PRACTICE SHARING
TIPS ON NAVIGATING
* To return to main Practice Sharing page click ±
* Click on individual names or on the alphabetical cluster (e.g. A – C) to browse contributions.
* The pages extend horizontally as well as vertically.
* Double click on images to enlarge as a pop-up, or in some cases, click on the ENLARGE IMAGE hyperlink to further expand the image field.
* Videos have a 'play' icon in their top right hand corner 4. Click directly on video to play – videos can also be enlarged to full screen.
* Click on PDFs to read or download.
* PDFs and external links open in a new window.
* The optimal viewing mode for this exposition is 100%. It is possible to zoom in and out using the + and - operations on your actual computer but this can impact the layout.
Ana Carolina + Tatiana Melitello
scenic language
theater
listening
gesture
virtual space
Shibboleths
Lebanon
violence
the absurd
performativity
polyphony
theatre writing
co-creation
dissemination as research
writing as research
aesthetic (inter)action
slow observation
shared agencies
phenomenology
not-knowing
music and speech
speech genres
prosody
improvisation
communicative musicality
contemporary
cutup
multimodal
experimental
paper
poetics of attention
conversation-as-material
reading as an aesthetic practice
not-knowing
contiguous-writing
Perspicuous
written-word
numbers
act-on
interrogative
invasive
oral history
communication
friendship
dialects
generative writing strategies
art writing
experiential writing education
writing as making
writing from image and text
dialogical
collective
orality
interaction
between
chimera
transcelation
csiting
individuation
study
perception
speech
transcription
reflexivity
reflection
Hannah Clarkson | Matilda Tucker | Konstantina Pappa | Milagros Bedoya
fictioning
Listening
empathy
home
translation
semifictional writing
interview
intensity
vocalization
lecture performance
English-becoming-Romanian
re-training diaphragm
lullaby
torture
schizo-utterance
performative
choreography
score
voice
ideology
poetics of understanding
to institute
to moderate
resonance
epistemic-aesthetic practice
creative writing
autoethnography
performance
writing within
silence
speaking-writing
saying-unsaying
making-glossolalia
reading-seeing
hellogoodbye
helloworld
transspecies
speculative fiction
etdownloads
voice
chorus
unison
assembly
enchantment
distort
re-read
language
exercise
repeat
letter
performative writing
expanded writing
artistic theory
artistic discursivity
thermal-print
juxtaposition
autotheory
tactile
embodied
space
contact
seeing
resonance
speaking
multimodal writing
fabulation
speculative pragmatism
neurodiverse perception
textual materiality
vibrational matter
cosmologies
ways of telling
cadence
sonic thinking
drawing
notation
music
time
connotation
co-authorship
ventriloquy
notation scores
embodied language
punctuation
academic quotation
creativity-babble
shadow libraries
artistic appropriation
Samizdat practices
fine arts
feminist institutional studies
fiction
study
reparative reading
metaphor
artistsbook
poetics
bracketing
tangential-somatic-drawing
writing architecture
dissident writing
performative writing
critical fiction
minor politics
female sexuality
lewd
domestic
island
banished
typeface
gesture
performance
semantics
abstract
Natural Language Understanding
AI
post-digital objecthood
hyperstition
knowledge graphs
musical instructions
music-related translations
music in international environment
influence of language on music
perception/influence of different languages
conversation
conversion
feeling words
transforming words
un-articulation
site writing
situated writing
autofiction
autoethnography
silence
bodies
fold
dependency
trust
relations
performance
voice
performance
hearing
making
gesture
performing language
live writing
transgressing translation
shaping sites
voicing contributors
un/repeat
textlines
slow
interconnections
revealing
diagrammatics
topology
performative diagrammatics
reading as creative practice
epistemic diversity
ethico-onto-epistemology
peer writing
embodied knowledge
let the body write
enquiry through writing
co-creating through writing
fictional
validation
empowerment
exophony
verbal/visual
creatical writing
egofaketion
culturally multilingual authorship
third-space idiolects
écriture semi-automatique
language transition
invitation poetics
choreography as expanded field
writing as material practice
embodied language
language choreography
auto-fiction
intimacy
relatedness
time
writing and the senses
embodied knowledges
ficto-critical writing
poetry
new music-theatre writing strategies
poetry
character Set
KYBDslöjd
technology
Brutalism
libraries
letters
diaries
typewritings
utterings+mutterings+stutterings
systems
clues
form as content
flexible narratives
participatory poetics
signification
landscape
articulation
writing
drawing
conceptual writing
generic writing
montage
ethnography
digital literature
linguistic worlds
science-fiction
fluidity
voices
alien consciousness
material
aural
somatic
performance
cursive
fictioning
scripting
agency
artificial intelligence
performance
cosmogony
generativeness
infinite
algorithm
poetry
accessible research
act of framing
participatory engagement
performative interruption
poetic notion of coincidence
critical spatial practice
site-writing
situatedness
spatiality
subjectivity
scribbling
drawing
writing
conjure
meaning
phonetic alphabet
semiotics
transspeciies ontologies
microbiome
letter
family
history
experiment
lyric essay
self-publishing
performative
poetry
testimonial
making-public
Yoruba
pre-colonial
African Diaspora
haptic
interconnectivity
site-specific writing
site-specific reading
public space
intersubjectivity
publishing surfaces
digital literature
intermedia
concrete poetry
games
play
opacity
minority
improvisation
queer slangs
decoloniality
sensing
musicality
voicing
wording
writing
action poetry
vocal-body
voice
scores
performance art
performance
translation
pun
remediation
performativity
artist book
meaning making
conceptual poetics
read(writ)ing
meandering
processed speech
voice and electronics
voice as acousmatic source
music and language
live-electronics composition