Giselle Hinterholz is a visual artist and photographer based in Lisbon. Her work explores the thresholds between image, memory and artificiality, often combining analogue and digital photography, performance, and installation. She investigates how images can act as vessels of resonance, vibrating between presence and disappearance, through processes of manual editing, distortion, and spatial interventions.
Currently pursuing a Master’s in Photography at Universidade Lusófona, she has participated in exhibitions and residencies in Portugal and Brazil, and was a finalist at the international Blurring the Lines programme in Paris (2019). Her projects often emerge from encounters with abandoned or post-industrial spaces, questioning how images might reanimate what has been left behind.
Her practice is grounded in a poetic-critical approach, where images are not treated as documents but as perceptual events, attempts to make the world vibrate again.