Airenti, Gabriella. “The Cognitive Bases of Anthropomorphism: From Relatedness to Empathy.” International Journal of Social Robotics 7, no. 1 (February 2015): 117–27. https://doi.org/10.1007/s12369-014-0263-x.
“ALMAT @ BEK - Thresholds of the Algorithmic by Hanns Holger Rutz et Al.” Accessed March 24, 2020. https://www.researchcatalogue.net/view/452048/452049.
“Atle Selnes Nilsen,” n.d. https://www.atlesnielsen.no/.
Bakker, R.S. “On Alien Philosophy” 24 (January 1, 2017): 31–52.
Bakker, R.S. “The Last Magic Show: A Blind Brain Theory of the Apperance of Consciousness.,” n.d.
Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010.
Berger, Christopher C., and H. Henrik Ehrsson. “Mental Imagery Induces Cross-Modal Sensory Plasticity and Changes Future Auditory Perception.” Psychological Science 29, no. 6 (June 2018): 926–35. https://doi.org/10.1177/0956797617748959.
Blom, Christian. “Organized Time.” Norwegian Academy of Music, no. 1 (October 17, 2019). https://www.researchcatalogue.net/view/628657/628658.
Bostrom, Nick. “Are We Living in a Computer Simulation?” The Philosophical Quarterly (1950-) 53, no. 211 (2003): 243–55. www.jstor.org/stable/3542867.
Bryant, Levi, Nick Srnicek, and Graham Harman, eds. The Speculative Turn: Continental Materialism and Realism. Anamnesis. Melbourne: Re.Press, 2011.
Caporael, L.R. “Anthropomorphism and Mechanomorphism: Two Faces of the Human Machine.” Computers in Human Behavior 2, no. 3 (January 1986): 215–34. https://doi.org/10.1016/0747-5632(86)90004-X.
Cascoine, Kim. “Transendigital Imagination: Developing Organs of Subtle Perception.” Interference a journal of audio culture, April 13, 2014. 5http://www.interferencejournal.com/articles/sound-methods/transcendigital-imagination-developing-organs-of-subtle-perception.
Cateforis, Theo. “Performing the Avant-Garde Groove: Devo and the Whiteness of the New Wave.” American Music 22, no. 4 (2004): 564. https://doi.org/10.2307/3592993.
Chion, Michel, Claudia Gorbman, and Walter Murch. Audio-Vision: Sound on Screen. New York: Columbia University Press, 1994.
Ciechanowski, Leon, Aleksandra Przegalinska, Mikolaj Magnuski, and Peter Gloor. “In the Shades of the Uncanny Valley: An Experimental Study of Human–Chatbot Interaction.” Future Generation Computer Systems 92 (March 1, 2019): 539–48. https://doi.org/10.1016/j.future.2018.01.055.
Colebrook, Claire. Gilles Deleuze. Routledge Critical Thinkers. London ; New York: Routledge, 2002.
Damasio, Antonio R. The Feeling of What Happens: Body and Emotion in the Making of Consciousness. 1st ed. New York: Harcourt Brace, 1999.
DiSalvo, Carl DiSalvo, Francine Gemperle, and Jodi Forlizzi. “Imitating the Human Form: Four Kinds of Anthropomorphic Form.” School of Design1, Institute for Complex Engineered Systems2, Human-Computer Interaction Institute3 Carnegie Mellon University, n.d.
Donnarumma, Marco. “Marco Donnarumma - Artist,” n.d. https://marcodonnarumma.com/.
Ehrhart, I. C., P. E. Parker, W. J. Weidner, J. M. Dabney, J. B. Scott, and F. J. Haddy. “Coronary Vascular and Myocardial Responses to Carotid Body Stimulation in the Dog.” The American Journal of Physiology 229, no. 3 (September 1975): 754–60. https://doi.org/10.1152/ajplegacy.19220.127.116.114.
Fahnestock, S. R. “Evidence of the Involvement of a 50S Ribosomal Protein in Several Active Sites.” Biochemistry 14, no. 24 (December 2, 1975): 5321–27. https://doi.org/10.1021/bi00695a016.
“Evidence of the Involvement of a 50S Ribosomal Protein in Several Active Sites.” Biochemistry 14, no. 24 (December 2, 1975): 5321–27. https://doi.org/10.1021/bi00695a016.
Fiksdal, Ingri. Affective Choreographies, n.d.
“For One - for Many,” n.d. https://www.lydgalleriet.no/archive/for-one-for-many.
Friedman, Ken, ed. The Fluxus Reader. Chicester, West Sussex ; New York: Academy Editions, 1998.
Friedmand, Ken. “Fluxus and Company,” n.d.
Ganson, Arthur. ) Machine with Grease. 2008. Sculpture. https://www.youtube.com/watch?v=dCBkSSkopqw.
Ganson, Arthur. Machine with Oil. 2009. Sculpture.
Gemeinboeck, Petra, and Rob Saunders. “Towards Socializing Non-Anthropomorphic Robots by Harnessing Dancers’ Kinesthetic Awareness.” In Cultural Robotics, edited by Jeffrey T.K.V. Koh, Belinda J. Dunstan, David Silvera-Tawil, and Mari Velonaki, 9549:85–97. Lecture Notes in Computer Science. Cham: Springer International Publishing, 2016. https://doi.org/10.1007/978-3-319-42945-8_8.
Golomb, Claire. “Drawing as Representation: The Child’s Acquisition of a Meaningful Graphic Language.” Visual Arts Research 20, no. 2 (1994): 14–28. http://www.jstor.org/stable/20715828.
Gracyk, Theodore. On Music. Thinking in Action. New York: Routledge, 2013.
Grosz, E. A. Chaos, Territory, Art: Deleuze and the Framing of the Earth. The Wellek Library Lectures in Critical Theory. New York: Columbia University Press, 2008.
Harman, Graham. Guerrilla Metaphysics: Phenomenology and the Carpentry of Things. Chicago: Open Court, 2005.
Harman, Graham. Prince of Networks: Bruno Latour and Metaphysics. Anamnesis. Melbourne: re.press, 2009.
Harrison, Marissa A., and A. E. Hall. “Anthropomorphism, Empathy, and Perceived Communicative Ability Vary with Phylogenetic Relatedness to Humans.” Journal of Social, Evolutionary, and Cultural Psychology 4, no. 1 (2010): 34–48. https://doi.org/10.1037/h0099303.
Anthropomorphism, Empathy, and Perceived Communicative Ability Vary with Phylogenetic Relatedness to Humans. Journal of Social, Evolutionary, and Cultural Psychology 4, no. 1 (2010): 34–48. https://doi.org/10.1037/h0099303.
Heider, Fritz, and Marianne Simmel. “An Experimental Study of Apparent Behavior.” The American Journal of Psychology 57, no. 2 (April 1944): 243. https://doi.org/10.2307/1416950.
Hoare, Natasha, and Ed Atkins. “Ed Atkins on Abject Bodies, Incorporeality and Virtual Flesh,” n.d. https://www.extraextramagazine.com/talk/ed-atkins-abject-bodies-incorporeality-virtual-flesh/.
“HUSET SPILLER – Konsertprosjekt.” Accessed March 24, 2020. https://bomuldsfabriken.no/bomuld_program/huset-spiller-konsertprosjekt/.
Ingold, Tim. Making: Anthropology, Archaeology, Art and Architecture. London ; New York: Routledge, 2013.
“Jansen’s Linkage - Wikipedia.” Accessed March 18, 2020. https://en.wikipedia.org/wiki/Jansen%27s_linkage.
Jaynes, Julian. The Origin of Consciousness in the Breakdown of the Bicameral Mind. 1. Mariner Books ed. A Mariner Book. Boston New York: Houghton Mifflin, 2000.
Karlsson, Fredrik. “Anthropomorphism and Mechanomorphism.” Humanimalia: A Journal of Human/Animal Interface Studies 3, no. 2 (n.d.).
Kiesler, Sarah, and Jennifer Goetz. “Machine Trait Scales for Evaluating Mechanistic Mental Modelsof Robots and Computer-Based Machines.” HCII,CMU, n.d.
Knight, Heather. “) How Humans Respond to Robots: Building Public Policy through Good Design.” The Robots Are Coming. Center for Technological Innovation at Brookings, Carnegie Mellon University, 2014.
Kröger, H., I. Donner, and G. Skiello. “Influence of a New Virostatic Compound on the Induction of Enzymes in Rat Liver.” Arzneimittel-Forschung 25, no. 9 (September 1975): 1426–29.
Kulezic-Wilson, Danijela. Sound Design Is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack. New York, NY: Oxford University Press, 2020.
Lepecki, André. Singularities: Dance in the Age of Performance. New York, NY: Routledge, 2016.
Li, Shuguang, Daniel M. Vogt, Daniela Rus, and Robert J. Wood. “Fluid-Driven Origami-Inspired Artificial Muscles.” Proceedings of the National Academy of Sciences 114, no. 50 (December 12, 2017): 13132–37. https://doi.org/10.1073/pnas.1713450114.
Løkkegaard, Neils Lyhne. Music for the Inner Ear. n.d. https://www.researchcatalogue.net/view/508791/508792.
lópez, francisco. “Sonic Creatures.” Aural Magazine, n.d.
Lossius, Trond, Theo de la Hogue, Pia Baltazar, Timothy Place, Nathan Wole, and Julian Rabin. “Model-View-Controller Separation in Max Using Jamoma.” Proceedings of the Joint 40th International Computer Music Conference & 11th Sound and Music Computing Conference, Athens., n.d.
Lucas, Brian J., Emery Schubert, and Andrea R. Halpern. “Perception of Emotion in Sounded and Imagined Music.” Music Perception: An Interdisciplinary Journal 27, no. 5 (2010): 399–412. https://doi.org/10.1525/mp.2010.27.5.399.
“Lynxmotion LSS,” n.d. http://www.lynxmotion.com/c-189-smart-servos.aspx.
Marco Donnarumma. “Marco Donnarumma.” Accessed March 17, 2020. https://marcodonnarumma.com/.
Marx, Karl. Grundrisse: Foundations of the Critique of Political Economy. 1st American ed. The Marx Library. New York: Random House, 1973.
Merriam Webster. “Meriam Webster Definition of Composition.” Dictionary, n.d. https://www.merriam-webster.com/dictionary/composition.
Mier, P. D., and J. J. van den Hurk. “Lysosomal Hydrolases of the Epidermis. 2. Ester Hydrolases.” The British Journal of Dermatology 93, no. 4 (October 1975): 391–98. https://doi.org/10.1111/j.1365-2133.1975.tb06512.x.
“Lysosomal Hydrolases of the Epidermis. 2. Ester Hydrolases.” The British Journal of Dermatology 93, no. 4 (October 1975): 391–98. https://doi.org/10.1111/j.1365-2133.1975.tb06512.x.
Minsky, Marvin. The Emotion Machine: Commonsense Thinking, Artificial Intelligence and the Future of the Human Mind. Paperback edition. New York London Toronto Sydney: Simon & Schuster, 2007.
Mori, Masahiro, Karl MacDorman, and Norri Kageki. “The Uncanny Valley [From the Field].” IEEE Robotics & Automation Magazine 19, no. 2 (June 2012): 98–100. https://doi.org/10.1109/MRA.2012.2192811.
Nilsen, Asle, Niklas Adam, Eirik Arthur Blekesaue, and Piotr Pachel. “Asle Nilsen, Niklas Adam, Eirik Arthur Blekesaune, Piotr Pajchel, ‘Oppdagelse Og Navngivning‘, VIS – Nordic Journal for Artistic Research, 1 (2019) https://Www.Researchcatalogue.Net/View/500921/500938/0/3517 [Accessed 31/05/2021].” VIS – Nordic Journal for Artistic Research, 1 (2019), n.d.
Noë, Alva. Strange Tools: Art and Human Nature. First paperback edition. New York: Hill and Wang, a division of Farrar, Straus and Giroux, 2016.
O’Craven, K. M., and N. Kanwisher. “Mental Imagery of Faces and Places Activates Corresponding Stimulus-Specific Brain Regions.” Journal of Cognitive Neuroscience 12, no. 6 (November 2000): 1013–23. https://doi.org/10.1162/08989290051137549.
“Open AI Website,” n.d. https://openai.com/.
Place, Timothy, and Trond Lossius. “Place, T. & T. Lossius (2006): Jamoma: A Modular Standard for Structuring Patches in Max. In Proceedings of the International Computer Music Conference 2006. New Orleans, USA: International Computer Music Association.” Proceedings of the International Computer Music Conference 2006. New Orleans, USA: International Computer Music Association., n.d.
Porter, James I. “Hyperobjects, OOO, and the Eruptive Classics—Field Notes of an Accidental Tourist.” In Antiquities Beyond Humanism, by James I. Porter, 189–210. Oxford University Press, 2019. https://doi.org/10.1093/oso/9780198805670.003.0010.
Rebstock, Matthias, and David Roesner, eds. Composed Theatre: Aesthetics, Practices, Processes. Bristol: Intellect, 2012.
“Replika,” n.d. https://replika.ai/.
Rowe. “Retrospective: Julian Jaynes and The Origin of Consciousness in the Breakdown of the Bicameral Mind.” The American Journal of Psychology 125, no. 2 (2012): 237. https://doi.org/10.5406/amerjpsyc.125.2.0237.
Rumori, M., Daniel Pirro, and Gerhard Eckel. “Stop Challenging Technology! Towards Content-Based Audio Production.” Proceedings of the 4th International Conference on Spatial Audio, VDT&IEM, Graz, Sept. 2017, n.d.
Scènes Théâtre Cinéma, and Neither Nor. Underground. n.d. Live film shoot. https://vimeo.com/379535262/d0efc2c9e1.
Shea, Michael. “User-Friendly: Anthropomorphic Devices and Mechanical Behaviour in Japan.” Advances in Anthropology 04, no. 01 (2014): 41–49. https://doi.org/10.4236/aa.2014.41006.
Sheldrake, Merlin. Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures. First edition. New York: Random House, 2020.
Skjuve, Marita, Ida Maria Haugstveit, Asbjørn Følstad, and Petter Bae Brandtzaeg. “Help! Is My Chatbot Falling into the Uncanny Valley? An Empirical Study of User Experience in Human-Chatbot Interaction.” Human Technology, February 28, 2019, 30–54. https://doi.org/10.17011/ht/urn.201902201607.
Stack, George J. “Nietzsche and Anthropomorphism.” Crítica: Revista Hispanoamericana de Filosofía 12, no. 34 (1980): 41–71. www.jstor.org/stable/40104164.
“Nietzsche and Antropomorphism.” S.U.N.Y at Brockport, n.d.
Stanley, Hiram M. “What Constitutes a Thing.” The Philosophical Review 9, no. 4 (1900): 411–15. https://doi.org/10.2307/2176331.
“Stifters Dinge,” n.d. https://www.artangel.org.uk/project/stifters-dinge/.
“The Emotion Organ,” n.d. http://www.liveart.org/motherboard/synaesthesia/EMO/index.html.
Thuestad, Thorolf. “Emotional Machines - Composing for Unstable Media, Project Description,” n.d.
For One - for Many. October 27, 2018. Kinetic sculptures, sound, gallery space. https://vimeo.com/303890854.
Verdensteatret. “Verdensteatret,” n.d. http://verdensteatret.com/.
“Vesle Esther Fikk Roboter Til å ‘Danse’ i Ytre Arna.” Bygdanytt. August 24, 2018, sec. Culture.
Weizenbaum, Joseph. Computer Power and Human Reason: From Judgment to Calculation. San Francisco: Freeman, 1976.
Computer Power and Human Reason: From Judgment to Calculation. San Francisco: Freeman, 1976.
Welles, Orson. The Trial, 1962. https://www.imdb.com/title/tt0057427/.
Yuan, Sun, and Peng Yu. Can’t Help Myself. n.d. Industrial robot. https://vernissage.tv/2019/05/29/sun-yuan-and-peng-yu-cant-help-myself/.