1. Introduction                                                                                                  6. Discussion

2. Data Domain and Design Principles for Air Pollution Sonification         7. Conclusions

3. Sonification Design                                                                                      Acknowledgements

4. Preliminary Findings                                                                                    Biographies

5. Study Design - Focus Groups                                                        References

References


 

Barrass, Stephen (2003). “Sonification Design Patterns.” In Proceedings of the International Conference on Auditory Display (ICAD’03). Boston: Boston University.

Barrass, Stephen (2012). “The Aesthetic Turn in Sonification Towards a Social and Cultural Medium.” AI & SOCIETY 27/2: 177–181. 

Carlile, Simon (2011). “Ch. 3 – Psychoacoustics.” In Hermann, Thomas, Andy Hunt and John Neuhoff (eds.), The Sonification Handbook (pp. 41-61). Berlin: Logos Publishing House.

deCampo, Alberto (2007). “Toward a Data Sonification Design Space Map.” In Proceedings of the 13th International Conference on Auditory Display. Montreal: McGill University.

Cook, Perry (2011). “Ch. 9 – Sound Synthesis for Auditory Display.” In Hermann, Thomas, Andy Hunt and John Neuhoff (eds.), The Sonification Handbook (pp. 197-235). Berlin: Logos Publishing House. 

Flowers, John H. (2007). “Thirteen Years of Reflection on Auditory Graphing: Promises, Pitfalls, and Potential New Directions.” In Proceedings of the International Conference on Auditory Display. Montreal: McGill University.

Goudarzi, Vizda, Kathy Vogt, and Robert Höldrich (2015). “Observations on an Interdisciplinary Design Process Using a Sonification Framework.” In Proceedings of International Conference on Auditory Display. Graz: University of Graz.

Grond, Florian, and Thomas Hermann (2012). “Aesthetic Strategies in Sonification.” AI & SOCIETY 27/2: 213–222. 

Hermann, Thomas, Andy Hunt and John Neuhoff (eds.) (2014). The Sonification Handbook. Berlin: Logos Verlag Berlin.

Peres, Camille and David M. Lane (2005). “Auditory Graphs: the Effects of Redundant Dimensions and Divided Attention.” In Proceedings of the International Conference on Auditory Display. Limerick: University of Limerick.

Quinton, Michael, Iain McGregor and David Benyon (2016). “Sonifying the Solar System.” In Proceedings of International Conference on Auditory Display. Canberra: University of Canberra.

Roginska, Agniegzka, Edward Childs and Micah K. Johnson (2006). “Monitoring real-time data: A sonification approach.” In Proceedings of International Conference on Auditory Display. London: University of London.

Schuett, Jonathan, Riley Winton, and Bruce Walker (2014). “Comprehension of Sonified Weather Data Across Multiple Auditory Streams.” In Proceedings of International Conference on Auditory Display. Lodz: University of Lodz.

Shamma, Shihab A., Mounya Elhilali and Christophe Micheyl (2011).“Temporal coherence and attention in auditory scene analysis.” Trends in Neurosciences 34/3: 114–123. 

Smith, Daniel R. and Brice N. Walker (2002).Tick-marks, axes, and labels: The effects of adding context to auditory graphs. In Proceedings of International Conference on Auditory Display. Atlanta: Georgia Institute of Technology.

Supper, Alexandra (2014). “Sublime frequencies: The construction of sublime listening experiences in the sonification of scientific data.” Social Studies of Science 44/1: 34-58.

Supper, Alexandra (2015). “Sound Information: Sonification in the Age of Complex Data and Digital Audio.” Information & Culture: A Journal of History 50/4: 441–464. 

Vickers, Paul, Christopher Laing, Mohammad Debashi and Tom Fairfax (2014). “Sonification Aesthetics and Listening for Network Situational Awareness.” In Proceedings of SoniHED – Conference on Sonification of Health and Environmental Data. York: University of York.

Vickers, Paul, Bennett Hogg and David Worrall (2017). “Aesthetics of sonification: Taking the subject-position.” In Clemmens Wöllner (ed.), Body, Sound and Space in Music and Beyond: Multimodal Explorations (pp. 89–109). London: Routledge.

1. Introduction                                                                                                  6. Discussion

2. Data Domain and Design Principles for Air Pollution Sonification         7. Conclusions

3. Sonification Design                                                                                      Acknowledgements

4. Preliminary Findings                                                                                    Biographies

5. Study Design - Focus Groups                                                        References