// THE NEW OLD // by Lorenzo Colocci

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How can possible translations between acoustic and electronic domains - lead to unexpected forms of composition? My intention is to create a musical language based on the translation within electronic and acoustic musical elements. Transforming, also making violence to the integrity of the original material, as a constructive act of demolition. The translation becomes an integrant part of the composition process, consciously taking part in the structural definition of the work It is NOT a SOUND that is translated, but the IDEA
Lorenzo Colocci - // THE NEW OLD // - 2025
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“Microsonic techniques dissolve the rigid bricks of music architecture ... Sounds may coalesce, evaporate, or mutate into other sounds.”

Curtis Road, “Microsound”

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THE NEW OLD