Books and articles 


Assis, Paulo. 2016. Experimental Affinities in Music. Orpheus Institute Series.

Barad, Karen. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.


———. 2011. “Erasers and Erasures: Pinch’s Unfortunate ‘Uncertainty Principle’, Social Studies of Science,.” Sage Journal 41 (3).


———. 2012a. Intra-Actions (Interview of Karen Barad by Adam Kleinmann). DOCUMENTA (13) Issue of Mousse Magazine. Milan, Italy.


———. 2012b. “Nature’s Queer Performativity, Women.” Women, Gender and Research 2012 (2): 25–53.


———. 2012c. What Is the Measure of Nothingness? Infinity, Virtuality, Justice / Was Ist Das Maß Des Nichts? Unendlichkeit, Virtualität, Gerechtigkeit. 100 Notes - 100 Thoughts / 100 Notizen - 100 Gedanken, No099: Karen Barad. DOCUMENTA (13) © 2012 Documenta Und Museum Fridericianum Veranstaltungs-GmbH.

Kassel; Ostldern: Hatje Cantz Verlag.


———. 2014. "Diffracting Diffraction: Cutting Together-Apart". Parallax 20 (3): 168–87.


Bartolozzi, Bruno. 1982. New Sounds for Woodwind. Translated by Reginald Smith Brindle. 2nd ed. London, England: Oxford University Press.


Bate, Walter Jackson. 2019. John Keats. London, England: Belknap Press.


Bennett, Jane. 2010. Vibrant Matter. A Political Ecology of Things. Durham/London: Duke University Press.


Bongo, David. 2022. Sync and Swarm. Bloomsbury Academic.

Brooks, Daphne A. 2021. Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Cambridge, MA: Harvard University Press.


Busch, Karen. 2009. “Artistic Research and the Poetics of Knowledge.” Art & Research - A Journal of Ideas, Contexts and Methods 2 (2).


Cage, John. 1961. Silence: Lectures and Writings. Middletown, Conn: Wesleyan University Press.


Cocker, E, Gansterer, N. & Greil, M. 2015. “Choreo-Graphic Figures: Beginnings and Emergences.” Ruukku, On Process. 20 (6).


Cocker, Emma. 2013. “Live Notation: – Reflections on a Kairotic Practice.” Performance Research 18 (5): 69–76.


———. 2018. “What Now, What next-Kairotic Coding and the Unfolding Future Seized.” Digital Creativity 29 (1): 82–95.


Cocker, Emma, Nikolaus Gansterer, and Mariella Greil. 2015. “Notion of Notation >< Notation of Notion.” Performance Research 20 (6): 53–57.


Crispin, Darla M. 2021. “Looking Back, Looking through, Looking beneath. The Promises and Pitfalls of Reflection as a Research Tool.” In Knowing in Performing, edited by Annegret Huber / Doris Ingrisch / Therese Kaufmann / Johannes Kretz / Gesine Schröder / Tasos Zembylas (eds.), 63–76. Transcript Verlag.


Davies, Hugh. 1996. “A History of Sampling.” Organised Sound 1 (1): 3–11.


DeLanda, Manuel. 2016. Assemblage Theory. Edinburgh, Scotland: Edinburgh University Press.


Deleuze, Gilles. 1969. Bergsonism. Translated by Barbara Habberjam and Hugh Tomlinson. Zone Books.


———. 1988. Spinoza: Practical Philosophy. Monroe, OR: City Lights Books.


———. 1992. Expressionism in Philosophy: Spinoza. New York: Zone Books.


Derrida, Jacques. 1992. “From Of Grammatology.” In Storming the Reality Studio, 194–95. Duke University Press.


Di Paolo, Ezequiel A. 2021. “Enactive Becoming.” Phenomenology and the Cognitive Sciences 20 (5): 783–809.


Dolphijn, Rick, and Iris van der Tuin. 2012. New Materialism: Interviews & Cartographies. Open Humanities Press.


Eidsheim, Nina Sun. 2015. Sensing Sound: Singing and Listening as Vibrational Practice. Durham, NC: Duke University Press.


Franklin, Sarah. 2017. “Staying with the Manifesto: An Interview with Donna Haraway.” Theory, Culture & Society 34 (4): 49–63.


Golanska, Dorota. 2018. “Geoart as a New Materialist Practice. Intra-Active Becomings and Artistic (Knowledge) Production.‘, RUUKKU - Studies in Artistic Research.” RUUKKU - Studies in Artistic Research 9.

Grisey, Gerard. 1987. "Tempus ex Machina: A composer’s reflections on musical time". Contemporary Music Review2(1), 239–275.


Haraway, Donna. 1997. Modest_Witness@Second_Millennium. FemaleMan©_Meets_OncoMouseTM: Feminism and Technoscience. Routledge, New York and London.


———. 2003. The Companion Species Manifesto, Dogs, People and Significant Otherness. Chicago, IL: Prickly Paradigm Press.


———. 2008. When Species Meet. Minneapolis, MN: University of Minnesota Press.


———. 2016. Staying with the Trouble: Making Kin in the Chthulucene. Durham, NC: Duke University Press.


Høffding, Simon. 2023. “Expanding Phenomenological Methods: Musical Absorption in Concert.” In The Oxford Handbook of the Phenomenology of Music, C6S1-C6N71. Oxford University Press.


Høffding, Simon, and Torben Snekkestad. 2021. “Inner & Outer Ears - Enacting Agential Systems in Music Improvisation.” In Philosophy of Improvisation Interdisciplinary Perspectives on Theory and Practice, edited by James McGuirk and Susanne Ravn Simon Høffding, Part III: Improvisation in Practice 9. New York, NY: Routledge Member of the Taylor and Francis Group.


Izhaki, Roey. 2007. Mixing Audio: Concepts, Practices and Tools. Oxford, England: Focal Press.


Kahn, Douglas. 1999. Noise, Water, Meat: A History of Sound in the Arts. Mit Press.


Kelly, Caleb, ed. 2011. Sound. London, England: MIT Press.


Kruse, Bjørn. 2016. Thinking Art: An Interdisciplinary Approach to Applied Aesthetics. Oslo: Norwegian Academy of Music.


Malinin, Laura H. 2019. “How Radical Is Embodied Creativity? Implications of 4E Approaches for Creativity Research and Teaching.” Frontiers in Psychology 10.

Oliveros, Pauline. 2005. Deep Listening: A Composer’s Sound Practice. iUniverse.

Merleau-Ponty, Maurice. 2013. Phenomenology of Perception. London, England: Routledge.


Pallasmaa, Juhani. 2009. The Thinking Hand: Existential and Embodied Wisdom in Architecture. Chichester, England: John Wiley & Sons.

Parr, Adrian. 2010. The Deleuze Dictionary Revised Edition.

Edinburgh University Press

Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. University of Minnesota Press.


Rose, Simon. 2017. The Lived Experience of Improvisation: In Music, Learning and Life. Bristol, England: Intellect Books.


Rossing, Thomas D., Richard F. Moore, and Paul A. Wheeler. 2001. The Science of Sound. 3rd ed. Philadelphia, PA: Pearson Education.


Said, Amir. 2015. The Art of Sampling: The Sampling Tradition of Hip Hop/Rap Music and Copyright Law. Superchamp Books.


Schroeder, Franziska, Koichi Samuels, and Rebecca Caines. 2019. “Music Improvisation and Social Inclusion.” Contemporary Music Review 38 (5): 441–45.

Schulze, Holger. 2018. The Sonic Persona: An Anthropology of Sound. New York, NY: Bloomsbury Academic.

———. 2020. Sonic Fiction. New York, NY: Bloomsbury Academic.


Schyff, Dylan van der, Andrea Schiavio, Ashley Walton, Valerio Velardo, and Anthony Chemero. 2018. “Musical Creativity and the Embodied Mind: Exploring the Possibilities of 4E Cognition and Dynamical Systems Theory.” Music & Science 1:


Sellers, Susan, and Ian Blyth. 2004. Hélène Cixous: Live Theory. Continuum International Publishing Group.


Small, Christopher. 1998. Musicking: The Meanings of Performing and Listening. Middletown, CT: Wesleyan University Press.


Smith, Timothy. 2019. A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. PhD thesis, University of the Arts London.


Toop, David. 1991. Rap Attack 2. London, England: Serpent’s Tail.


———. 1999. Exotica: Fabricated Soundscapes in a Real World. London, England: Serpent’s Tail.


———. 2004. Haunted Weather Book/CD (USA/ROW). London, England:

Serpent’s Tail.


———. 2016. Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970. New York, NY: Bloomsbury Academic.


———. 2018. Ocean of Sound: Ambient Sound and Radical Listening in the Age of Communication. London, England: Profile Books.


———. n.d. Chair Creaks, Though No One Sits There: Decomposition and Liquidity.


Vernon, Jim. 2021. Sampling, Biting, and the Postmodern Subversion of Hip Hop. 1st ed. Cham, Switzerland: Springer Nature.

Voegelin, Salome. 2014. Sonic Possible Worlds: Hearing the Continuum of Sound. New York, NY: Continuum Publishing Corporation.


Wilson, Scott, David Cottle, and Nick Collins, eds. 2011. The SuperCollider Book. London, England: MIT Press.


Witzgall, Susanne, and Stakemeier,Kerstin(ed),. 2015. Power of Material - Politics of Materiality. Berlin, Germany: Diaphanes.


Wood, David. 2005. The Step Back: Ethics and Politics after Deconstruction. Albany, NY: State University of New York Press.


Artistic Research Projects



Brandtsegg, Øyvind. 2020.  VLBI Retrieved September 28, 2023, from


Crispin, Darla . 2019.  Artistic research as a process of unfolding. Norwegian Academy of Music, 3.


Formo, Daniel. 2018. The Orchestra of Speech - a speech-based instrument system. In Proceedings of the International Conference on New Interfaces for Musical Expression.


Grydeland, Ivar, Qvenild, M, Neumann, A, and Endresen, S.  2021. Goodbye Intuition Retrieved September 28, 2023, from


Ham, Tijs. 2023. Tipping points (reflection component). KMD Artistic Research, 7.


Hellstenius, Henrik.  2019. Music with the real. Norwegian Academy of Music, 2.


Kjærgaard, Søren. n.d.. Meridiana: Lines toward a non-local alchemy Retrieved September 28, 2023, from


Kjærgaard, Søren. 2021. Multilayeredness in Solo Performance. Rhythmic Music Conservatory Copenhagen, 2.


Mayas, Maya. 2019. Orchestrating timbre - unfolding processes of timbre and memory in improvisational piano performance. Research Catalogue.


(Musical) improvisation and ethics. (n.d.). Retrieved September 28, 2023, from


Nilsson, Per Anders, and Dahlstedt, P. n.d. The meaning of the instrument. Retrieved September 28, 2023, from


Parkins, Andrea. 2022. Sonic spaces for the stray: (dif)fusing dis-location in sound installation and performance. Norwegian Academy of Music, 7.


Qvenild, Morten. 2019. the HyPer(sonal) piano project. Norwegian Academy of Music, 1.

Rutz, Hanns Holger, and Pirrò, D. n.d.. ALMAT - Continuous Exposition by Hanns Holger Rutz. Retrieved October 3, 2023, from

Sandell, Sten. 2013. På insidan av tystnaden: en undersökningFakulteten,

Göteborgs Universitet Konstnärliga;

Scipio, Agostino Di. 2010. Modes of interference / 3. Appareil, 5. Open Edition Journals.


Snekkestad, Torben. 2019. The Poetics of a Multiphonic Landscape.

Research Catalogue.



Amacher, Maryanne. 2008. Sound Characters 2 (Making Sonic Spaces).

Tzadik - TZ 8055


Butcher, John. 2008. Resonant Spaces. Confront – confront 17.


Cymerman, Jeremiah. 2008. In Memory Of The Labyrinth System.

Tzadik – TZ 8049.


Dörner, Axel, Torben Snekkestad, Flavio Zanuttini, and Florian Walter.

2017. Bruit. Umland – 14.


Endresen, Sidsel, and Jan Bang. 2018. HUM. Confront – core 03.


Evans, Peter, and Sam Pluta. 2019. Two Live Sets. Carrier Records – 036.

Griselda. 2019. WWCD (What Would Chinegun Do?). Griselda Records - 0852840


Guy, Barry, Torben Snekkestad, and Agusti Fernández. 2020.

The Swiftest Traveler. Trost Records – TR187.

Kerbaj, Mazen. 2019. Trumpet Solo Vol. 2.2 (Cuts, Overdubbing, Use Of Electronics). Discrepant – CREP64


———. 2022. Sampler / Sampled Mazen Kerbaj Trumpet Solo Vol. 3.

Morphine Records - DOSER042.

Kjærgaard, Søren. 2016. Weaver. Escho - ESC56.


———. 2018a. Concrescence. ILK music - ILK277LP.


———. 2018b. Live at Freedom Music Festival. ILK music - ILK278LP.

———. 2018c. Studies for Video Keyboard. Escho - ESC98.

Levi, Mica, and Oliver Coates. 2016. Remain Calm. Slip - SLP035.

Noto, Alva and Ryuichi Sakamoto. 2002. Vrioon. Raster-Noton.

Parker, Evan. 1976. Saxophone Solos. Incus – INCUS 19.

Ratkje, Maja S. K. 2008. River Mouth Echoes. Tzadik – TZ 8051.

Salogni, Marta, and Tom Relleen. 2023. Music For Open Spaces.

Hands In The Dark – HITD057.

Sandell, Sten. 2012. Music Inside The Language - I II III. LJ Records – LJCD 5254.

Smythe, Cory. 2011. Pluripotent. Not Art Records.


———. 2020. Accelerate Every Voice. Pyroclastic Records – PR 08.

Snekkestad, Torben. 2016a. Plateau. ILK music - ILK251.

———. 2016b. The Reed Trumpet. ILK music, White Label - ILK252LP

———. 2016c. Winds of Mouth. ILK music - ILK250.

Snekkestad, Torben, and Søren Kjærgaard. 2022. Another Way Of The Heart.

Trost Records – TR225.

SOPHIE. 2018. Oil Of Every Pearl’s Un-Insides. Transgressive Records – TRANS368.

Steen-Andersen, Simon. 2011. Pretty Sound (Solo And Chamber Music).

Dacapo – LC 09158.

Stetson, Colin. 2022. Chimæra I. Room40 – RM4155.

Toop, David. 2014. Mondo Black Chamber. Sub Rosa - SR385.


———. 2016a. Entities Inertias Faint Beings. ROOM40 - RM475.


———. 2016b. Life On The Inside. Sub Rosa - – SRV414.



Bailey, Derek. 2016a. “On the Edge - Improvisation in Music #1 Passing It On.” Youtube. August 30, 2016. Accessed September 28, 2023.


———. 2016b. “On the Edge - Improvisation in Music #2 Movements in Time.” Youtube. August 30, 2016. Accessed September 28, 2023.


Point Blank Music School. 2017. “A History of Sampling w/ Chris Read (WhoSampled) at Point Blank London.” Youtube. May 10, 2017.

Accessed September 28, 2023.


Realm, Hip Hop. 2016. “Sampling Documentary.” Youtube. April 28, 2016.

Accessed September 28, 2023.

SFAI-San Francisco Art Institute. 2017. “Donna Haraway - Staying with the Trouble: Making Kin in the Chthulucene.” Youtube. April 26, 2017.

Accessed September 28, 2023.

S/i, Enactlab. 2022. “Moving Together: Improvisation in Art, Health and Society.” Vimeo. September 19, 2022. Accessed September 28, 2023.


Steen-Andersen, Simon. 2009. “Run Time Error, Video Installation / Site-Specific Performance.” Copenhagen: Edition-S. Accessed September 28, 2023.

Telekom Electronic Beats TV. 2013. “ALVA NOTO (EB.TV).” Youtube. March 3, 2013. Accessed September 28, 2023.


The Daydream Sound. 2020. “Digital Sampling Technology - Berklee College of Music Guest Lecture.” Youtube. November 10, 2020. Accessed September 28, 2023.

The Poetry Project. 2021. “An Experimental Lecture with Karen Barad.” Youtube. March 29, 2021. Accessed September 28, 2023.


The Sydney Morning Herald and The Age. 2022. “How the Fairlight CMI Changed the Course of Music.” Youtube. August 25, 2022. Accessed September 28, 2023.



“Ccpodcast.” n.d. Accessed October 5, 2023.

Creative Research into Sound Arts Practice. 2015. CRiSAP. April 29, 2015.

Accessed September 28, 2023.


Eck, Cathy van. 2017. “Between Air and Electricity.” Between Air and Electricity. January 31, 2017. Accessed September 28, 2023.

Gutsch, Jochen. n.d. “‘We All Exchange Roles’: How Tech Musicians Benoit and the Mandelbrots Keep the Rhythm.” @GI_weltweit. Accessed October 3, 2023.


Improvisationresearch. Accessed September 28, 2023.

“Index.” n.d. SuperCollider. Accessed October 5, 2023.

New Materialism. Accessed September 28, 2023.

"" n.d. Accessed October 5, 2023.

Steen-Andersen, Simon. 2004. “Rerendered (Piano Solo with Two Assistants).”

Edition-s.Dk. 2004. Accessed September 28, 2023.

“Translating Improvisation.” n.d.

Accessed October 5, 2023.

“Ørets ettertanke – reflektert lytting.” n.d. NMH. Accessed September 28, 2023.



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