References


 

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Attali, Jacques (1985). Noise: The Political Economy of Music (trans. Brian Massumi). Minneapolis: University of Minnesota Press.

 

Basualdo, Carlos and Erica F. Battle (eds.) (2013). Dancing Around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp. Philadelphia: Philadelphia Museum of Art.

 

Beidelman, T.O. (1993). “Secrecy and Society: The Paradox of Knowing and the Knowing of Paradox.” In Mary Nooter (ed.), Secrecy: African Art That Conceals and Reveals (pp. 41-47). New York: Prestel.

 

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Brown, Bill (2001). “Thing Theory.” Critical Inquiry 28/1: 1-22.

 

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Cabanne, Pierre (1971). Dialogues with Marcel Duchamp (trans. Ron Padgett). London: Thames and Hudson.

 

Cake, A. D. C. (2009). “Lacan’s Psychoanalysis and Plato’s Symposium: Desire and (In)Efficacy of the Signifying Order.Analecta Hermeneutica 1. 


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de Saussure, Ferdinand (1993). Third Course of Lectures on General Linguistics. In Eisuke Komatsu and Roy Harris (eds. and trans.). Oxford: Pergamon.

 

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Hopson, Holland (2000). “With Hidden Noises.” 

 

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Joselit, David (1998). Infinite Regress: Marcel Duchamp 1910-1941 (October Books). Cambridge: MIT Press.

 

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Kim-Cohen, Seth (2009). In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. New York: Bloomsbury.

 

LaBelle, Brandon (2006). Background Noise: Perspectives on Sound Art. New York: Bloomsbury.

 

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Lacan, Jacques (1991). Le Transfert, séminaire VIII. Paris: Seuil.

 

Leader, Darian (2002). Stealing the Mona Lisa: What Art Stops us from Seeing. Washington, DC: Shoemaker & Hoard.

 

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Maina, Claudia (2010). “Athanasius Kircher, Arca Musarithmica and Many Sound Devices.” Digicult 55: 76-84.

 

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Nooter, Mary (ed.) (1993). Secrecy: African Art That Conceals and Reveals. New York: Prestel.

 

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Schaeffer, Pierre (2017). Treatise on Musical Objects: Essays Across Disciplines (trans. Christine North and John Dack). Oakland: University of California Press.

 

Schwarz, Arturo (1969). The Complete Works of Marcel Duchamp. London: Thames and Hudson.

 

Shearer, Rhonda Roland (2000). “Why the Hatrack is and/or is not a Readymade.Tout-Fait 1/3: 3.

 

Simmel, Georg (1906). “The Sociology of Secrecy and of Secret Societies.” American Journal of Sociology 11/4: 441-98.

 

Spieker, Sven (2008). The Big Archive: Art from Bureaucracy. Cambridge: MIT Press.

 

Stévance, Sophie (2007). “Marcel Duchamp's Musical Secret Boxed in the Tradition of the Real: A New Instrumental Paradigm.” Perspectives of New Music 45/2: 150-170.

 

Stévance, Sophie (2009). "Les opérations musicales mentales de Duchamp. De la ‘musique en creux’." Images Re-vues 7: n.p..


Sugano, Marian Zwerling (1992). The Poetics of the Occasion: Mallarmé and the Poetry of Circumstance. Stanford: Stanford University Press.

 

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