Yoruba-influenced Afro-Cuban music blends traditional Yoruba rhythms with Cuban cultural expressions, often serving as a means of communicating with the orishas in Santería. Central to this music are the batá drums, which convey "drum language" that mimics the tonal nature of Yoruba speech. The batá drums and clave rhythms interact closely with the voice, creating intricate polyrhythms and emotional tension. This fusion of drumming and vocal elements is both a powerful artistic expression and an essential part of spiritual and cultural ceremonies.
This research investigates the relationship between clave rhythms, batá rhythms, and vocal timing in Yoruba-influenced Afro-Cuban music, aiming to explore how drums and clave can reinforce vocal timing. The study emphasizes the interconnectivity of these elements and their impact on rhythmic synchronization, tension, and release. The project has progressively deepened the understanding of clave patterns, their integration into vocal performance, and the application of these insights in improvisation and composition.
Through the exploration of batá drumming, clave patterns, and vocal phrasing, the research highlights the importance of internalizing rhythm and understanding its cultural context. The study examines the roles of various rhythms on batá drums, the significance of the clave in guiding rhythm, and the complex interplay between vocal lines and percussion. The research also reflects on the challenges of incorporating 6/8 and 4/4 meters into performances, the importance of rhythmic precision, and the necessity of clear communication within the ensemble.
Throughout the cycles of the study, significant progress has been made in improving rhythmic coordination, vocal projection, and timing, particularly in relation to the clave and batá rhythms. Field research, re-enactment exercises, and expert feedback have refined the performer’s technical skills and deepened the understanding of rhythmic expression. The outcome recordings demonstrate marked improvement in vocal and drumming integration, offering clearer interpretations of traditional and contemporary pieces.
Ultimately, this research contributes to a broader understanding of Afro-Cuban music and its performance practice, expanding the rhythmic expression possibilities of the vocalist while emphasizing the importance of cultural context, musical authenticity, and artistic development.