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Algorithmic Spaces was a collaboration between Algorithms that Matter (ALMAT) and Center for Art and Media Karlsruhe (ZKM), taking place in December 2018 within ZKM's festival inSonic. We selected talks and pieces based on a call works engaging with the space and spatialities of computational processes. Are there inherent spatial properties to algorithms? For example, what is the relationship between the iterations of code, the behaviour of multi-agent systems, the exploration of databases, and their inscription into the perceptual, auditive space? We were interested in pieces that use generative processes to produce space, rather then applying a secondary “spatialisation” procedure. We were looking for approaches that treat spatiality as a critical phenomenon emerging from the work with algorithms, for sonic artefacts that probe concepts of spatiality through embedding in algorithmic processes.
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Interactions with musical instruments can be viewed thorugh the lens of nonlinear dynamical systems. Musical interactions can be thought of as the governance of trajectories through the specific phase space instantiated by a particular system. In this talk, To Mudd will look at these processes and in his own digital synthesis work implemented in the Gutter Synthesis interaction in terms of the specific materiality of algorithms (wether physical or digital) help to make a solid connection across the divides between the material nature of musical tool, and the specific manifestations of interactions in musical practices.
{function: description, origin: program notes, keywords: [interaction, dynamical, systems, trajectory, phase space, synthesis, materiality]}
cameras and editing: ZKM videostudio
full clip with Q&A: https://www.youtube.com/watch?v=3X70_ckVjAU