1. Set up on my body, mind and spirit.
I take 7 breaths, from a slight to a deep and long one.
2. Listen from my heart (with all the attention possible and in contact with my body sensations). I start to play slap tongue as a heart beat.
3. Greetings to the four elements of the nature. (This as a strategy to feel a physical connection with the environment by feeling every element into my body and thanks their presence)
Hola .... 2'40
Earth - I play low notes in the saxophone in contrast with very high ones. I sense those notes as a physical analogy of heavyness and the ground. In the audio I invite to feel our weight that goes through our legs and goes beyond. 3'50
Fire - I tense the muscles of my body, all that I can. This to feel the contact with fire, the temperature rising. As a embodied scream. 5'18
Water - Feel your saliva. I play glissandos on the saxophone, as a analogy of liquid sound. 6'47
Air - I blow all the air possible throug the saxophone. 7'20
4. Offering. I walk to the tree. I send it love vibrations to the non-humans. I kneel and bow the tree. I set the Plantsplay device.
8'20
9'26 first sounds of the tree...
5. Joining the bio/geophonic orchestra. I walk to the frame that I made from experiment 3, and I feel the landscape. 9'35
I play saxophone as accompaignment of the music that is already there. I use the extended techniques on saxophone (multiphonics, slap tongue, glissandos)
14'21 I felt that the tree was calling me to do something else. So I started to do a melody, and it continues responding.
6. Closing the performance: in the audio I sing-say some questions that I thought from my previous experiment-fasting (Period 1).