imagining through performative actions. 

Description of the panel:

  

In this panel, we discuss the various performative methods we utilize to activate imagining in others. Through the performative actions of mapping, writing, touring, and storytelling our projects developed processes that represent imaginative potentials in individuals. 

 

Nowadays people have seemed to stop imagining in public space.  Our artistic research projects come together with the shared questions: What does imagining mean for us as artists?  How can we share our practices of imagining with others? How can we develop those practices in others to challenge or change their perspectives? What are the socio-political possibilities of imagining with others in public spaces?

 

 

In the end, what we imagine can only live outside ourselves once it is shared through connecting or transforming.

 

The city is not simply a physical space but also a cultural and social space that is continually being constructed and reconstructed by its inhabitants. Unlike a fixed city image, mapping practice represents a temporary city that is open to change from an individual’ perspective. In that sense, I try to explore new ways of seeing the city through the social imaginaries of people from different cultures by co-creating with international student. As a tactical field, public space is an imaginary space that resists one dominant image of the city where participants produce meaning continually through observing and following their emotions in the urban environment. 

 

Aiming to understand how international students create meaning and how the city of Tilburg is constructed through multiple ways of mapping in three areas  -Dwaalgebied, Winkelgebied, and Veemarktkwartier-,  I focus on the performative aspects of mapping and challenge traditional mapping practices through psychogeographical and experimental video mapping.

 

 

 

 

 


 

 

 

 

 

 

 

 

Nazlı Meriç Çukurova (1997) is a performance-based artist and visual designer from Istanbul, Turkey. She graduated from Istanbul Technical University Faculty of Architecture in the department of Industrial Design in 2021. During her studies, she followed various dance classes and workshops such as contemporary technique and movement improvisation, which inspired her to explore her environment through body and space practices. Presenting herself as a foreign identity and object, she tries to build relations and tensions within her surroundings. Currently pursuing Master Performing Public Space program at Fontys Fine and Performing Arts, she conducts her practice-led artistic research in public spaces, exploring co-creating with others in the socio-political context. In her project in Tilburg, she is using participatory methodologies and experimental video making to uncover the multiplicity of the city's identity.

Juxtaposition of City Identities through Performative Mapping 


Nazlı Meriç Çukurova

https://www.researchcatalogue.net/view/1736526/1854807 


New Perspectives on Public Space through Artistic Research

Micro-Symposium hosted by Master Performing Public Space 2022/23

Jesse Todd is an interdisciplinary artist and educator from Chicagoland based in Phuket, Thailand. Their background is in playwriting, poetry, directing for theatre, musical performance, and arts education. Jesse is relentlessly curious and you might find them getting lost exploring in their own magical realist way. Their work ventures into how exaggeration, fantasy, absurdity, darkness, and humor can connect people and encourage confidence in others to perform publicly and engage with new encounters. Jesse believes that through creative practice and performative action, we can bring our imaginings, dreams, and alternate realities to life. 
 "Let me tell you a story of a magical journey . . . and along the way, we can make another together."
Getting there <---> Getting Lost
Sharing Stories Where Traveler Myths Meet Tourist Realities

Jesse Todd
 
 

This project is exploring viewpoints - the "must-see" tourist destinations and the personal perspectives experienced by those who travel to them. Viewpoints are unique liminal spaces, frequented by travelers, that have a number of effects on our perceptions. From feeling like a giant, as if you could reach out and pick up buildings, to feeling like a tiny particle, and comprehending how very small you are in comparison with the world.  At viewpoints, we are not looking down or looking up to anyone or anything in particular. We are looking out - at and for each other.  They can become a truly democratizing space where different perspectives (viewpoints) can be shared and discussed. 


Phuket Thailand has many viewpoints but none are as iconic as the Big Buddha. This project, through chance encounters with magical realist methodologies of writing, touring, imagining, and sharing stories, aims to develop and encourage more intimate tourist practices at the Big Buddha Viewpoint. Participants tour, detour and re-tour the viewpoint, "getting there" and "getting lost" in writing exercises, sharing magical realist stories and challenging themselves, in a playful and imaginative way, to do some critical thinking and share their own unique story and view/point.

May 15th 2023

10:30-17:00

Fontys School of Fine and Performing Arts, Tilburg

Kolommenzaal

My practice makes visible the somatic, older, dancing body to challenge the social norms which restrict individuals’ physical response and expression as they move through public space. I dance in public space to stake a claim, to make space for, the acceptance of “free movement”. Interweaving mundane and idiosyncratic movement with the gestures and actions of passers-by, I  interrogate the unseen boundary which delineates acceptable, restricted movement and not so acceptable expressive movement in public space. It is this idea of boundary that forms the basis of my new project “Don’t Fence Me In”. The title comes from a popular 1940’s American song, which speaks
of freedom and being on the land. Dancing at different sites, with different kinds of fences, this project interrogates the different meanings and functions of fences, and the types of boundaries they create. Life is different on either side of the fence.

 

Don’t Fence Me In.

Exploring boundaries and binaries through the dancing body

Catherine Magill

Catherine Magill is a Naarm (Melbourne, Australia) based dancer, currently enrolled in the MA Art in Public Spaces program at RMIT. Using spontaneous choreography, interweaving dance and spoken word she creates embodied translations of site, somatic data, and the emerging moment. Her content is political and poetic, speaking to issues from the personal to the global, covering topics such as feminism, ageing, the environment, and social justice. Catherine is currently engaged in a 10-week practice/cultural exchange trip in Europe, including 3 residencies in Sweden and the Fontys Bootcamp.