The Construction of the Guitar at the Time of Luigi Legnani

Luigi Legnani was a guitarist, composer, and instrument maker born in 1790 in Ferrara, a small province in Italy. His musical career began at a young age as a singer and performer of orchestral string instruments. In 1819, he started his career as a guitarist. Legnani was a contemporary of important Italian guitarists such as Ferdinando Carulli (1770–1841), Mauro Giuliani (1781–1829), and Matteo Carcassi (1792–1853), so his compositional style may have been influenced by them, as well as by Gioachino Rossini, one of the most important Italian composers of the first half of the 19th century, famous for his vocal works, which Legnani performed on several occasions.

Legnani lived in a prolific era for the guitar, an instrument that became very versatile, used not only in popular contexts but also in concert halls, with a large audience and a significant increase in repertoire, thanks to the contributions of the aforementioned guitarists along with the Spanish guitarist and composer Fernando Sor (1778–1839). This was a time when the techniques of composition and guitar performance developed significantly, and Luigi Legnani was part of this change, leaving a legacy of over 250 pieces, among which are notable caprices, variations, fantasies, and pieces for guitar and flute duets.

The guitar underwent a significant evolution during the nineteenth century, especially at the time when Luigi Rinaldo Legnani (1790-1877) lived. This section focuses on the innovations in guitar construction that took place during his time, as well as Legnani's influence on the development of the instrument.

 

In the first half of the nineteenth century, guitars began to differentiate into two main types: the Spanish type and the Italian type. Both styles reflect the influence of the technical and aesthetic resources of the time, with Legnani being a key figure in their evolution.

 

1. Collaboration with Luthiers: 

   Legnani worked closely with renowned luthiers such as Johann Georg Stauffer and Johann Ertl. Together they explored new techniques and materials to improve the quality of the guitar, resulting in models that incorporated significant innovations.

 

2. Wider body: 

   During this period, guitars began to have wider bodies, which allowed for greater sound projection. This change was crucial for use in larger concerts.

 

3. Use of Specific Woods: 

   Maple wood began to be used not only for the background, but also for the fins, which contributed to a richer and more complex resonance.

 

4. Mast Adjustment Mechanism: 

   One of the notable innovations was the introduction of a system that allowed the angle of the neck to be adjusted, making it easier to regulate the action of the ropes and improving comfort and playability.

 

5. Tastiera with More Frets: 

   The inclusion of more frets expanded the melodic and harmonic range of the instrument, allowing for the execution of more complex compositions.

 

The crossover between music and guitar building during Luigi Legnani's time is a testament to how a virtuoso can influence the evolution of an instrument. The innovations he promoted not only transformed the guitar, but also opened up new possibilities for composers and performers of the future, securing their place in music history. Legani's influence endures in the modern guitar, which remains a vital instrument in classical and contemporary music.

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