-
contents
- Between instrument and everyday sound
- Compositional methods
- Microtonal organ and tuning systems
- Software download
- Landscape with figures I - Types of fragments
- Landscape with figures I - Flutes and strings morphing
- Landscape with figures I - Multiphonics morphing
- Landscape with figures I - Gamelan Ravel and Ravel percussion
- Landscape with figures I - Jet whistle horn pheasant
- Landscape with figures I - Electric bubbles, breaking and distorted breaking
- Landscape with figures I - Ammons water, drilling and soundscapes
- Landscape with figures II - Types of fragments
- Landscape with figures II - Tutti fragment
- Landscape with figures II - Ensemble fragment
- Landscape with figures II - Ensemble text
- Landscape with figures II - Whispering room
- Landscape with figures II - The antiphonal fragments
- Landscape with figures II - Antiphonal duos
- Landscape with figures II - Antiphonal groups
- Landscape with figures II - Antiphonal chamber music
- Landscape with figures II - Noice circles
- Landscape with figures II - Vocal gliss
- Landscape with figures II- String signals
- Landscape with figures II - Intermezzi fragment
- Landscape with figures II - Intermezzi variation
- Landscape with figures IIa and IIb
- Don't feed the birds
- Production - Sound setup and lights
- Production - Rehearsals
- Production - Performance
- Conclusions and literature
- Ruben Sverre Gjertsen
-
navigation
-
abstract
The aim of the project is to explore multidimentional, amorphous and vague expressions arising when many aspects of the music are given more independent roles than in traditional musical writing styles. What interests me is to manoeuver within a continuum of means, where the historical sounds of the instruments are there as just one extreme within a continuum.
- Ruben Sverre Gjertsen - Between instrument and everyday sound - 2018
- Meta
- Comments
- Terms
