Front cover of the personal notebook of Ludovicus Mirandolle (110x70mm)

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Ludovicus Mirandolle Werken Catalogue

 

 

4.1 The Notebooks


Among all the materials that Corrie de Roo-Vierdag and her son Paul de Roo could provide us with, there were also a few very small pocket notebooks and agenda’s. Inside these books Ludovicus Mirandolle wrote down all the compositions he worked on during his career as composer. This includes works from 1934 until 1973, and a few works without a date.

            Ludovicus Mirandolle starts composing for simple and small instrumentations. The first work that he mentions in these notebooks is 8 etudes pour cor de basset (LMW2) composed in 1934. About this piece he writes in his notebook: “1934 November, Etude voor Bassethoorn in F. Nr 1 (de etudes, ook de latere op voorstel van Piet Swager opgeschreven, melodie enz. natuurlijk origineel v. mij, behoudens de bijgevoegde opmerking bij in latere etude)”1. We can read here that Mirandolle starts writing etudes for the Basset horn because Piet Swager proposed this idea to him. Piet Swager (1878-1936) was the second clarinettist of the Concertgebouw Orchestra and was one of the many clarinettist that Ludovicus Mirandolle had contact with. Piet Swager must have been an important person in the life of Ludovicus Mirandolle. In Trois Duos (LMW16) published by Éditions Musicales ALPHONSE LEDUC in 1938, we can see that the first movement has the text “à la mémoire de Piet Swager”2. The first movement of Trois Duos was dedicated to Piet Swager who passed away a year before Mirandolle started on the three duos.

 

 



 

 

The first work in 1933 called Excersises pour cor de basset (LMW1) he did not mention in his notebook, but this we had to find out in the sheetmusic itself. The Exercises for basset horn are not orginally by Ludovicus Mirandolle, but are other already existing exercises that he made transcriptions of for basset horn. I still see this as one of his works, showing Mirandolle’s interest in the basset horn.

            As we are lucky to recover quite some manuscripts from the Nederlands Muziek Instituut. Unfortunately also quite a few pieces have been lost. An example of this is the piece Quatuor de clarinettes, dédié à Gaston Hamelin. This clarinet quartet has not been published, but has been mentioned in various publications of Mirandolles music. All these publications mention Quatuor de clarinettes as “inédit”, unpublished.3 When we try to look for this piece the only place mentioning the existence of this music is Rossini, Maison de Ventes aux Enchères, an auction house in Paris.4 . Rossini was auctioning the music archive of clarinettist Gaston Hamelin. As the title already indicates, this is the clarinettist that Ludovicus Mirandolle wrote it for. In his notebook Mirandolle writes “September/October 1938, Premier Quatuor pour clarinettes (2 clarinettes (sopranos), clar-alto en Fa, 1 clarinette basse) Op verzoek van den heer Gaston Hamelin te Colombes (Seine) geschreven voor het “Quatuor de clarinettes Gaston Hamelin”…”5. Gaston Hamelin had contact with Ludovicus Mirandolle to ask him to write a piece for his clarinet quartet. As this quartet has never been published we can assume that this has to be the original manuscript by Ludovicus Mirandolle. This assumption is confirmed when we see the “Description du lot 93” Rossini gives for the lot that contains the archive of Gaston Hamelin. In the list of composers and pieces in this archive it says “…Mirandolle (manuscript autographe, dédié au quatuor Hamelin)…”.6 This indicates that indeed this lot contained the original manuscript, and probably the only edition, of the Quatuor de clarinettes. The only possibility to retrieve the clarinet quartet was finding contact with the auction house. As a response they had the disappointing news that they are not allowed to give any information of the buyers. They were willing to send a message to the buyer, but until now (2021) still no response from the new owner. Via Pierre Woudenberg and international music magazines, we sent out a call for people who would know more about Ludovicus Mirandolle, or who could help us finding the missing clarinet quartet, but also this attempt resulted in a dead end.  

4.2 Dedications and in memoriam


Auguste Périer

 

E. Duval

 

Stanislaw Krticka

 

Gaston Hamelin

 

Yvonne Lefébure

 

Freddie Goldbeck

 

Alfred Bürckner

 

Francois Etienne

 

Robert Boulay 

 

Michelle Leclerc

 

Jan Schmitz

 

4.3 The Ludovicus Mirandolle Werken Catalogue (LMW)

 

Having the personal notebooks and agenda’s of Ludovicus Mirandolle, together with the previously published editions and information provided by the Nederlands Muziek Instituut. It was a great opportunity to make a catalogue list of the music of Ludovicus Mirandolle, as it has not been previously done. Introducing the Ludovicus Mirandolle Werken catalogue (LMW), including the compositions we know of written between 1933 and 1973. Showing the works in order of year, including LMW number, location, date and instrumentation. 

With this catalogue we have a complete overview of the pieces that Ludovicus Mirandolle wrote, and will be a great help in locating missing pieces. 

These catalogue numbers will be used in the new editions of the music by Ludovicus Mirandolle, to be published.

LUDOVICUS MIRANDOLLE WERKEN CATALOGUE (LMW)

LMW

TITLE

DATE

INSTRUMENTATION

LMW1

“EXCERSISES POUR COR DE BASSET”

Degré difficulté: 5,6,7,8 – 10

 

Amsterdam, 1933

Basset horn in F

LMW2

“8 ETUDES POUR COR DE BASSET”

 

Amsterdam,

nov. 1934 – april 1935

 

Basset horn in F

LMW3

“HYMNE”

 

Amsterdam, 1934

Basset horn in F, Piano

 

LMW4

“PRIMA SONATINA”

dédié à Annie Mirandolle-Sleeswijk

 

Amsterdam, 1935

(Unfinished)

Basset horn in F, Piano

LMW5

“PETITE PIÈCE”

 

 

1935

(Incomplete)

Basset horn in F, Harp

LMW6

“HYMNE PISTIS SOPHIA”

 

Amsterdam, Febr. 1935

Voice, Violin, Basset horn in F, Harp

 

LMW7

“ERSTES STÜCK”

 

Amsterdam, Apr. 1935

Clarinet in Bb, Basset horn in F

 

LMW8

“PIÈCE”

 

Amsterdam, Apr. 1935

Clarinet in A, Basset horn in F, Piano

 

LMW9

“TRIO”

Amsterdam, July 1935

Clarinet in A, Basset horn in F, Harp

 

LMW10

“TROIS PETITES PIÈCES”

Amsterdam,

Oct. – Nov 1935

2 Clarinets in A, Basset horn in F

 

LMW11

“SONATE”

Nov. 1935 – Jan. 1936

Basset horn in F, Harp

 

LMW12

“SONATE”

À Auguste Périer

 

2 March 1936

Ed. Leduc, Paris, 1938

Clarinet in Bb, Piano

LMW13

“SONATE”

May 1936

Flute, Clarinet in A, Viola, Harp

 

LMW14

“SONATA”

 

1936

Clarinet in Bb, Harp

LMW15

“ANDANTINO”

Feb. 1937

2 Clarinets in Bb

 

LMW16

“TROIS DUOS POUR DEUX CLARINETTES”

Duo I: à la memoire de Piet Swager

Duo II: pour Monsieur E. Duval

Duo III: pour Monsieur Stanislaw Krticka

Oct. 1937 (I), Oct. 1937 (II), Jan. 1938 (III)

Ed. Leduc, Paris, 1938

2 Clarinets in A and Bb

LMW17

“QUATUOR DE CLARINETTES”

dédié à Gaston Hamelin.

Paris, 1937

2 Clarinet in Bb, Basset horn in F, Bass clarinet in Bb

 

LMW18

“TROIS PIÈCES”

Ed. Leduc, Paris, 1937

Piano

 

LMW19

“DEUX PRELUDES POUR PIANO”

à Maurice Emmanuel in Memoriam

Oct. 1939 (I),

Jan. 1939 (II)

Ed. Leduc, Paris, 1939

 

Piano

LMW20

“SONATINE”

1938

(Unfinished)

Oboe, Clarinet in Bb, Bass clarinet in Bb, Bassoon

 

LMW21

“PREMIÈRE QUINTETTE À VENT”

Paris (?), 1939

Flute, Oboe, Clarinet in Bb, Bassoon, Horn

 

LMW22

“QUATUOR À VENT”

1940

Oboe, Clarinet in Bb, Bass clarinet in Bb, Bassoon

 

LMW23

“SONATINE”

dédié à Gaston Hamelin

 

1940

Ed. Leduc Paris, 1940

Clarinet in Bb, Piano

LMW24

“Die Geburt der Perle”

(Volksweise, tekst: Robert Hamerling)

Apr. 1940

Soprano, Flute, Oboe, Clarinet in Bb, Piano

 

LMW25

“SONATINE”

Dédié à Yvonne Lefébure

1940

Ed. Leduc, Paris, 1940

Piano

 

 

LMW26

“PIANO SOLO”

 

1940

Piano

LMW27

“DREI LIEDER”

(tekst von F. von Steinwand)

 

Ed. Hofmeister, Leipzig, 1939-1940

Soprano, Piano

LMW28

“DER TAGESLAUF”

1941

Tenor, Piano/Harpsichord

 

LMW29

“QUATRE PIÈCES”

À Françine Hamelin

 

1941

Piano

LMW30

SONATE

Quatuor pour flûte, oboe, clarinette en sib et bassoon.

À Freddy Goldbeck

 

1936, 1941, 1942

Flute, Oboe, Clarinet in Bb, Bassoon

LMW31

“SONATE MCMXLI”

1941

Violin, Piano

 

LMW32

“SONATE EN TRIO”

1942

Clarinet in Bb, Viola, Piano

LMW33

“OKTETT”

Für Streicher, A-Klarinette, Fagott und Horn

Alfred Bürckner gewidmet.

 

The Hague, 1942-1943

2 Violins, Viola, Cello, Double bass, Clarinet in A, Bassoon, Horn

LMW34

“QUINTETT”

À François Etienne

 

1943

(Unfinished)

Clarinet in A, 2 Violins, Viola, Cello

LMW35

“EXERCICES ET ETUDES MODERNES”

1944

Piano

 

LMW36

“SOLENNITÉ/FEIER”

 

1944

Choir, Orchestra

LMW37

“ÉTUDE”

The Hague, 1944

2 Pianos (à quatre mains)

 

LMW38

“TROIS MOUVEMENTS”

pour alto principale et neuf instruments.

à Robert Boulay

 

1944-1945

Solo viola, Ensemble

LMW39

“PRÉLUDES 3-4-5-6”

1945

Piano

 

LMW40

“PIÈCE BRÈVE FUGÉE”

Pour Yvonne Lefébure et Fred Goldbeck a l’occasion de leur marriage.

 

1945

Piano

LMW41

“POUR LE JOUR DE SAINT-JEAN

PRÉLUDES, INTERLUDES, POSTLUDES”

 

1945

Organ

LMW42

“DEUX MORCEAUX”

1946

Cello, Orchestra/Piano

 

LMW43

“CONCERTO EN FORME D’IMPROMPTU”

dédié à Yvonne Lefébure

 

1949

Piano, Orchestra

LMW44

“DEUXIÈME QUINTETT À VENT”

à Freddy Goldbeck

1951

Flute, Oboe, Clarinet in Bb, Bassoon, Horn

 

LMW45

“CINQ MOUVEMENTS”

The Hague, 1965

Wind trio

 

LMW46/1

“ANDANTE”

Apr. 1967

Cello, Piano

 

LMW46/2

“ALLEGRO”

1967

Cello, Piano

 

LMW47

“LA SAGESSE PARLE D’ELLE-MÊME”

Parolier, Marié Verdure

 

The Hague, 1968

Voice, Organ

LMW48

“PREMIÈRE PRÉLUDE POUR ORGUE,

(pas liturgique)”

à Michelle Leclerc 

 

1971

Organ

LMW49

“DEUX CHANTS SPIRITUELS”

l. Mort et résurrection

ll. Hymne

textes de Marie Verdure

 

1971

Bass, Organ/Harmonium

LMW50

“HYMNE D’APRÈS L’APOCALYPSE”

1971

Bass, Organ/Harmonium

 

LMW51

“PREMIÈRES MÉDITATIONS”

sur la dormition et sur la sagesse divine.

 

1971

Organ

LMW52

“PIÈCE”

July/Aug. 1971

Trumpet in C, Organ

 

LMW53

“MÉDITATION DU COURS DE L’ANNÉE”

 

1972

Organ

LMW54

“SUITE DE TROIS PIÈCES BRÈVES”

 

1972

Organ

LMW55

“DEUXIÈME PRÉLUDE”

à Jan Schmitz

 

1972

Organ

LMW56

“DEUX MORCEAUX”

Invocation et Glorification

 

1973

Trumpet in C, Organ

LMW57a

“Songe, O Homme, Songe - à ce que tu as reçu”

 

19XX

Choir

LMW57b

VOCALISE ÉTUDE op. 24

de Maurice Emmanuel,

transcrite pour Clarinette Sib

 

19XX

Clarinet in Bb

 

Woudenberg, The Hague, 11/2021

“1934 November, Etude voor Bassethoorn in F. Nr 1 (de etudes, ook de latere op voorstel van Piet Swager opgeschreven, melodie enz. natuurlijk origineel v. mij, behoudens de bijgevoegde opmerking bij in latere etude)”7

 

"October (1937), Duo voor 2 klarinetten in A (à la mémoire de Piet Swager)..."8

ALDE Livres & Autographes (19 octobre 2009), Catalogue Musique, 93, Paris (p.28) PDF

Ludovicus Mirandolle Werken Catalogue PDF