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My ongoing research project proposes to explore the different intersections between experimental rock music of the 1960s and 1970s and electroacoustic music, with regard to studio practices and production techniques, and their creative possibilities. The goal of the research will be to investigate the historical, technical and aesthetic context as well as the mutual feedback relationship between these studio practices and my work as a composer. In this essay I focus on some aspects of my compositional practice and the different ways they are connected to the research questions of my project, both in practical and theoretical terms. More specifically, I concentrate on the last music project I realised; entitled “jammed” and self-released (both digitally and physically) as an album on 5 December 2022.
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