The influence of Bel Canto on the 19th-century guitar repertoire.

Nacho Cuadrado

About this exposition

This research explores the influence of bel canto, a distinguished Italian vocal style, on 19th-century guitar compositions, with a particular focus on the works of Luigi Legnani. Through detailed analysis, the study identifies key bel canto characteristics, such as expressive phrasing, melodic ornamentation, and dynamic contrasts, as integral elements in Legnani's guitar music. These findings highlight Legnani's skill in adapting the vocal nuances of bel canto to instrumental performance, creating a bridge between vocal and instrumental traditions. The research enhances the understanding of cross-genre influences in 19th-century music and showcases the artistic versatility of composers like Legnani. To present these findings, the format will include recorded video demonstrations, where specific characteristics of bel canto will be illustrated through selected musical excerpts. These videos will provide a visual and auditory exploration of Legnani’s compositions, allowing audiences to observe the practical application of the research insights. The combination of spoken analysis and video demonstrations offers an engaging and comprehensive understanding of the influence of bel canto on Legnani's works, enriching the overall appreciation of this unique musical intersection.

type	research exposition
keywords	Bel Canto, Italian opera, vocal influence, nineteenth century, guitar techniques, legnani, eighteenth century
date	08/01/2020
published	01/07/2025
last modified	01/07/2025
status	published
affiliation	Conservatorio Real de La Haya
copyright	(C) Ignacio Cuadrado 2024. todos los derechos reservados.
license	CC BY-NC-ND
language	English
url	https://www.researchcatalogue.net/view/2473198/3306940
doi	https://doi.org/10.22501/koncon.2473198
published in	KC Research Portal
portal issue	1. Master Research Projects

name	Nacho Cuadrado plays Capricce nº 22 Legnani on a Arnoldo Garcia Luthier Guitar
copyright	Arnoldo García
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usages	video

name	vídeononpiùmesta
copyright	nacho cuadrado
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name	Grabación de pantalla 2025-03-03 a las 8.27.21
copyright	https://www.youtube.com/watch?v=mk06RvH96NU
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name	005091CC-A312-45EB-93E8-40399A8B8542
copyright	nacho cuadrado
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name	mesa di voce
copyright	https://www.youtube.com/watch?v=mk06RvH96NU
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name	claroscuro
copyright	https://www.youtube.com/watch?v=R3E5ZKKO5bo
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name	Captura de pantalla 2025-03-03 a las 11.43.07
copyright	https://www.eno.org/composers/gioachino-rossini/
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name	chiaroscuro example
copyright	tiktok @vitakoreneva
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usages	video

name	Guitar XIX & XX
copyright	© 2008 Adrian Charles Walter. All rights reserved.
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usages	picture

name	legnani
copyright	https://www.last.fm/music/Luigi+Legnani/+wiki
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usages	slideshow

name	esta
copyright	All rights reserved to Arnoldo García ©.
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name	mesiah
copyright	nacho cuadrado recording
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name	portada
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name	vídeo de tae kwondo
copyright	Nacho cuadrado
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name	legato
copyright	- SueAnnNivens. "How to Sing Bel Canto II." YouTube, May 13, 2007. https://www.youtube.com/watch?v=XhwkHts8QTs.
license	All rights reserved
usages	video

name	copy_D20E475C-0F1A-4CC9-9975-325BCA7B15B3
copyright	All rights reserved to the Petrer Guitar Festival ©.
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usages	video

name	capricw 2
copyright	All rights reserved to Arnoldo García ©.
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name	caprice2
copyright	All rights reserved to the Petrer Guitar Festival ©.
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name	caprice3
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name	caprice7
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name	capricho 9
copyright	The rights belong to Nacho Cuadrado ©.
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name	caprice 11
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name	caprice 12
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name	caprice 15
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name	caprice 17
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name	caprice 22
copyright	All rights reserved to Arnoldo García ©.
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name	caprice 29
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name	finalc22
copyright	All rights reserved to Arnoldo García ©.
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name	page one
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name	page 2
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name	page 3
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name	page 4
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name	page 5
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name	page 6
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name	Fantasia, Op 19
copyright	Pavel Steild
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The influence of Bel Canto on the 19th-century guitar repertoire. (2025)

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