References



Basanta, Adam (2016). “A Line Listening To Itself.” 


Basanta, Adam (2017). “Small Movements.” 

 

Basanta, Adam (2019). “A Large Inscription, A Great Noise.” 

 

Basanta, Adam (2015). “Vessel.” 

 

Basanta, Adam (2015). “Extending Musical Form Outwards in Space and Time: Compositional strategies in sound art and audiovisual installations.” Organised Sound 20/2: 171-181.

 

Beaumont, Grace (2016). “Carroll / Fletcher.” Artforum International, 11 January.

 

Blom, Ina (2010). “Signal to Noise: Ina Blom on John Cage and ‘The Anarchy of Silence’.” Artforum International 48/6: 170-174.

 

Cage, John (1961). Silence: Lectures and Writings. Middletown: Wesleyan University Press.

 

Goodman, Steve (2012). Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge: MIT Press.

 

Kahn, Douglas (1999). Noise Water Meat. Cambridge: MIT Press.

 

Kedmey, Karen (2014). “Rebel-Artist Konrad Smoleński Fills West Gallery with an Anarchic Sonic-Visual Feast.” Artsy, 19 September.

 

Kotz, Liz (2009). “Max Neuhaus: Sound into Space.” In Christoph Cox (ed.), Max Neuhaus (pp. 92-111). New Haven: Yale University Press.

 

LaBelle, Brandon (2015). Background Noise: Perspectives on Sound Art. London: Bloomsbury Academic.

 

Li, Jennifer S. (2018). “Nikita Gale.” Art In America. 1 December.

 

Pugliese, Roberto (2011). “Equilibrium.” 

 

Poggi, Christine (2009). “The Futurist Noise Machine.” The European Legacy 14/7: 821-40.

 

Russolo, Luigi ([1913] 1986). The Art of Noises: 6 (Monographs in Musicology)  (trans. Barday Brown). New York: Pendragon Press.

 

Simpson, Ashley (2016). “Ashley Simpson in Conversation with Michael Sailstorfer.” S Magazine: 87–97.

 

Thorn, Benjamin (2002). "Luigi Russolo (1885–1947)." In Larry Sitsky (ed.), Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook (pp. 415-416). London: Greenwood Publishing Group.