New Artistic Possibilities with
The Max Maestro - An Animated Music Notation System
for Non-Professional Performers
References
Articles/ Papers/ Music Compositions/ Music Applications/ Projects
[1.]Brown Earle, December 1952, - Music, Earl Brown Selected Works 1952-1965/ New world records, 2006 < https://www.youtube.com/watch?v=WlGkaP4u2cw>
[2.]Cage John, Fontana Mix (1958), Music, John Cage – Fontana Mix/ Cherry Red Records (2010)
< https://www.youtube.com/watch?v=j4jg28JwRPY>
[3.]McKenna Shane, Animated Graphic Notation – Paper at ISEA2011 Istanbul (International Symposium on Electronic Art)
[4.] Wyatt, A. K., & Hope, C. (2013). Animated music notation on the iPad (or: Music stands just weren't designed to support laptops). In Proceedings of the 2013 ICMC Conference. (pp. 201-207)
[5.] Smith, Ryan Ross, < http://animatednotation.com>
[6.] Hope, Cat/ Vickery, Lindsay, Decibel Score Player (2011), <https://itunes.apple.com/us/app/decibel-scoreplayer/id622591851?mt=8>
[7.] S.L.A.T.U.R, < http://www.slatur.is>
[8.] McKenna, Shane/ Redmond, Killian – Dabbledoomusic (2012) - Animated notation application for children - <http://www.dabbledoomusic.com>
[9.] Lind Anders, Voices of Umeå: an artistic research project, (Department of Creative studies/ Umeå university/ Sweden, 2013-2015) <http://www.estet.umu.se/konstnarlig-forskning/anders-lind/>
[10.] Lind, Anders, Voices of Umeå part I: We Speak Music!, (2013) <https://www.youtube.com/watch?v=hl1aGHXHOME>
[11.] Lind Anders, Voices of Umeå part III: Everybody Scream!!! (2014)
< https://www.youtube.com/watch?v=VFebLXpe0fo>
[12.] True Nicholas, Papworth Nigel, Zarin Ru, Peeters Jeroen, Nilbrink Fredrik, Lindbergh Kent, Fällman Daniel, Lind Anders, The Voice Harvester: an interactive installation, (2013, Proceedings of the CHI ´13 conference: Extended Abstracts on Human Factors in Computing Systems, 3003-06)
[13.] Lind, Anders, Voices of Umeå part II: Singing Instruments!! (2013) <https://www.youtube.com/watch?v=wLQ5Hs4GTeU>
[14.] Hannula, M, Suoranta, J, Vadén, T, Griffiths, G, & Kölhi, K. 2005. Artistic research: Theories, methods and practices. Academy of Fine Arts, Helsinki, Finland and University of Gothenburg / ArtMonitor, Gothenburg, Sweden 2005.
[15.] Arlander, Anette. 2014. On Methods of Artistic Research. In Torbjörn Lind/ Swedish research council (ed.). Method Process Reporting, Artistic yearbook 2014. Swedish Research Council, Stockholm. pp. 27-39.
[16.] Ligeti, György, Atmospheres, (1961) <https://www.youtube.com/watch?v=JWlwCRlVh7M>
[17.] Ligeti, György, Volumina, (1966)
<https://www.youtube.com/watch?v=wbLcI9-Js0U&list=RDwbLcI9-Js0U#t=170>
[18.] Xenakis, Iannis. Metastasis (1954) <https://www.youtube.com/watch?v=rpCYdmue62o>
[19.] Penderecki, Krzysztof, Threnody for the Victims of Hiroshima, (1960) <https://www.youtube.com/watch?v=HilGthRhwP8>
[20.] Bernard, Jonathan W. "Voice leading as a spatial function in the music of Ligeti." Music Analysis 13.2/3 (1994): 227-253.
[21.] Freeman Jason, Glimmer: “Creating New Connections” in Transdisciplinary Digital Art. Sound, Vision and the New Screen by Randy Adams, Steve Gibson, Stefan Muller Arisona (Springer Berlin Heidelberg, 2008) pp 270-283
[22.] Weitzner Nathan, Freeman Jason, Chen Yan-Ling and Garret Stephen (2013). massMobile: towards a flexible framework for large-scale participatory collaborations in live performances. Organised Sound, 18, pp 30-42
[23.] Barret G. Douglas and Winter Michael (2010) LiveScore: Realtime Notation in the Music of Harris Wulfson, Contemporary Music Review, 29:1, pp 55-62
[24.] Freeman Jason and Godfrey Mark (2010) Creative collaboration between audiences and musicians in Flock, Digital Creativity, 21:2, pp 85-99
[25.] Hasse Jean (1986) Moths – for a few hundred whistlers,
<http://www.visible-music.com/jh_amateur.htm>
[26.] Chénard, M. The Millenium Symphony: A work for the Beginning of Time; Part I: The Musical Challenge. La Scena Musical, Vol. 5, No. 8, May 2000.
[27.] Greschak, John, Articles on Polytempo (2001)
< http://www.greschak.com/polytempo/>
[28.] Kocher, Philippe, Polytempo Network: A System for Technology-Assisted Conducting,
(2014, Proceedings of the ICMC/SMC/2014 conference)
[29.] Stockhausen, Karl Heinz, Gruppen (1955-57)
<https://www.youtube.com/watch?v=mqvlrphkGAU>
[30.] Boulez, Pierre, Rituel in memoriam Bruno Maderna (1975)
https://www.youtube.com/watch?v=-k7EXNZqIUg
[31.] Lind, Anders, Music for Chamber Ensemble and Five Electronic Conductors (2009)
< https://www.youtube.com/watch?v=e_l97ND1kvE>
[32.] Cowell, Henry, The tides of Manaunaun (1917),
<https://www.youtube.com/watch?v=Pgn4SQFgU9Y>
[33.] MAX/MSP/JITTER, (1999) < https://cycling74.com/products/max/>
[34.] Sing Star (2004), < https://www.singstar.com/sv/about.html>
[35.] Guitar Hero (2005), < https://www.guitarhero.com>
[36.] Rolo, R. (2011). Singstar - Applying to Music Education. In T. Bastiaens & M. Ebner (Eds.), Proceedings of EdMedia: World Conference on Educational Media and Technology 2011 (pp. 3192-3201). Association for the Advancement of Computing in Education (AACE).
[37.] Lind Anders, Nylén Daniel. 2016. Mapping Everyday Objects to Digital Materiality in The Wheel Quintet: Polytempic Music and Participatory Art. In Proceedings for NIME 2016 in Brisbane, Australia.
[38.] Lind, Anders. 2016. An Animated Music Notation/ Electronic Conductor System in a Concert Hall Performance for 30 School Children, a Chamber Orchestra and Electronics. Presentation at Animated Notation Online Symposium 2016.
http://animatednotation.x-projekte.de/index.php/category/presentations/