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This research investigate how arrangers can use vocals as an addition to their horn arrangements. Through experimenting and literature research I will explore the role a voice can have as an autonomous part in a horn section with 2 other horns. In this research I ask myself the question: How can I use voice to complement 3 part horn arrangements? Using the most common horns in jazz, I make groupings of 2 horns paired up with the voice based on instrument information and range. We will play in different devisions and explore the influence that vowels will have on blending, opting for a homogeneous sound, where the voice is adopted in the section.

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  • contents
    • Home
    • Table of Contents
    • Part 0 - Introduction
    • Part 1 - Instruments // inst. and vocal inform.
    • Part 2 - Arranging // Pitches and Partitures
    • Part 2 - Arranging // Voicings
    • Part 3 - Execution // Syllables and Blending
    • Part 3 - Execution // Phase I
    • Part 4 - Conclusion
    • Part 5 - Appendix // Literature
    • Marit Eline van der Lei
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  • abstract
    This research investigate how arrangers can use vocals as an addition to their horn arrangements. Through experimenting and literature research I will explore the role a voice can have as an autonomous part in a horn section with 2 other horns. In this research I ask myself the question: How can I use voice to complement 3 part horn arrangements? Using the most common horns in jazz, I make groupings of 2 horns paired up with the voice based on instrument information and range. We will play in different devisions and explore the influence that vowels will have on blending, opting for a homogeneous sound, where the voice is adopted in the section.
  • Marit Eline van der Lei - The instrumental section singer - Implementing vocals in a 3 part horn arrangement - 2020
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Table of Contents

☞ P A R T  0

Introduction

▸ Why I choose this topic


▸ Contextualisation


▸ Methodology


▸ Limitations to this research


▸ Summary

←BCK // Titelpage

Instruments

☞ P A R T  1

1 Instrument & vocal information

          1.1 Transposition

          1.2 Ranges

          1.3 Instrument theory


☞ P A R T  2

Arranging

2.     Choosing your pitches


3.     Partitures

3.1 Start the End

3.2 Eventually I Will

 

4.     Voicings

4.1 Basic voicing, close position: rules

4.2 Voicings in seconds (clusters): rules

4.3 Voicings in fourths: rules 

4.4 Upperstructure triads: rules

4.5 Spreads: rules 

☞ P A R T  3

5.     Syllables

5.1 Mimicking horn instruments

5.2 Blending in a group

 

6. Recordings

6.1 Phase I: reducing the options

6.2 Findings phase I

6.3 Phase II: live rehearsing

6.4 Findings phase II

Execution

7. Conclusion

☞ P A R T  4

Conclusion

→NXT // Introduction

☞ P A R T  5

Appendix

8. Appendix 

8.1Bibliography