Late style

Views on the Polonaise-Fantaisie

- by Olaf Eggestad


When preparing the Polonaise-Fantaisie op. 61 for performance, one is also approaching one of allegedly least performative pieces by the super-pianist-composer Chopin. 

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Brahms: 6 piano pieces op. 118

By Håkon Austbø

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Reflections on Vier Ernste Gesänge, op. 121

By Njål Sparbo

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Beethoven's opus 131

Analysis, presentations workshops and concert introduction

- by Nils Henrik Asheim


An analytical approach as a base for a dialogue on interpretation with a string quartet.

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