Journal of Sonic Studies 13 (2017) - Acoustic Ephemeralities
- Acoustic Ephemeralities: Introduction - Monika Dommann, Boris Previšić, and Marianne Sommer
- Sound-Essay 1 - Peter Weber and Lucas Niggli
- Phonograph, Symbolic Acoustic Evidence in Arno Holz’ Phantasus - Thomas Forrer
- Acoustic Micro- and Macroephemeralities in Literature. Robert Walser’s Microscript 364 (1925) and Peter Weber’s Silber und Salbader (1999) - Boris Previšić
- At the Margins of the Audible: Morton Feldman’s Ephemeral Compositions - Dieter Mersch, translated by Laura Radosh
- Writing the Ephemeral: John Cage’s Lecture on Nothing as a Landmark in Media History - Simon Aeberhard
- Smorzando: Chopin on the MP3 player - Michel Roth
- Listening to the Body Moving: Auscultation, Sound, and Music in the Early Nineteenth Century - Janina Wellmann
- Record, Rewind, Rewrite: Acoustic Historiography with the Presidential Tapes - Monika Dommann, translated by Sarah Pybus
- Archive, Collection, Museum: On the History of the Archiving of Voices at the Sound Archive of the Humboldt University - Britta Lange, translated by Benjamin Carter
- Animal Sounds against the Noise of Modernity and War: Julian Huxley (1887–1975) and the Preservation of the Sonic World Heritage - Marianne Sommer
- Sound-Essay 2 - Boris Previšić, Hannes Seidl, and Lucas Niggli
Sonic concept: Michel Roth
Sonic filtering: Hannes Seidl
Sonic realization: Lucas Niggli
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License, except for the soundfiles by Lucas Niggli and Hannes Seidl: all rights reserved.