Introsuction to artistic Research

 

 

make space

going to specific places got me here. the bookcafe and knust.

informal

 

 

 

Artistic practices

 

Once in a while I record interviews with co-students at the academy and other artists. I run the audio files through the Ntnu developed Speech-to-text application. The txt files becomes an archive that serves a variety of purposes.

 

To have the conversation

To reread conversations. From chaotic improvised to settled and grammatised.

The machine interpretation transforms the conversation by its trascription and translation, in a way that changes the authorship. Relieves it from dialogue betwee two I's. Errors create new meaning. the translation also adds to a nuanced understanding of the terms.

A sense of what is talked about.

A dialogue, intrview setting can create a poignancy where, and timing also demands

To learn from and revisit various topics 

 

 

Participation-organising-arranging-becoming


- Thresholds- 

Between Mountains with goats.

From Genalguacil to Tynset, Via Norway and Scotland.

 

In july 2025 I participated in Innovation Encounter at the Lab Genalguacil, as part of a mixed student contigent from Trondheim Academy of Arts and GSA Highland campus.


In October 2025 we'll follow up with a trip to Tynset


keywords: new valuechains,tranversality,artistic ways,rural, cultural geography,ecosophy


 

For now I am looking at bringing this into the mix:


Strandveien 23  defend the territory (extendend territories

connections through history

 

a proposal for 2day festival summer 2026

 

Ivar Matlaus Bokkafe+Tynset Bygdemuseum


Last year a exhibition was organised by curator Bjørn Hatterud and artist Hans Kristian Borggrevinch Hansen, amongst others including activisits and artists from Ivar Matlaus Bookkafe



.............

connected to: 


ARCHIVAL VENTURES(?) /marginal notes?/ Real History


following up BFA-work roaming archives. rescatlogue.

still probing. following WIDF-lead from AB. Looking for x' global and local. From knitting to atom splitting.

 

https://www.researchcatalogue.net/view/3856310/3856311

 

feminism, local initiatives, flux between art and activism

interest in untold stories, whats in the shadows. ANGLE MORTS

 

.............................................................

 

 

To be developed: 

 

Artistic Entrepreneurship


Jordens Salt art duo with Steinar Stensen


Performance, happenings, noise, publications


Cool Pro Co.

Conglomerate and company run by Steinar and Morten 


 

 

 

Curatorial approaches


for experience, learning, networking, diy, raumdeutering, 


writing 


make space and have time for the constant exhange of favors

 

 

 

Earlier ventures that might have follow-ups:


Aquael.       mini-gallery exhibitions in the library


The Sink.    Residency at Kit








Small-scale. Outside of funding and money.

Peer-to-peer.  

 

visual knowledge and skills. visual culture

 

 

Session 2509 2025

 

 

 

 

Session 0210 2025       Full day

 

Morning: lecture: Martinus.Oscar. Mapping and concepts, bringing relations together

 

After lunch:  practical  

 

Research biography

make a biography on a reseaerch-subject 

 

Mapping

 

Hans Ragnar Mathisen Jørgensen 

 

 

 



notes on:


2509 forelesning med Martinus Suijkerbuijk DIgital environments




New media. Medium becomes the environment

Tear down/ embrace.  FIrst impact/meeting


Complex message system - environment

Where culture takes pkace

Medium is the message, medium comunnityshaper


Study of control of behaviour


Feedback loops. output/input in system  Norbert Wiener cybernetic art, hans haacke condensation cube, 1963-65


Art as interactive system


Social culture system, 


mechanisation/automatisacion


Vaucanson’s automatic duck...


Manzetti: eyes no head



Formulate princles of organising,


Contropiano . org



User and environment


Moholy.Nagy Light SPace modulator, 1930


Der lauf der dinge  fischli and weiss  METALL BARREL

 


Cybernetic serendipity the computer and the art, institue of contemporary arts, London, 1968



Gordon Pask, 1968-2018


Chile, Allende, cybernetic room, stafford bear


Alvin Lucien, sitting in a room, 1969


Soft Architecture, 1970, Jack Burnham


M.I.T - media theory


Seek, the architecture machine group


Wolf hilbertz . autopia ampere


Media matter group. Collaboration with other species


....


Artificial life, philosophy of..


Protein folds, COnway’s game of Life (1970)

zero-player game


Evolutuion of diversity


karl sims- galapagos   1997..  


Ian Cheng, EMisaries, 2015-2017


Cecilie Wagner Falkenstrøm

 Human in the loop, 2021


wim delvoye,  Cloaca

PREPfor session thursday 2.10 2025

 

 

MAPPING CYBERNETICS FEEDBACKloops

 

Although Norbert Wiener presented cybernetics as the science of control and communication ‘in the animal and the machine’, for Ludwig von Bertalanffy cybernetics remained a rather limited discipline; it was one specific if important form of ‘general systems theory’.48 The great contribution of cybernetics, according to Bertalanffy, had been the model of feedback regulation in both technology and biology – in the latter, homeostasis can be explained by the feedback model. Like cybernetics, systems theory has an implicit ideal of homeostasis, of equilibrium. The living organism manages to overcome entropy and achieve a ‘fantastically improbable state’ of equilibrium because it is an open system that can regulate its relations with the environment through negative feedback.49 The success of systems theory in the 1960s and the rise of the ecological movement towards the end of the decade also went hand in hand with the popularization of the term ‘ecosystem’, coined by Arthur Tansley, and the ecosystem is a concept that puts a premium on stability and equilibrium.50

But, as we have argued of cybernetics, systems theory in general can also be pushed from the inside to a point where it becomes dialectical. Hans Haacke’s work from the 1960s and early 1970s is a case in point. Like Burnham, Haacke was interested in technological as well as natural real-time systems, as opposed to the idealist duration of traditional art and its appreciation.51 Most of his 1960s works dealt with natural – physical or biological – systems. In 1969, one of Haacke’s pieces involved Dan Graham chucking one hundred plastic bottles into the North Saskatchewan river. While Haacke’s original idea had called for glass bottles, and these contained notes and were meant to be found, obviously not all were fished out of the water or washed ashore, and apparently the substitution of plastic for glass did not raise any concerns.52 Other pieces, such as Live Random Airborne Systems, which involved seagulls retrieving bread that Haacke had thrown into the sea, were understated and lighthearted (non-)events.53 By 1972 the work had taken on an explicitly political dimension: Rhinewater Purification Plant, shown in Essen, was a fishtank filled with filtered water from the heavily polluted Rhine. ‘Open systems’ for Bertalanffy were still conceptualized in terms of homeostasis; both ‘the dynamic interplay of processes’ that regulate the organism on a basic level and superimposed feedback mechanisms aim at this. The Rhinewater Purification Plant is in fact an open system creating homeostasis, but is itself dependent on electricity and thus implicated in a political economy that destroys not only social fabrics but also ecologies in order to stabilize itself. The term ‘purification’ may make some people feel uncomfortable, but the German Aufbereitung (the original title being the rather wonderful compound word Rheinwasseraufbereitungsanlage) is rather more neutral in this regard.

 

 

 

 

02.10 2025

 

full day with MS and 

 

mapping,what is, in artist practices

 

 

comparatative studies in digital environments and environments

 

revitialise a conception of hunman organisation

 

Obsidian:

 

perception of non-linear

 

translate from 3d world to 2d mapping/plan

 

morphological functions

 

soundification

 

texture-mapping. surface topology

 

 

Stephen Willats - intractive artist. the function of art. works with what an interface is (MS). WHat is in the process, against the objectification. Self-organisation. how experience travel from private to public. mediums as tool

 

homeostat drawing

 

the gallery, a space for objects?

 

N Luhmann.. Art as a social system  (plus Bech, 70s 80s pholo-theory germany)

 

social system based on communication/information

 

 

west london social resource project --------> boligaksjonen Liv Schiødt

 

psychogeography -- 

 

Guy Debord-- maps to get lost, to get out of control .Society of the spectacle.Everyday life.

 

Edvine Larssen-- walking two together... soundwalk Christina Kubitsch..2024 open academy

 

 

Mark Lombardi...narratice structures

 

(bring the non-con into a narrative(con)

 

related by information, not time or event

 

what is the difference between an image and a map