A Feedback Meta-Apparatus
The pluriennal development of strip (2017-2022), a piece of software to design, and experiment with, feedback relationships in recursive phase and frequency modulation synthesis is presented. The work is contextualised drawing, among others, from the research of Adam Pultz Melbye1 and Jonathan Impett2. A focus will be on how the intertwinement of material software experimentation and aesthetic experience favoured a conceptual shift from a representational to a performative idiom, and a first attempt at understanding this shift in light of Rheinberger's notion of experimentation3 is discussed.
1. Adam Pultz Melbye, “A Continuously Receding Horizon”
2. Jonathan Impett, “Interaction, Simulation and Invention: A Model for Interactive Music”
3. Hans-Jörg Rheinberger, “Spurenlesen Im Experimentalsystem”
Internal Supervisors and External Advisors: Gerhard Eckel (KUG), Deniz Peters (KUG), Hans-Jörg Rheinberger (Max-Planck-Institut für Wissenschaftsgeschichte Berlin), Florian Dombois (ZHdK)