PRACTICE SHARING


 


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WINTER 2020. Welcome to Practice Sharing  an online presentation of expanded approaches to language-based practice within the field of artistic research. Over 70 individuals and collaborations are included in this first 'sharing'.

 

The intent has been to reflect how language-based artistic research is practised in its diversity, rather than to define or determine what it is in advance. As such, the focus on language within artistic research is considered from a broad and transforming perspective to include diverse fields such as visual arts, performance, film, theatre, music, choreography as well as literature; where language-based practices might include (as well as move beyond) different approaches to writing, reading, speaking, listening.

 

Contributors were invited to respond to the following 'call':

1. How is your practice? How does your enquiry in-and-through language-based artistic research manifest in specific practices and examples.
2. Outline one or two examples from your own artistic- or practice-based research — focusing on specific language-based ‘practices’ (in other words: specific processes, approaches or methods; ways of working, constellations of activity or framing patterns; particular projects or lines of enquiry-in-practice).

The submissions have been ordered alphabetically on this page such that the reader may search by name or explore each contribution within the immediate vicinity of other contributions. We hope that this allows for chance acquaintances, unexpected resonances and aleatory connections. In assembling the contributions shared fields of interest have begun to emerge such as performativity, voice and vocalisation, site and situative writing, text as material, translation, transcription, silence, only to mention a few. 

Rather than a definitive or exhaustive archive or survey of the field, this exposition hopefully provides a starting point from which future conversations and collaborations might emerge.

 

Practice Sharing will continue to evolve through future calls and contributions, providing a context for including further practices and widening the network of expanded approaches to language-based practice within the field of artistic research.



 

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Ana Carolina + Tatiana Melitello

scenic language

theater

listening

gesture

virtual space

Nicholas F. Callaway

Shibboleths

Lebanon

violence

the absurd

performativity

Nirav Christophe

polyphony

theatre writing

co-creation

dissemination as research

writing as research

Alex Arteaga

aesthetic (inter)action

slow observation

shared agencies

phenomenology

not-knowing

Daniel Buner Formo

music and speech

speech genres

prosody

improvisation

communicative musicality

Victoria Callus

contemporary

cutup

multimodal

experimental

paper

Emma Cocker

poetics of attention

conversation-as-material

reading as an aesthetic practice

not-knowing

contiguous-writing

John Court

Perspicuous

written-word

numbers

act-on

interrogative

Alaa Abu Asad

invasive

oral history

communication

friendship

dialects

Marjolijn van den Berg

generative writing strategies

art writing

experiential writing education

writing as making

writing from image and text

Ana Brotas

dialogical

collective

orality

interaction

between

Daniela Cascella

chimera

transcelation

csiting

individuation

study

Mike Croft

perception

speech

transcription

reflexivity

reflection

Fiskis Collective

Hannah Clarkson | Matilda Tucker | Konstantina Pappa | Milagros Bedoya

fictioning

Listening

empathy

home

translation

Cordula Daus

semifictional writing

interview

intensity

vocalization

lecture performance

Mihai Florea

English-becoming-Romanian

re-training diaphragm

lullaby

torture

schizo-utterance

Moa Franzén

performative

choreography

score

voice

ideology

Alexander Damianisch

poetics of understanding

to institute

to moderate

resonance

epistemic-aesthetic practice

Regina Dürig

creative writing

autoethnography

performance

writing within

silence

Steve Dutton

speaking-writing

saying-unsaying

making-glossolalia

reading-seeing

Karl Erickson

hellogoodbye

helloworld

transspecies

speculative fiction

etdownloads

Rob Flint

voice

chorus

unison

assembly

enchantment

Ulrika Gomm

distort

re-read

language

exercise

repeat

Lynda Gaudreau

letter

performative writing

expanded writing

artistic theory

artistic discursivity 

Maria Gil Ulldemolins

thermal-print

juxtaposition

autotheory

tactile

embodied

Steffi Hofer

space

contact

seeing

resonance

speaking

Anouk Hoogendoorn

multimodal writing

fabulation

speculative pragmatism

neurodiverse perception

textual materiality

Petra Johnson

vibrational matter

cosmologies

ways of telling

cadence

sonic thinking

David Griffin

drawing

notation

music

time

connotation

Rosie Heinrich

co-authorship

ventriloquy

notation scores

embodied language

punctuation

Andrew Hauner

academic quotation

creativity-babble

shadow libraries

artistic appropriation

Samizdat practices

Lucie Kolb

fine arts

feminist institutional studies

fiction

study

reparative reading

Alys Longley + pavleheidler

metaphor

artistsbook

poetics

bracketing

tangential-somatic-drawing

Sepideh Karami

writing architecture

dissident writing

performative writing

critical fiction

minor politics

Elin Karlsson

female sexuality

lewd

domestic

island

banished

Zeynep Kaynar

typeface

gesture

performance

semantics

abstract

Marinos Koutsomichalis

Natural Language Understanding

AI

post-digital objecthood

hyperstition

knowledge graphs

Krystyna Kulisiewicz

musical instructions

music-related translations

music in international environment

influence of language on music

perception/influence of different languages

Myrto Leventaki

conversation

conversion

feeling words

transforming words

un-articulation

Andy Lock

site writing

situated writing

autofiction

autoethnography

silence

bodies

Linnea Kristensen

fold

dependency

trust

relations

performance

Mark Leahy

voice

performance

hearing

making

gesture

Tracy Mackenna

performing language

live writing

transgressing translation

shaping sites

voicing contributors

Danica Maier

un/repeat

textlines

slow

interconnections

revealing

 

Adelheid Mers

diagrammatics

topology

performative diagrammatics

reading as creative practice

epistemic diversity

ethico-onto-epistemology

Daniela Moosmann

peer writing

embodied knowledge

let the body write

enquiry through writing

co-creating through writing

Cristiana de Marchi

fictional

validation

empowerment

exophony

verbal/visual

 

Elina Mikkilä

creatical writing

egofaketion

culturally multilingual authorship

third-space idiolects

écriture semi-automatique

Janaína Moraes

language transition

invitation poetics

choreography as expanded field

writing as material practice

embodied language

Eleni Mylona

language choreography

auto-fiction

intimacy

relatedness

time

Ninke Overbeek

writing and the senses

embodied knowledges

ficto-critical writing

poetry

new music-theatre writing strategies

Raquel Meyers

poetry

character Set

KYBDslöjd

technology

Brutalism

Wendy Morris

libraries

letters

diaries

typewritings

utterings+mutterings+stutterings

P - R 

Charlotta Ruth

systems

clues

form as content

flexible narratives

participatory poetics

Johannah Rodgers

signification

landscape

articulation

writing

drawing

Simon Roloff

conceptual writing

generic writing

montage

ethnography

digital literature

Marie-Andrée Pellerin

linguistic worlds

science-fiction

fluidity

voices

alien consciousness

Julieanna Preston

material

aural

somatic

performance

cursive

Katarina Ranković

fictioning

scripting

agency

artificial intelligence

performance

Katarina Petrović

cosmogony

generativeness

infinite

algorithm

poetry

Lucia Rainer

accessible research

act of framing

participatory engagement

performative interruption

poetic notion of coincidence

Jane Rendell

critical spatial practice

site-writing

situatedness

spatiality

subjectivity

Mariana Renthel

scribbling

drawing

writing

conjure

meaning 

S - Z 

Klaus Spiess

phonetic alphabet

semiotics

transspeciies ontologies

microbiome

Elina Saloranta

letter

family

history

experiment

lyric essay

Vidha Saumya

self-publishing

performative

poetry

testimonial

making-public

Phoenix Savage

Yoruba

pre-colonial

African Diaspora

haptic

interconnectivity

Lena Séraphin

site-specific writing

site-specific reading

public space

intersubjectivity

publishing surfaces

Adam Sulzdorf-Liszkiewicz

digital literature

intermedia

concrete poetry

games

play

Anna T.

opacity

minority

improvisation

queer slangs

decoloniality

Iuliana Varodi

sensing

musicality

voicing

wording

writing

Nathan Walker

action poetry

vocal-body

voice

scores

performance art

Imri Sandström

performance

translation

pun

remediation

performativity

 

Rachel Smith

artist book

meaning making

conceptual poetics

read(writ)ing

meandering

Ilya Ziblat Shay

processed speech

voice and electronics

voice as acousmatic source

music and language

live-electronics composition