Adams, Jacob William. “The Viola Stands Alone: The Rise in Sonatas and Suites for Unaccompanied Viola, 1915-1929.” 2014. Diss., University of California. https://alexandria.ucsb.edu/downloads/qn59q4253. Accessed 4 Oct. 2022.


Alberge, Dalya. “Revealed: The Violent, Thuggish World of the Young JS Bach.” The Guardian. 2013. www.theguardian.com/music/2013/sep/21/secret-bach-teenage-thug. Accessed 3 Oct. 2022.

 

Anderson, Christopher, editor and translator. Selected Writings of Max Reger. USA. Routledge, 2006.


Bach, Johann Sebastian. Six Suites for solo violoncello: Edition for Solo Viola. 1721. Transcribed for viola by Simon Rowland-Jones. Edition Peters. 1998. Score.


Bernstein, Leonard. “The Genius of Paul Hindemith.” 1964. www.leonardbernstein.com/lectures/television-scripts/young-peoples-concerts/the-genius-of-paul-hindemith. Accessed 5 Oct. 2022.


Biography.com editors. “Johann Sebastian Bach Biography.” The Biography.com Website.2014. www.biography.com/musician/johann-sebastian-bach. Accessed 3 Oct. 2022.


Botstein, Leon. “The Crucial Missing Link: Max Reger.” American Symphony Orchestra. 2016. www.americansymphony.org/concert-notes/the-crucial-missing-link-max-reger. Accessed 4 Oct. 2022.


“Bouncy excitement: Bach makes the cello ascend to heaven.” Netherlands Bach Society, www.bachvereniging.nl/en/bwv/bwv-1012. Accessed 3 Oct. 2022.


Broeder, Marianne. “Muziekbolsjeviek.” De Groene Amsterdammer, 22 Feb. 1995, www.groene.nl/artikel/muziekbolsjeviek.


Broad, Leah. “Unterweisung Im Tonsatz: An Interview With Simon Desbruslais.” The Oxford Culture Review, 27 July 2013, theoxfordculturereview.com/2013/07/27/unterweisung-im-tonsatz-an-interview-with-simon-desbruslais. Accessed 22 Oct. 2022.


Buis, Johann. Early Music and Paul Hindemith (1895-1963) in the United States: A Centenary Evaluation. College Music Symposium, vol. 36, 1996, pp. 16–32. JSTOR, http://www.jstor.org/stable/40374282. Accessed 3 Oct. 2022.

 

Cadenbach, Rainer. Max Reger Und Seine Zeit (Grosse Komponisten Und Ihre Zeit). Germany. Laaber-Verlag, 1991.


“Chords by Fourths and Fifths.” Beyond Music Theory. www.beyondmusictheory.org/chords-by-fourths-and-fifths/?amp. Accessed 22 Oct. 2022.


Cook, Nicholas and Anthony People, editors. The Cambridge History of Twentieth-Century Music. USA. Cambridge University Press. 2004.


Desbruslais, Simon. The Identity, Application and Legacy of Paul Hindemith’s Theory of Music. University of Oxford. https://ora.ox.ac.uk/catalog/uuid:eadcc792-503f-46e3-960c-e1d08ccb8cd0/download_file?file_format=application%2Fpdf&safe_filename=THESIS01#page302. Accessed 3 Oct. 2022.


“First Works.” Hindemith Stiftung. www.hindemith.info/en/life-work/biography/1914-1918/work/first-works. Accessed 4 Oct. 2022.


Fitzpatrick, Sarah. “The Bach Cello Suites: A 300 Year History, a 300 Year Mystery.” All Classical Portland. 2016. www.allclassical.org/the-bach-cello-suites-a-300-year-history-a-300-year-mystery. Accessed 3 Oct. 2022.


Freiberg, Sarah. “A New Digital Edition of J.S. Bach’s Cello Suites Takes Every Manuscript Into Account.” Strings Magazine, 2021. www.stringsmagazine.com/a-new-pdf-edition-of-j-s-bachs-cello-suites-takes-every-manuscript-into-account. Accessed 4 Oct. 2022.


Frisch, Walter. Reger’s Bach and Historicist Modernism. 19th-Century Music, vol. 25, no. 2–3, Nov. 2002, pp. 296–312. https://doi.org/10.1525/ncm.2001.25.2-3.296. Accessed 4 Oct. 2022.


“Further Concertising Activity.” Hindemith Stiftung. www.hindemith.info/en/life-work/biography/1918-1927/work/further-concertising-activity. Accessed 3 Oct. 2022.


Gardiner, John Eliot. Bach: Muziek als een wenk van de hemel. Translated by Frits van der Waa and Pon Ruiter. Amsterdam. De Bezige Bij. 2014.


Gardner, Charlotte. “Johann Sebastian Bach Cello Suites (Steven Isserlis) Review.” 2007. www.bbc.co.uk/music/reviews/m6rg. Accessed 3 Oct. 2022.


Gerling, Daphne Cristina Capparelli. Connecting histories: Identity and exoticism in Ernest Bloch, Rebecca Clarke, and Paul Hindemith's viola works of 1919. 2007. Diss., Rice University. https://hdl.handle.net/1911/20682. Accessed 4 Oct. 2022.


Griffiths, Paul. Modern music: A concise history from Debussy to Boulez. London. Thames and Hudson. 1984.


Haydon, Glen, and Manfred F. Bukofzer. Music in the Baroque Era From Monteverdi to Bach. The Journal of Aesthetics and Art Criticism, vol. 7, no. 3, JSTOR, Mar. 1949, p. 262. https://doi.org/10.2307/426669. Accessed 4 Oct. 2022.


Hindemith, Paul. Johann Sebastian Bach: Heritage and Obligation. 1st Edition. Praeger. 1978.


Hindemith, Paul. Sonate für Bratsche allein for opus 25/1. 1922. Edition Schott, 1969. Score.


Hindemith performs Hindemith. “Paul Hindemith: Sonata for Solo Viola, Op.25 No.1 (1922).” YouTube. 10 July 2019. Performed by Paul Hindemith. www.youtube.com/watch?v=ql7GNznrd8w. Accessed 6 Oct. 2022.


Huizenga, Tom. “Bach Unwigged: The Man Behind the Music.” NPR.org. 2013. www.npr.org/sections/deceptivecadence/2013/10/25/240780499/bach-unwigged-the-man-behind-the-music. Accessed 3 Oct. 2022.


Keller, James M., The Leni and Peter May Chair. “Notes on the Program: Ragtime (Well-Tempered), for Large Orchestra  Symphony, Mathis Der Maler.” NY Phil. nyphil.org/~/media/pdfs/program-notes/1920/HindemithRagtimeWellTempered.pdf. Accessed 3 Oct. 2022.


Kreinin, Yulia. Choosing an Influence, or Bach the Inexhaustible: The Heterophony of the Voices of Twentieth-Century Composers. Israel Studies in Musicology Online, vol. 13, 2015-16, www2.biu.ac.il/hu/mu/min-ad/15-16/10Kreinin_ChoosinganInfluenceorBach.pdf. Accessed 3 Oct. 2022.


Lawrence, Meredith, “The Influence of the Unaccompanied Bach Suites.” 2012. Music and Worship Student Presentations. 11. http://digitalcommons.cedarville.edu/music_and_worship_student_presentations/1. Accessed 3 Oct. 2022.


Messing, Scott. Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic. Rochester. University of Rochester Press. 1996.


Motto Cosmos Owner. “Personality of Johann Sebastian Bach.” MottoCosmos.com. www.mottocosmos.com/personalities/personality-of-johann-sebastian-bach. Accessed 3 Oct. 2022.


Netherlands Bach Society. “Bach - Cello Suite No. 6 in D Major BWV 1012 – Malov.” YouTube. 30 Oct. 2018. Performed by Sergey Malov. www.youtube.com/watch?v=wbH3JYfRjOQ. Accessed 6 Oct. 2022.


“New Objectivity.” MoMa, www.moma.org/s/ge/curated_ge/styles/new_objectivity.html. Accessed 4 Oct. 2022.


“Objectivity as a Style.” Hindemith Stiftung. https://www.hindemith.info/en/life-work/biography/1918-1927/work/objectivity-as-a-style/. Accessed 4 Oct. 2022.


“Paul Hindemith: Biography.” Deutsche Grammophon. www.deutschegrammophon.com/en/artists/paul-hindemith/biography. Accessed 3 Oct. 2022.


“Paul Hindemith (1895-1963).” Mahler Foundation. www.mahlerfoundation.org/mahler/contemporaries/paul-hindemith. Accessed 3 Oct. 2022.


“Paul Hindemith.” New World Encyclopedia, www.newworldencyclopedia.org/entry/Paul_Hindemith. Accessed 3 Oct. 2022.


“Paul Hindemith.” New York Times, 30 Dec. 1963, p. 20. https://briannar.medium.com/what-struck-me-about-this-excerpt-was-aaron-coplands-connection-between-composers-paul-hindemith-ce8ff1355c52. Accessed 5 Oct. 2022.


Predota, Georg. “Back to Bach: Hindemith and Bach.” Interlude, 2013. www.interlude.hk/back-to-bachhindemith-and-bach. Accessed 4 Oct. 2022.


Predota, Georg. “Let’s do the Shimmy! Hindemith, Bartók and Bach.” Interlude, 2013. www.interlude.hk/lets-do-the-shimmyhindemith-bartok-and-bach. Accessed 4 Oct. 2022.


Predota, Georg. “Shooting the Messenger: Hindemith and the Folk Tradition.” Interlude, 2013. www.interlude.hk/shooting-the-messengerhindemith-and-the-folk-tradition. Accessed 4 Oct. 2022.


Predota, Georg. “The Old World Just Exploded! Hindemith and Brahms.” Interlude, 2013. www.interlude.hk/the-old-world-just-exploded-hindemith-and-brahms. Accessed 4 Oct. 2022.


“Principles and Categories.” Hindemith Stiftung, www.hindemith.info/en/life-work/biography/1933-1939/work/principles-and-categories. Accessed 22 Oct. 2022.


Rutherford, David. “The Story Behind the Bach Cello Suites, and Why We Still Love Them Today.” Colorado Public Radio. 2018, www.cpr.org/2018/07/25/the-story-behind-the-bach-cello-suites-and-why-we-still-love-them-today. Accessed 3 Oct. 2022.


Sackmann, Dominik. Hindemith-Interpretationen: Hindemith und die zwanziger Jahre. Bern. Peter Lang AG, Internationaler Verlag der Wissenschaften. 2007.


Schaal, Susanne, and Lutgard Schader. Über Hindemith: Aufsätze zu Werk, Ästhetik und Interpretation. Mainz. Schott Musik International. 1996.


Schubert, Giselher. Paul Hindemith. Schott Music GmbH and Co. KG. 2016.


Scott, Marion. Paul Hindemith: His Music and Its Characteristics. Proceedings of the Musical Association, vol. 56, 1929, pp. 91–108. JSTOR, http://www.jstor.org/stable/765761. Accessed 3 Oct. 2022.


Seitz, Masha. “Paul Hindemith: About Life, Work and Effect.” Music4Viola, music4viola.info/Hindemith2?l=en. Accessed 4 Oct. 2022.


The Editors of Encyclopaedia Britannica. “Neue Sachlichkeit.” Britannica, www.britannica.com/art/Neue-Sachlichkeit. Accessed 4 Oct. 2022.


“The Enlightenment.” Britannica, https://www.britannica.com/topic/philosophy-of-religion/The-Enlightenment. Accessed 4 Oct. 2022.


Thomson, William. Hindemith’s Contribution to Music Theory. Journal of Music Theory, vol. 9, no. 1, 1965, pp. 52–71. JSTOR, https://doi.org/10.2307/843149. Accessed 22 Oct. 2022.


Trombetta, Domenico L. Early music influences in Paul Hindemith's Compositions for the Viola. 2014. Dissertations. 5. https://commons.lib.jmu.edu/diss201019/5. Accessed 3 Oct. 2022.


Ulrich, Homer, and Paul A. Pisk. A History of Music and Musical Style. USA. Harcourt Brace Jovanovich, Inc. 1963.


Weedon, Robert. “Paul Hindemith. War Composers - the Music of World War I.” 2016. www.warcomposers.co.uk/hindemith. Accessed 3 Oct. 2022.

 

Wirth, Helmut. Max Reger in Selbstzeugnissen Und Bilddokumenten. Hamburg. Rowohlt, 1973.


White, Matthew. “The Enlightenment.” The British Library. 2018. www.bl.uk/restoration-18th-century-literature/articles/the-enlightenment. Accessed 4 Oct. 2022.

Bibliography

>