PAMPHLET                           VIDEO GALLERY         BIBLIOGRAPHY 


A live version of the bibliography is available on this external site Arcades Projections*. 



Adams, Judith. The American Amusement Park Industry: A History of Technology and Thrills. Boston: G. K. Hall, 1991.

Akscyn, Robert. "The ACM Hypertext Compendium.” Hypertext 91 Proceedings. Ed. P.D. Stotts and R.K. Furuta. New York: Association for Computing Machinery, 1991. 403-405.

Aleghieri, Dante. The Divine Comedy. New York: Chronical Books, 2006.

Amato, Joe. "Ink/Pixel: Re-Writing Self-Construction, Briefly." Writing on the Edge 3(1992): 77-85.

Approaches to Teaching British Women Poets of the Romantic Period. Ed. Stephen C.Behrendt and Harriet Kramer Linkin. New York: MLA, 1997.

Aragon, Louis. Paysan de Paris. Trans. Simon Watson Taylor. Boston: Exact Change, 1994.

Attali, Jacques. Labyrinth in Culture and Society: Pathways to Wisdom. 1996.

Barthes, Roland. "From Work to Text." Trans. Stephen Heath. Image-Music-Text. London: Flamingo, 1977.155-164.

-     -     -  Mythologies. Trans. Annette Lavers. London: Paladin Grafton Books, 1987.

-     -     - The Rustle of Language. New York: Hill and Wang, 1986.

Baudelaire, Charles. The Flowers of Evil. Ed. Marthiel and Jackson  Mathews.  Trans. C. F. MacIntyre. New York: New  Directions, 1989.

Baudrillard, Jean. Simulacra and Simulation. Trans. S.F. Glaser. Ann Arbor, MI: Michigan UP, 1994.

-     -     -  America.   New York: Verso, 1989.

-     -     - Seduction. Trans. Brian Singer. New York: St. Martin’s Press, 1979.

-     -     - "The Indifference of Space." Mass. Identity. Architecture. Academy Press, 2006.

Benjamin, Walter. Charles Baudelaire: a Lyric Poet in the Era of High Capitalism. London: Verso, 1983.

-     -     - Illuminations: Essays and Reflections. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1968.

-     -     - Reflections:  Essays, Aphorisms, Autobiographical Writings. Ed. Peter Demetz.Trans. Edmund Jefcott. New York: Schocken, 1978.

-     -     - “One-Way Street.” Illuminations. Ed. Hannah Arendt. Trans. Harrzy Zohn. New York: Schocken 1968. 253-267.

-     -     - “Program for a Proletarian Children’s Theater.”  Walter Benjamin: Selected Writings Volume 2 1927-1934. Ed. Michael W. Jennings . Cambridge: Harvard UP, 1999. 201-206.

-     -     -  The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Harvard UP, 1999.

-     -     -  The Correspondence of Walter Benjamin 1910-1940. Ed. Gershom Scholem and Theodor W. Adornow. Trans. Manfred R. Jacobson and Evelyn M. Jacobson. Chicago: U of Chicago P, 1994.

-     -     -  The Origin of German Tragic Drama.  Trans. John Osborne. London: Verso, 1998.

-     -     - “The Author as Producer.” Walter Benjamin: Selected Writings Volume 2 1927-1934. Ed. Michael W. Jennings .Cambridge: Harvard UP, 1999. 768-782.

-     -     -  “Theses on the Philosophy of History.” Illuminations. Ed. Hannah Arendt. Trans. Harrzy Zohn. New York: Schocken 1968. 253-267.

-     -     -  “The Storyteller.” Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken 1968. 83-109.

-     -     -  “The Task of the Translator.” Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken 1968. 69-82.

-     -     - “The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Ed. Hannah Arendt. Trans Trans. Harrzy Zohn. New York: Schocken 1968. 217-251. 

Bentley, G. E., Jr. “William Blake's Techniques of Engraving and Printing.” Studies inBibliography: Papers of the Bibliographical Society of the University of Virginia. 34 (1981) 241-253.

Berk, Emily and Joseph Devlin. "What Is Hypertext?" The Hypertext/Hypermedia Handbook. Ed. Emily Berk and Joseph Devlin.New York: McGraw-Hill. 3-9.

Berk, Michael. "Head Rush: How Drug Experiments Illumintaed Benjamin's Thinking." Nextbook: A Gateway to Jewish Literature, Culture and Ideas. May 16, 2006. <>

Bernstein, Mark. "Architectures for Volatile Hypertext." Hypertext '91 Proceedings. Ed. P.D. Stotts and R.K. Furuta. New York: Association for Computing Machinery,

1991. 243-61.

-     -     - "Beyond Usability and Design: The Narrative Web." A List Apart. 20 April 2001. 8 Aug. 2001<>.

-     -     - "Deeply Intertwingled Hypertext: The Navigation Problem Reconsidered.” Technical Communication (1991): 41-47.

-     -     - "More Than Legible: On Links That Readers Don't Want to Follow.” Hypertext 2000. San Antonio: ACM, 2000. 216-217.

-     -     - "Patterns of Hypertext." Proceedings of the Ninth ACM Hypertext Conference. Pittsburgh: ACM, 1998. 21-29.

Bernstein, Mark, and Peter J. Brown. "Structure, Navigation, and Hypertext: The Status of the Navigation Problem." Hypertext '91.San Antonio: ACM, 1991. 363-366.

Bey, Hakim. T.A.Z.: Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. New York: Autonomedia, 1991.

Blake, William. The Marriage of Heaven and Hell. New York: Dover , 1994.

-     -     -  The Marriage of Heaven and Hell. copy H, object 14. The William Blake Archive. Ed. Morris Eaves, Robert N. Essick, and Joseph Viscomi. 6 June 2007 <>.

Bolter, Jay David, Michael Joyce, and John B. Smith. Storyspace 1.3 [hypertext authoring software]. Watertown MA: Eastgate Systems, 1990.

-     -     -  Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ : Lawrence Erlbaum and Associates, 1991.

-     -     -  Private communication. February 25, 1992.

Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge: MIT Press, 1999.

Borck, Cornelius. "Sound Work and Visionary Prosthetics: artistic experiments in Raoul Haussman." Papers of Surrealism 4 (winter 2005).

Borges, Jorge Luis. “The Two Kings and the Two Labyrinths.”  Labyrinths: Selected Stories and Other Writings.

Brand,-Roy; Meis,-Morgan. "On Walter Benjamin's Arcades Project: Two Views.” Graduate-Faculty-Philosophy-Journal 2002; 23(2): 213-231.

Brennan, Susan E. “Conversation as Direct Manipulation: An Iconoclastic View.” The Art of Human—Computer Interface Design393-404. Ed. Brenda Laurel. Reading, Mass.: Addison Wesley, 1990.

Broadway, Geoff. "Digital Realist Montage." Thesis. University of Derby, 1997.

Brooks, Max. The Zombie Survival Guide. New York: Three Rivers Press, 2003.

Brown, J. D.  “Henry Miller.”  The Dictionary of Literary Biography: American Writers in Paris, 1920-1939. vol. 4 Ed. Karen Lane Rood. Detroit: Bruccoli, 1980.

Buck_Morss, Susan. The Dialectics of Seeing: Walter Benjamin and The Arcades Project. Cambridge: MIT, 1989.

-     -     - “The Flâneur, the Sandwichman and the Whore: The Politics of Loitering.” New German Critique 39 (Autumn 1986), 99-140.

Burgin, Victor. "Chance Encounters: Flâneur and Detraquée in Breton's Nadja.” Qui Parle 4.1 (1990): 44-61.

Burke, Edmund. On the Sublime and the Beautiful. Burke Press, 2007.

Burke, Kenneth. "Definition of Man" Language as Symbolic Action. Berkeley: U of California P, 1966.

Burke, Kenneth. “The Nature of Art under Capitalism” (1933) The Philosophy of Literary Ed. McKnight, A. Dillon, and J. Richardson Form. 3rd revised ed. Berkeley: University of California Press, 1973.

Burke, Kenneth. "Introduction: The Five Key Terms of Dramatism." A Grammar of Motives. Berkeley: U of California P, 1969.

-     -     -  "Terministic Screens" Language as Symbolic Action. Berkeley: U of California P, 1966.

Burton, Richard.  The Flâneur and His City. Durham: U of Durham P, 1994.

Calle, Sophie and Jean Baudrillard. Please Follow Me. Trans. Dany Barash and Danny Hatfield. Seattle: Bay Press, 1983.

Canetti, Elias. Crowds and Power. New York: Viking, 1966.

Carlson, Patricia. "The Rhetoric of Hypertext." Hypermedia 2: 109-31.

Caroll, Lewis. Through the Looking Glass. London: Dover, 1999.

Charney, Davida. "The Impact of Hypertext on Processes of Reading and Writing."

Literacy and Computers. Ed. S. Hilligoss and C. Selfe. New York: Modern Language Association, 1993. 238-62.

Chessman, Harriet Scott. The Public Is Invited to Dance: Representation, the body, and Dialogue in Gertrude Stein. Stanford, CALStanford UP, 1989.

Coe, Richard M. "Defining Rhetoric--and Us: A Meditation on Burke's Definitions.” Composition Theory for the Postmodern Classroom. Ed. Gary A. Olson and Sidney I. Dobrin. Albany: SUNY P, 1994.

Cohen, Margaret. "Benjamin's Phantasmagoria: The Arcades Project.” The Cambridge Companion to Walter Benjamin. Ed. David S. Ferris. Cambridge, England: Cambridge UP, 2004. 199-220.

-     -     -  Profane Illuminations: Walter Benjamin and the Paris of Surrealist Revolution. Berkeley: U of California P, 1993.

Cook, Kay K. “The Aesthetic of Loss: Charlotte Smith’s The Emigrants and Beachy Head.” Approaches to Teaching British Women Poets of the Romantic Period. Ed. Stephen C. Behrendt and Harriet Kramer Linkin. New York: MLA, 1997.

Cortazar, Julio. Hopscotch. Trans. Gregory Rabassa. New York: Avon, 1966.

Copeland, Carolyn Faunce. Language & Time & Gertrude Stein. Iowa City: U of Iowa P, 1975.


Cotton, Bob, and Richard Oliver.  Understanding Hypermedia. London: Phaidon Press, 1993.

Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge: MIT Press, 1992.

Curtis, Cathy. "Photos: Cruel World of Homelessness." Los Angeles Times 7 Nov. 1996.

Cyberspace: First Steps. Ed. Michael Benedikt. Cambridge: MIT Press, 1991.

CyberReader. Ed. Victor J. Vitanza.  Needham Heights: Allyn and Bacon, 1996.

Deleuze, Gilles. Nietzsche and Philosophy. New York: Columbia UP, 1983.

-     -     -  Proust and Signs The Complete Text. Trans. Richard Howard. Theory Out of Bounds. Vol. 17, Minneapolis: U of Minnesota P, 1972.

Deleuze, Gilles and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. U of Minnesota Press, 1987.

Deming, Richard. “Strategies of Overcoming: Nietzsche and the Will to Metaphor.” Philosophy and Literature 28.1 (2004) 60-73.

Derrida, Jacques. Dissemination. Chicago: U of Chicago P, 1983.

-     -     -  Limited Inc. Trans. Samuel Weber. Ed. Gerald Graff. Evanston: Northwestern UP, 1988.

-     -     -  Signéponge: Signsponge. Trans. Richard Rand. New York: Columbia UP, 1984.

Delillo, Don. White Noise. Penguin, 1999.

DeRose, Steven J. "Expanding the Notion of Links." Hypertext '89 Proceedings. Ed. Norman Meyrowitz. New York: Association for Computing Machinery, 1989. 249-59.

Descombes, Vincent. Modern French Philosophy. Trans. L. Scott-Fox and J.M. Harding. Cambridge: Cambridge UP, 1988.

Dewey, John. Democracy and Education. (1916) Whitefish, MT: Kessinger, 2004.

Dickstein, Morris. "The City as Text: New York and the American Writer.” TriQuarterly 83 (1991-92): 183-204.

Diggins, John P. “Visions of Chaos and Visions of Order: Dos Passos as Historian.” American Literature 46 (1974): 329-346.


Dillon, George L. Writing with Images.

-     -      -  “Montage/Critique: Another Way of Writing Social History.”  PMC 14.2, 2004.

Ditlea, Steve. “Another World: Inside Artificial Reality.” PC Computing 1,11: 90-99, 112, 1989.

Doheny-Farina, Stephen. The wired neighborhood. New Haven: Yale UP, 1996.

Dos Passos, John. Manhattan Transfer. Boston: Houghton Mifflin, 1925.

Dostoevsky, Fyodor. The Gambler. Dover, 1996.

Douglas, J. Yellowlees. The End of Books Ñ or Books without End?: Reading Interactive Narratives. Ann Arbor: University of Michigan P, 2000.

Drexler, K. Eric. Engines of Creation: The Coming Era of Nanotechnology. New York: Anchor Books, 1987.

Eagleton, Terry. Literary Theory: An Introduction. Oxford: Basil Blackwell, 1983.

-     -     -  Walter Benjamin: Toward a Revolutionary Criticism. London: Verso, 1981.

Eco, Umberto. The Name of the Rose. Trans. Weaver. Secker & Warburg, 1983.

-     -     -  "The Poetics of the Open Work." The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana UP, 1984. 47-66.

Egan, Dennis, Michael Lesk, Daniel Ketchum, Carol Lochbaum, Joel Remde, Michael Littman, and Thomas Landauer. "Hypertext for the Electronic Library? CORE Sample Results." Hypertext '91 Proceedings. Ed. P.D. Stotts and R.K. Furuta. New York : Association for Computing Machinery, 1991. 299-313.

Eiland, Howard. “Reception in Distraction.” boundary 2 30:1 (2003), 51-66.

-     -     -  “Translator’s Forward.” The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Harvard UP, 1999.

Engelbart, Douglas. “Augmenting Human Intellect: A Conceptual Framework.” The New Media Reader. Ed. Noah Wardrip-Fruin and Nick Montfort. MIT: Cambridge, 2003.

Hypertext/Hypermedia Handbook, ed. Emily Berk and Joseph Devlin. Internet Publications, McGraw Hill: New York, 1991

Faulkner, William. Light in August. New York: Vintage, 1991.

Fenves, Peter. "Of Philosophical Style -- from Leibniz to Benjamin." boundary 2 30:1, Spring 2003.

Ferguson, Robert. Henry Miller: a Life. New York: Norton, 1991.

Ferris, David S. “Poster-modern Interdisciplinarity: Kant, Diderot and the Encyclopedic Project. MLN 118.5 (2003) 1251-1277.

Fisher, Adrian & George Gerster. The Art of the Maze. Unknown, 1990.

Fittko, Lisa. “The Story of Old Benjamin.” The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Harvard UP, 1999. 946-954.

Foster, Gretchen. “John Dos Passos’ Use of Film Technique in Manhattan Transfer and The 42nd Parallel.” Literature and Film 14.3 (1986): 186-194.

France, Anatole. The Garden of Epicurus. New York: Kessinger, 2007.

Freud, Sigmund. “Dostoevsky and Parracide.” The Freud Reader. New York: Norton, 1995.

Frost, Robert. “Directive.” The Poetry of Robert Frost, The Collected Poems, Complete and Unabridged. Holt, 1969.

Galvin, Mary E. "'This shows it all': Gertrude Stein and the Reader's Role in the Creation of Significance." Queer Poetics. London: Praeger, 1961.

Gelfant, Blanche H. “John Dos Passos: The Synoptic Novel.” Dos Passos:  A Collection of Critical Essays. Ed. Andrew Hook.  Englewood Cliffs, NJ: Prentice-Hall, 1974.

Gelley, Alexander. “Contexts of the Aesthetic in Walter Benjamin. MLN 114.5 (1999) 933-961


Gibson, William. Neuromancer. New York: Ace Books, 1984.

-     -    -   Pattern Recognition. Berkley, 2005.

Girard, Rene. Violence and the Sacred.   Baltimore: Johns Hopkins UP, 1972.

Gillioch, Graeme. Walter Benjamin: Critical Constellations. Cambridge: Polity, 2002.

Gluck, Mary. "The Flâneur and the Aesthetic Appropriation of Urban Culture in Mid-19th-Century Paris." Theory, Culture & Society. 2003 Oct; 20 (5): 53-80. 

Gombrich, E. H. The Image and the Eye. Oxford: Phaidon Press, 1982.

Greco, Diane. "Hypertext with Consequences: Recovering a Politics of Hypertext." Hypertext '96. Washington: ACM, 1996. 85-92.

Greenberg, Clement. “Collage.” Art and Culture: Critical Essays. Boston: Beacon Press, 1965.

Gross, David. “Infinite Indignation: Teaching, Dialectical Vision and Blake’s The Marriage of Heaven and Hell.” College English, Vol. 48, No. 2. (Feb., 1986) 175-186.

Gutierrez, Donald. The Maze in the Mind and the World: Labyrinths in Modern Literature. Whitston, 1985.

Guyer, Carolyn and Martha Petry. "Notes for Izme Pass Expose." Writing on the Edge 2 (1991): 82-89.

GVU Technical Report 94-06. Atlanta : Graphics Visualization and Usability Center, 1994.

Hafner, Katie and Matthew Lyon. Where Wizards Stay Up Late: The Origins of the Internet. New York: Simon & Schuster, 1996.

Halasz, Frank G. "Reflections on NoteCards: Seven Issues for the Next Generation of

Hypermedia Systems." Hypertext '87 Proceedings. Ed. N. Yankelovich. New York: Association for Computing Machinery, 1987. 345-67.

Haraway, Donna J. Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge, 1991.

-   -   - Modest Witness@Second Millennium. FemaleMan© Meets OncoMouse™: Feminism and Technoscience. New York: Routledge, 1997.

Harpold, Terry. “The Misfortunes of the Digital Text.” The Emerging CyberCulture: Literacy, Paradigm, and Paradox. Stephanie B. Gibson and Ollie Oviedo, eds. Creskill, NJ: Hampton Press, 1998.

Harpold, Terrence. "The Contingencies of the Hypertext Link". Writing on the Edge 2.2 (1991): 126-139.

-     -     - "Threnody: Psychoanalytic Digressions on the Subject of Hypertexts." Hypermedia and Literary Studies. Eds. Paul Delany and George P. Landow. Cambridge: The MIT P, 1994. 171-181.

Hayles, N. Katherine. Chaos Bound: Orderly Disorder in Contemporary Literature and Science. Ithaca: Cornell UP, 1990.

-     -     - How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: The University of Chicago P, 1999.

-     -     - “Embodied Virtuality, Or How to Put Bodies Back into the Picture. Immersed in Technology: Art and Virtual Enviroments. Dian Augaitis,

Herz, J. C. Joystick Nation: How Videogames Ate Our Quarters, Won Our Hearts, and Rewired Our Minds. Boston: Little, Brown, 1997.

Hicks, Granville. “The Politics of John Dos Passos.” Dos Passos: A Collection of Critical Essays. Ed. Andrew Hook.  Englewood Cliffs, NJ: Prentice-Hall, 1974.

Hodges, Larry F. Barbara Olasov Rothbaum, Rob Kooper, Dan Opdyke, James Williford, and Thomas C. Meyer. Presence as the Defining Factor in a VR Application. 

Hoffman, Michael J. "Notes: Gertrude Stein in the Psychology Laboratory." American Quarterly 17 (1965):1, 127-132.

Holtzman, Steven. Digital Mosaics: The Aesthetics of Cyberspace. New York: Simon & Schuster, 1997.

Howitt, Mary. The Spider and the Fly. Simon and Schuster Books for Young Readers. 2002.

Hughson, Lois. “Narrative in the Making of Manhattan Transfer.” Studies in the Novel 8 (1976): 185-198.

Huhtamo, Erkki. “Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion.” Critical Issues in electronic Media, pp. 159-186. Albany, NY: State University of New York Press.

Hypermedia and Literary Studies. Ed. George P. Landow and Paul Delany. Cambridge: MIT Press, 1991.

Hypertext. The Convergence of Contemporary Critical Theory and Technology. Ed. George P. Landow. Baltimore: Johns Hopkins, 1992.

Iser, Wolfgang. The Act of Reading: A Theory of Aesthetic Response. Baltimore: Johns Hopkins UP, 1978.

Ivins, William M. On the Rationalization of Sight. New York: Da Capo Press, 1973.

Jaskolski, Helmut. The Labyrinth: Symbol of Fear, Rebirth, and Liberation. Shambhala 1997.

Jarvis, Robin. Romantic Writing and Pedestrian Travel. London: MacMillan, 1997.

Jay, Martin. “Scopic Regimes of Modernity.” Vision and Visuality, pp. 3-23. Seattle: Bay Press, 1988.

-   -   -  Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1993.

Jones, Suzanne W. "The Miller-Matisse Connection: A Matter of Aesthetics." Journal of American Studies 21.3 (1987): 411-415.

Joyce, Michael. "Siren Shapes: Exploratory and Constructive Hypertext." Academic Computing, November, 1988: 10.

-     -     - "A Feel for Prose: Interstitial Links and the Contours of Hypertext." Writing on the Edge 4(1992): 83-102.

-     -     -  Afternoon: A Story. Diskette. Watertown (MA): Eastgate Systems, 1987.

Juengel, Scott and Justus Nieland. “Benjamin’s Urgency.” CR: The New Centennial Review 5.2 (2005) 189-213.

Kaplan, Nancy. “Blake's Problem and Ours: Some Reflections on the Image and the Work.” The Emerging Cyberculture: Literacy, Paradigm, and Paradox. Ed. Cynthia L. Selfe. Cresskill, NJ : Hampton , 2000, 25-43.

-     -     - "Literacy Beyond Books: Reading When All the World's a Web." The World Wide Web and Contemporary Cultural Theory. Eds. Andrew Herman and Thomas Swiss. New York: Routledge, 2000. 207-234.

-     -     - "One Beginning". E-Literacies: Politexts, Hypertexts, and Other Cultural Formations in the Late Age of Print. 1995-2000. 13 Apr. 2001 <>.

Kaplan, Nancy and Stuart Moulthrop. "Where No Mind Has Gone Before: Ontological Design for Virtual Spaces." Proceedings of the ACM Hypertext Conference. Edinburgh: Association for Computing Machinery, 1994. 206-216.

Kauffman, Michael Edward. "Gertrude Stein's Re-Vision of Language and Print in Tender Buttons." Journal of Modern Literature 15 (1989): 4, 447-460.

Kazin, Alfred. “Dos Passos, Society, and the Individual.” Dos Passos: A Collection of Critical Essays. Ed. Andrew hook.  Englewood Cliffs, NJ: Prentice-Hall, 1974.

Kelly, Kevin, and Gary Wolf. “Kill Your Browser.” Wired 5.3 (March) 12-23, 1997.

Kennedy, Gerald. "Place, Self, and Writing." Southern Review 26.3 (1990): 496-516.

Knight, Christopher. "Gertrude Stein, Tender Buttons, and the Premises of Classicalism." Modern Language Studies 21(1991):3, 35-47.

Kolb, David. "Discourse across Links." Philosophical Perspectives in Computer-Mediated Communication. Ed. Charles Ess. New York: State University of New York P, 1996.

-     -     - "Scholarly Hypertext: Self-Represented Complexity." Hypertext '97. Southampton: ACM, 1997. 29-37.

-     -     - Socrates in the Labyrinth. Diskette. Watertown (MA): Eastgate Systems, 1994.

Koepnick, Lutz P. “Fascist Aesthetics Revisited.” Modernism/Modernity 6.1 (1999) 51-73.

Landow, George. Hypertext: The Convergence of Contemporary Critical Theory and Technology. Baltimore: Johns Hopkins UP, 1992.

-     -     - "Relationally Encoded Links and the Rhetoric of Hypertext." Hypertext '87

Proceedings. Ed. N. Yankelovich. New York: Association for Computing Machinery, 1987. 331-45.

-     -     - "Hypertext as Collage-Writing." The Digital Dialectic: New Essays on New Media. Ed. Peter Lunenfeld. Cambridge: The MIT P, 1999. 150-170.

-     -     - "The Rhetoric of Hypermedia: Some Rules for Authors." Hypermedia and Literary Studies. Eds. Paul Delany and George P. Landow. Cambridge: The MIT P, 1994. 81-103.

Langan, Celeste. Romantic Vagrancy: Wordsworth and the Simulation of Freedom. Cambridge: Cambridge UP, 1995.

Lanham, Richard. The Electronic Word: Democracy, Technology, and the Arts.  Chicago: University of Chicago Press, 1993.

Latour, Bruno. “Drawing Things Together.”  Representation in Scientific Practice. Eds. Michael Lynch and Steve Woolgar. Cambridge: MIT Press, 1990.

-    -    -  Science in Action: How to Follow Scientists and Engineers through Society. Cambridge: Harvard UP, 1987.

-   -   -  “Where Are the Missing Masses? The Sociology of a Few Mundane Artifacts.” Shaping Technology/Building Society: Studies in Sociotechnical Change. Cambridge: MIT Press, 1992.

-   -   - We Have Never Been Modern. Trans. Catherine Porter. Cambridge: Harvard University Press, 1993.

Levinson, Paul. The Soft Edge: A Natural History and Future of the Information Revolution. London: Routledge, 1997.

Lewis, Sinclair. “Manhattan At Last!” John Dos Passos: A Critical Heritage. Ed. Barry Maine. London: Routledge, 1988.

Liston, Mairi. "'Le Spectacle de la rue': Edmond de Goncourt and the Siege of Paris." Nineteenth-Century French Studies. 2003 Fall-2004 Winter: 32 (1-2): 58-68.

Lopate, Philip. "'The Walk' as a Species of Walk Literature." Review of Contemporary Fiction 12.1 (1992): 87-94.

Lowry, E. D. “Manhattan Transfer: Dos Passos’ Wasteland.” Dos Passos: A Collection of Critical Essays. Ed. Andrew Hook.  Englewood Cliffs, NJ: Prentice-Hall, 1974.

Lyotard, Francois. The Postmodern Condition: A Report on Knowledge. Trans. Geoff Bennington and Brian Massumi. Minneapolis: University of Minnesota, 1984.

Malcolm, Kathryn, Steven Poltrock, and Douglas Schuler. "Industrial-Strength Hypermedia: Requirements for a Large Engineering Enterprise." Hypertext '91 Proceedings. Ed. P. D. Stotts and R.K. Furuta. New York: Association for Computing Machinery, 1991. 13-25.

Mancini, Clara. "From Cinematographic to Hypertext Narrative." Hypertext 2000. San Antonio: ACM, 2000. 236-237.

“Manifesto for ‘The Revolution of the Word.’” transition 16-17 (June) 1929.

Manovich, Lev.  “New Media from Borges to HTML.” The New Media Reader. Ed. Noah Wardrip-Fruin and Nick Montfort. MIT: Cambridge, 2003.

-     -     -  The Language of New Media. Cambridge: MIT Press, c 2001. Manson, Christopher. The Maze: Solve the World's Most Challenging Puzzle.

Mapping Benjamin: the work of art in the digital age. Ed. Hans Ulrich Gumbrecht and

Michael Marrinan. Stanford, CA: Stanford UP, 2003.

Marcuse, Herbert. Eros and Civilization: A Philosophical Inquiry into Freud. Vintage: New York, 1955.

Marshall, Catherine, Frank Halasz, Russell Rogers, and William Janssen. "Aquanet: AHypertext Tool to Hold Your Ideas in Place." Hypertext '91 Proceedings. Ed. P. D. Stotts and R.K. Furuta. New York: Association for Computing Machinery, 1991. 261-77.

Martin, Jay. "Henry Miller: Dreaming and Writing." American Writing Today. Ed. Richard Kostelanetz. Troy, NY: Whitson, 1991.

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