4.4. References

 

 

 

Baalman, Marije. Interplay Between Composition, Instrument Design and Performance. Springer Nature Singapore Pte Ltd. 2017. T. Bovermann et al. (eds.), Musical Instruments in the 21st Century, DOI 10.1007/978-981-10-2951-6_15


Chantelle, Ko; Oehlberg, Lora. Construction and Performance Applications of an Augmented Violin: TRAVIS II. Computer music Journal, July 27 2021. Pg. 55 - 68. fall: 2021


Collins, N. Live Coding of Consequence. Leonardo, 2011. 44(3): p. 207-211.


Duerick, Tim; Fritz, Claudia; Leman, Marc; Nijs, Luc; Kersemans, Mathias; Verberkmoes, Geerten; van Paerpegem, Wim. Listener evaluations of violins made out of composites. Jasa Acoustic Society Am. 147 (4), April 2020 . Pg 2647 - 2655.

 

Duerick, Tim. What's the alternative?. The Strad, July 2018.  Pg. 53 - 56.


Lee, Sang Wong. Live Coding The Mobile Music Instrument. NIME’13, May 27-30, 2013, KAIST, Daejeon, Korea.

 

Lucas, Alex; Schroeder, Franziska; Ortiz, Miguel.  Enabling Communities of Practice Surrounding the Design and Use of Custom Accessible Music Technology. Computer music Journal, July 27 2021. Winter: 2021 Massachusetts Institute of Technology.


Magnusson, Thor. Sonic writing:  technologies of material symbolic and signal inscriptions. London:

Bloomsury Academy, 2019. 

 

v. Nort, Doug; Marcelo M. Wanderley; Phillipe Depalle. Mapping control structures for sound synthesis: Functional and topological perspectives Computer music Journal, 38:3, July 27 2021. p.6 - 22 fall: 2014 Massachusetts Institute of Technology.

 

A.Norman, Donald. The design of everyday things. 

 

Partch, Harry. Genesis of Music. Da Capo Press , 1949.


Rand, Paul. Design,form and Chaos. London: Yale University Press, 1993.

 

Savage, Adam. Every tool’s a hammer. USA: Atria Books, 2020.

 

Sennett, Richard. The Craftsman.  London:  Yale University Press, 2008.

 

Tenney, James. Meta-hodos Meta-Hedos. Oakland: Frog Peak music, 1986.

 

Wang, Ge. On-the-fly Programming: Using Code as an Expressive Musical Instrument. In Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME).

 

Wiman, Oliver. Reimagining the Orchestra Subscription Model. League of American Orchestras: 2015.