References


Amunts, K., Schlaug, G., Jaencke, L., Steinmetz, H. , Schleicher, A., Dabringhaus, A. & Zilles, K. (1997). Motor cortex and hand motor skills: Structural compliance in the human brain. Human Brain Mapping, 5, p. 206-215.

Andermann, E.M., Austin, C.C. & Johnson, D. (2001).The development of goal orientation. In Wigfield, A. & Eccles, J.S. (Eds.), Development of achievement orientation, p. 197-221. Academic Press, San Diego.

Burland, K. & Davidson, J.W. (2002). Training the talented. Music Education Research, 4:1, p. 121-140.

Cameron, N. (Ed.) (2002). Human growth and development. Academic Press, New York.

Citroen, L  & Loo, M. van der (2011). Podiumangst. Boom uitgevers, Amsterdam.

Coyle, D. (2009). The talent code. Greatness isn’t born. It’s grown. Here’s how. Bantam Books, Random House Inc., New York.

Ericsson, K.A., Krampe, R.Th. & Tesch-Romer, C. (1993). The role of deliberate practice in the acquisistion of expert performance. Psychological Review, Vol. 100, No. 3, p. 363-406.

Gardner, H. (1983). Frames of mind: The theory of multiple intelligences. Basic Books, New York.

Gardner, H.  (2006). On failing to grasp the core of MI theory: A response to Visser et al. Intelligence, 34(5), p. 503-505.

Hallam, S., Creech, A., Papageorgi, I., Gomes, T., Rinta, T., Varvarigou, M. & Lanipekun, J. (2016). Changes in motivation as expertise develops: Relationships with musical aspirations. Musicae Scientiae p. 1-23.

Hambrick, D.Z., Oswald, F.L., Altmann, E.M., Meinz, E.J., Gobet, F. & Campitelli G. (2014). Deliberate practice: Is that all it takes to become an expert? Elsevier Inc., Intelligence 45 (2014), p. 34-45.

Howe, M.J.A., Davidson, J.W. & Sloboda, J.A. (1998). Innate talents: reality or myth? Behavioral and Brain Sciences, 21 (3), p. 399-407.

Janowsky, J.S. & Carper, R.  (1996). Is there a neural basis for cognitive transition in school-age children? In Sameroff A.J. & Haith, M.M. (Eds.), The five to seven year shift: The age of reason and responsibility. University of Chicago Press, Chicago.

Lehmann, A. & Kristensen, F. (2014). “Persons in the shadow” brought to light: parents, teachers and mentors – how guidance works in the acquisition of musical skills. Talent Development & Excellence, Vol. 6, No. 1, p. 57-70.

Lightfoot, C., Cole, M. & Cole, S. (2013). The development of children. Worth Publishers, New York.

Martin, J., Sokol, B.W. & Elfers, T.  (2008). Taking and coordinating perspectives: From prereflective interactivity, through reflective intersubjectivity, to metareflective sociality. Human Development, 51, p. 294-317.

McPherson, G.E. (2005). From child to musician: skill development during the beginning stages of learning an instrument. Psychology of Music, Vol. 33:1, p. 5-35.

McPherson, G.E. & Renwick, J.M. (2001). A longitudinal study of self-regulation in children’s musical practice. Music Education Research, 3:2, p. 169-186.

Moore, D.G., Burland, K. & Davidson, J.W. (2003). The social context of musical success: a developmental account. British Journal of Psychology, 94, p. 529-549.

Piaget, J. & Inhelder, B. (1973). Memory and intelligence. Basic Books, New York.

Sloboda, J.A., Davidson, J.W., Howe, M.J.A. & Moore, D.G. (1996). The role of practice in the development of performing musicians. British Journal of Psychology, 87, p. 287-309.

Sowell, E.R., Trauner, D.A., Gamst, A. & Jernigan, T.L.  (2002). Development of cortical and subcortical brain structures in childhood and adolescence: A structural magnetic resonance imaging study. Developmental Medical Child Neurology, 44, p. 4-16.

Trainor, L.J. (2005). Are there critical periods for musical development? Wiley Periodicals Inc., Dev Psychobiol 46, p. 262-278.

White, S.H. (1996). The relationship of development psychology to social policy. In Zigler, E.F. & Kagan, S.L. (Eds),Children, families and government: Preparing for the 21st century, p. 409-426. Cambridge University Press, New York.