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In this essay I describe one example of working with a tree (an ash tree on the former post quay on Eckerö Island) and suggest that such artistic methods, like performing with a tree repeatedly or addressing a tree in writing as a performance for camera, serve as useful tools to generate material to reflect upon later. The heightened perceptual awareness and the intensity of the moment of performance helps in articulating observations and ideas that might not have come to the fore in other circumstances.
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