1 Maitland, S., 2009. A book of silence. London: Granta Books, p.5

2 Calvino, I., 1982. If on a winter’s night a traveller. London: Vintage Book, p.122

3 Cervantes, M de., Don Quixote. Translated from Spanish by Grossman, E,. 2005. London: Vintage, p.73

4 Jacobs, M., 1992. Blue Guide - Barcelona. London: A & C Black Publishers, p.70

5 Spark, M., 1975. The Girl of Slender Means. London: Penguin Books, p.95

6 Spark, M., 2001. Loitering with Intent. New York: New Directions Publishing, p.14

7 Barnes, J., 2005. The Lemon Table. London: Picador, p.20

8 Westcott, J., 2010. When Marina Abramovic Dies. Massachussetts: MIT Press, p.163

9 Tanahashi, K., 2004. A Flock of Fools: Ancient Buddhist Tales. New York: Grove Press, p.90

10 Jung, C. G., 1987. Synchronicity. London: Ark Paperbacks, p.103

11 Cowie, P., 2006. Revolution!: The Explosion of World Cinema in the 60s. London: Faber & Faber, p.26

12 Murakami, H., 2003. Dance Dance Dance. London: Vintage, p.173

13 Claxton, G., 2008. What’s the Point of School?: Rediscovering the Heart of Education. Oxford: Oneworld Publications, p.64

14 Murakami, H., 1999. The wind-up bird chronicle. London: The Harvill Press, p.20

15 Murakami, H., 2003. South of the border, west of the sun. London: Vintage, p.77

16 Kakuzo, O., 1992. The book of tea. Vermont: Tuttle, p.95

17 Calvino, I., 1985. Marcovaldo. London: Picador, p.61

18 Calvino, I., 1992. Under the jaguar sun. London: Jonathan Cape, p.69

19 Waite, A. E., 2005. The pictorial key to the Tarot. New York: Dover Publications, p.224

20 Murakami, H., 2003. Hard-boiled Wonderland and the End of the World. London: Vintage, p.4

21 Calvino, I., 1992. Six memos for the next millenium. London: Jonathan Cape, p.19

22 Calvino, I., 1984. Adam, one afternoon. London: Picador, p.105

23 O’Dell, L., 2010. The charismatic chamelion. Brighton & Eastbourne: Sussex Academic Press, p.35

24 Schor, M., 1997. Wet: On Painting, Feminism and Art Culture. Durham: Duke University Press, p.54

25 Kant, I., 1998. Kant: Groundwork of the Metaphysics of Morals. Translated by Gregor, M., Cambridge: Cambridge University Press, p.8

26 Parsons, T., 2009. Thinking: Objects - Contemporary Approaches to Product Design. Switzerland: AVA Publishing, p.195

27 Jarry, A., 2003. Ubu Roi. New York: Dover Publications Inc, p.13

28 Charles, V., 2008. Rembrandt: Painter, Engraver and Etcher. New York: Parkstone Press International, p.141

29 Persig, R., 1999. Zen and the Art of Motorcycle Maintenance. London: Vintage, p.22


“The1 aim2 is3 to4 take5 a6 brush7 mark8 through9 a10 process11 and12 create13 something14 that15 reaches16 beyond17 merely18 presenting19 its20 own21 construction22.23 Create24 something25 intense26 and27 bodily28.29 ” 


18 04 2012