses.
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