BIBLIOGRAPHY

 

Primary sources

Please refer to the sources listed here (pp. 53-59).

 

Secondary sources

"Corelli: 12 Sonate a violino, Op.5", Trio Veracini: J. Holloway, D. Watkin, L.U. Mortensen). Novalis 150128, 1996 (2 CDs).

 

"Corelli: Sonate a violino e violone o cimbalo, Op. 5" (Sonatas 1-6), C. Banchini, J. Christensen, L. Contini and K. Gohl). Harmonia Mundi, HMA1951307, 1989 (1 CD).

 

“Estienne Roger”, IMSLP, https://imslp.org/wiki/Estienne_Roger and https://imslp.org/wiki/Category:Scores_published_by_Estienne_Roger (accessed on 15 October 2022).

 

Anonymous: Rules for Measured Music, Counterpoint and Accompanying (Regole di canto figurato, contrappunto, d’accompagnare), trans. Flavio Ferri Benedetti, ed. Elam Rotem. (Early Music Sources, PIE Series Vol. I, 2020.)

Arcangelo Corelli: 12 Sonater for violin og bc, ed. Jens Egeberg, 1989.

 

Emily Joye BainesThe Ghost in the Machine: The role of mechanical musical instruments as primary sources for eighteenth-century performance practice in England, and an examination of the style(s) contained therein. (Unpublished Doctoral thesis, Guildhall School of Music & Drama / City, University of London, 2017).


Terence Best: “Handel's Solo Sonatas”, Music & Letters, Oct. 1977, Vol. 58, No. 4 (Oct., 1977), pp. 430-438.


Maria Caraci: “CASTRUCCI, Pietro.” Treccani Dizionario Biografico degli Italiani, 1979: https://www.treccani.it/enciclopedia/pietro-castrucci_%28Dizionario-Biografico%29/(accessed on 26 July 2022).


Salvatore Carchiolo: "La prassi esecutiva del basso continuo al clavicembalo nella musica di Arcangelo Corelli alla luce delle Regole per accompagnar sopra la parte della Biblioteca Corsiniana di Roma", in Arcomelo 2013: Studi nel terzo centenario della morte di Arcangelo Corelli (1653-1713), ed. Guido Olivieri and Marc Vanscheeuwijck. (Lucca: LIM, 2015.)

 

Salvatore Carchiolo: Una perfezione d'armonia meravigliosa: prassi cembalo-organistica del basso continuo italiano dalle origini all'inizio del XVIII secolo. (Lucca: LIM, 2007.)

 

Owain Edwards, and Simon McVeigh: "Castrucci, Pietro." Grove Music Online, 2001: https://www-oxfordmusiconline-com.access.authkb.kb.nl/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000005154 (accessed on 26 July 2022).

 

David Fuller: “An Unknown French Ornament Table from 1699”, Early Music, Jan., 1981, Vol. 9, No. 1, Plucked-String Issue 1 (Jan., 1981), pp. 55-61.

 

Francesco Gasparini: L'Armonico Pratico al Cimbalo, trans. Frank S. Stillings (New Haven: Yale School of Music, 1963.)

 

Gregory S. Johnston: "Polyphonic Keyboard Accompaniment in the Early Baroque: An Alternative to Basso Continuo", Early Music, Vol. 26, No. 1 (Feb., 1998), pp. 51-60, 63-64.

 

Lars Ulrik Mortensen: "'Unerringly Tasteful'?: Harpsichord Continuo in Corelli's Op.5 Sonatas", Early Music, Nov., 1996, Vol. 24, No. 4 (Nov., 1996), pp. 665-679. 

 

Giulia Nuti: The Performance of Italian Basso Continuo: Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries. (London and New York: Routledge, 2016.)

 

Rudolf Rasch: "The Music Publishing House of Estienne Roger: Caix-Croft", https://roger.sites.uu.nl/catalogue/ (accessed on 26 July 2022).

 

Rudolf Rasch: “«La famosa mano di Monsieur Roger»: Antonio Vivaldi and His Dutch Publishers,” Informazioni e Studi Vivaldiani 17 (1996), pp. 89-137.

 

Rudolf Rasch: “The Thirty-One Works of Francesco Geminiani: Work One: The Violin Sonatas of 1716”, https://geminiani.sites.uu.nl (accessed on 26 July 2022).

 

Vivaldi, ed. Michael Talbot (Farnham UK: Ashgate, 2011).