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Bibliography

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Boulez, P. (1992). Pierre Boulez about "Dialogue dans l'ombre double" & "Répons" (Salzburg, 1992) [Video]. YouTube. https://youtu.be/Uxx77KRksyQ&ab_channel=LOFTmusic

Cristo, B. R. (2018, 18 mayo). Compositores y solistas: una investigación cualitativa sobre la creación y la libertad interpretativa en el repertorio contemporáneo para clarinete. https://hdl.handle.net/20.500.14352/15872

Damiens, A. (Performer). (1992). Dialogue de l'ombre double (pour clarinette et dispositif électroacoustique) [Video]. YouTube. https://youtu.be/tRALrBqln8s&ab_channel=LOFTmusic

Damiens, A., & Comte, J. (Performers). (2014, October 31). Pierre Boulez, Dialogue de l'ombre double - reportage - Ensemble intercontemporain [Video]. YouTube. https://youtu.be/VGouwOLoFXk&t=61s&ab_channel=EnsembleIntercontemporain

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Hopkins, G. W., & Griffiths, P. (2001). Boulez, Pierre. In S. Sadie & J. Tyrell (Eds.), The New Grove Dictionary of Music and Musicians (2nd ed., Vol. IV, pp. 98–108). London: Macmillan Publishers.

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McCallum, P., & Boulez, P. (1989). An Interview with Pierre Boulez. The Musical Times, 130(1751), 8–10. Retrieved from https://www.jstor.org/stable/966095

Peyser, J. (1976). Boulez: Composer, Conductor, Enigma. New York: Schirmer Books.

Rogers, J. (2000). Dialogue de L’Ombre Double: Construction by Assemblage. Perspectives of New Music, 38(2), 30–51. Retrieved from https://www.jstor.org/stable/833658

Stephens, S. (Performer). (2011, May 5). In Freundschaft, for melody instrument (1977) [Video]. YouTube. https://youtu.be/vdnm8zYuJGc&ab_channel=pelodelperro

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Valiquet, P. (2012). The Spatialisation of Stereophony: Taking Positions in Post-War Electroacoustic Music. International Review of the Aesthetics and Sociology of Music, 43(2), 403–421. Retrieved from https://www.jstor.org/stable/23342829

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