Reading on Reading is a series of experimental reading practices developed collaboratively by Emma Cocker, Cordula Daus and Lena Séraphin whilst working together in the Research Pavilion #3, Venice, 2019, for exploring what alternative modes of sense making are produced when reading is undertaken artistically, as an aesthetic activity.
Reading on Reading explores three interrelated foci: How can aesthetic practices of reading: (1) Shed new light on the phenomenology (or how-ness) of reading? (2) Transform the often-solitary activity of reading into a shared or communal act — and explore what modes of sociality, solidarity and emergent ‘we’ emerge therein? (3) Operate as a disruptive process unsettling normative conventions of reading through focus on the poetic, affective and material dimensions of readerly experience?
Within this artistic research collaboration, we consider the act of reading beyond the relation of the reader to a text read, as a micro-political or ethico-aesthetic practice through which to re-consider — perhaps even re-organise — the relations between self and other(s), self and world. Drawing upon Félix Guattari’s notion of ecosophy with its three ecological registers of environment, social relations and human subjectivity, in this exposition we consider how the modest practice of reading together could contribute to a wider ethico-aesthetic project: for cultivating shared poetics of attention, for the re-sensing of language through embodied vocalisation, for tending to the temporary gatherings of ‘we’ that reading together affords.
The aim of this exposition is to share the reading practices tested and explored in and through the collaboration of three artist researchers, alongside reflection on the questions and concerns emerging within this enquiry. Whilst operating as a document or archive of a specifically time-bound research activity, the intention is that our reading practices have scope to be activated by other readers.
This exposition is entitled Wording: on Collaborative Writing in Public Space, in short Wording. It is a continuous non-conclusive working space and a collection of research on collaborative writing. The aim of this attempt at writing is to shape a public space using words and to position ourselves in shared spaces and reciprocated texts. Wording has a performative quality as writers in public space are observed themselves, and the question is if this collective writing experiment acts as a countertext to the commodification of our corporeal selves. Wording is inspired by Georges Perec and his experimental work "An Attempt at Exhausting a Place in Paris" from 1974 and is facilitated by Lena Séraphin.
Convocation – from com ‘with, together’ and vocare ‘to call’. We call for a gathering of language-based practices: from the wordless corporeality of body language to the virtuality of digital text, from the voicing of spoken utterance to the textility of words on a page. Textorium – a notion that etymologically pertains to weaving and braiding, the weaver and the woven. For phenomenologist Max van Manen the term refers to the writerly space of reflection, the experiential world of the text as it opens up for the receptive writer and reader. But how can the ‘taken-for-grantedness’ of language be put into question? How can language-based practices enable us to encounter ‘things’ anew? From textorium to sensorium, a reciprocal space for coming together through a material encounter with language experienced in its diversity.
How do we experience language’s activity, affectivity, ambiguity, capacity, corporeality, density, elasticity, ephemerality, fluidity, fragility, illegibility, instability, intensity, inter-subjectivity, hybridity, materiality, multiplicity, musicality, occasionality, opacity, performativity, physicality, plasticity, porosity, potentiality, relationality, simultaneity, sensibility, sensitivity, sonority, spatiality, syn¬chronicity, tonality, temporality, visuality, vitality?
Convocation invites exploration of the how-ness of language within practices of: Addressing | Calling | Conversing | Describing | Dialoguing | Disrupting | Drawing | Echoing | Effacing | Evoking | Fictioning | Invoking | Listening | Misunderstanding | Moving | Muting | Naming | Questioning | Reading | Redacting | Spacing | Speaking | Summoning | Transcribing | Translating | Voicing | Wording | Writing | ____ ing
Convocation is a 3-day event on expanded language-based practices taking place within the frame of the Research Pavilion, Venice, 16 - 18 June 2019.
Hosted by Emma Cocker, Cordula Daus and Lena Séraphin in co-operation with Alex Arteaga. A collaboration between research cells Through Phenomena Themselves, Disruptive Processes and AIRA.
16 – 18 June 2019
10.00 – 20.00
Sala del Camino + theatre, Giudecca, Venice
Within the frame of the Research Pavilion
Conceived and co-organised by Emma Cocker, Alexander Damianisch, Cordula Daus and Lena Séraphin, this Society of Artistic Research Special Interest Group (SAR SIG) provides contexts for coming together via the exchange of language-based research. The intent is to support developments in the field of expanded language-based practices by inviting attention, time and space for enabling understanding of/and via these practices anew.
Textorium is an experiment in collective writing in/on/with public space initiated by Lena Séraphin, with artist-writers Emma Cocker, Andrea Coyotzi Borja, Cordula Daus and Vidha Saumya. Between 30 May – 4 June 2022, this group of artist-writers met in Vasa, Finland, coming together over a period of days to write in/on/from the Market Square. This exposition gathers scores, documents and artefacts generated through a specific time-bound process of collective writing in this singular public space.