BIBLIOGRAPHY

 

Iiad. (2025, 13 mars). Fashion and Identity : Clothing’s Role in Personal and Cultural Identities. IIAD. https://www.iiad.edu.in/the-circle/fashion-and-identity-an-exploration-of-clothings-role-in-shaping-personal-and-cultural-identities/ 

 

Haute Couture. 30 Apr. 2025, dictionary.cambridge.org/fr/dictionnaire/anglais/haute-couture.  

 

Lapierre, Élodie. “Le Saviez-vous ? L’appellation Maison De Haute-Couture Est Encadrée Par La Loi  - Marques De France.” Marques De France, 30 Jan. 2025, www.marques-de-france.fr/magazine/le-saviez-vous-lappellation-maison-de-haute-couture-est-encadree-par-la-loi. 

 

prêt-à-porter. (2025). https://dictionary.cambridge.org/fr/dictionnaire/anglais/pret-a-porter  

 

Tayyeb, S. (2025, 2 mai). Fashion And Identity : Exploring Personal Syles | Rock & ; Art. Rock & Art. https://www.rockandart.org/fashion-and-identity-personal-syles/  

 

Fashion-Era. (2024, 27 octobre). Fashion Eras from 1800 to 2000 : A Timeline of Clothing Styles Fashion-Era. https://fashion-era.com/fashion-history/fashion-eras 

 

Nast, C. (s. d.). Fashion Through the Decades. Vogue. https://www.vogue.com/tag/misc/fashion-through-the-decades 


Dior Kunstmuseum

Haute-couture: expensive, fashionable and tailored clothes produced by leading fashion houses, different characteristics make a fashion brand a part of haute-couture label. According to Cambridge Dictionnary, Haute-Couture is "the designing, making, and selling of expensive fashionable clothing that is not sold in shops and is made by hand (=not using a machine, factory etc.), especially clothes made for a particular customer by a fashion company based in Paris that regularly shows clothes at fashion shows, also used to refer to the clothes themselves."

The collection 25 of clothes has to be shown twice a year during Fashion Week, the brand has to make everything by hand, and needs to create the garments in two different ateliers. There must be at least 20 workers. Every year, the list of the fashion houses and company is renewed, except for the permanent names that don't need to prove that they fill alll the criterias, such as Chanel, Dior or Giambattista Valli.


Prêt-à-porter: opposed to tailored clothes, ready-to-wear clothes, produced in mass, standardized and usually cheaper.



Different aspect of design

-silhouette: shape and outline of a subject, 2D and 3D fe: in the Dior exhibition, we can see the work on shape: geometrical and neat.

-material: synthetic (polyesternylon, acryclic...), natural (coton, wool, linen), recycled.

-techniques: craftsmanship (embroidery, pattern making, leather working...), industrial and mass producing (hyper-fast/ fast fashion, ready-to-wear).


 

Connections between fashion and identity

"Clothing choices can reflect personal tastes, beliefs, values and cultural backgrounds, making fashion a powerful tool for expressing one's identity." IIAD 

Fashion has always been a way to express. Whether it is personal, political, cultural or a mix of all of them, when you genuinely think about what you're going to wear everyday, your looks reflect your personality and your beliefs.

Fashion can express your identity through colors, for example choosing one for the meaning: wearing black for a funeral, white for a wedding or yellow because it reminds us of happiness and sunshine. Through shape we can express our identity: if you see someone wearing a suit, they are more likely working in a corporate office. 

On the contrary, fashion can also be a way to fit in, to make everyone seem equal, to create a sense of unity. For instance, kids wearing uniforms to school or wearing the same jersey as a football team, and of course cultural/ethnic clothing.

As a result, we can ask ourselves what conditions our perspective on fashion and identity? Does our personality or our background shape the way we dress, or are we influenced by what we see? In the end, do we really choose what we wear?



Fashion trends as a reflection of societal changes

Fashion trends have always reflect changes happening in the world, following the evolution of society, movements, influences and preferences. Though we can dissect fashion history in different distinguished eras, we know that it is also a circle: every past trend will come back one day or another.

 
20s: 
 Tomboy look, Flapper, bob
30s:
Surrealism, Escapist era, new materials
40s:
war time, utility clothing
50s:
Golden Age of Haute-Couture after the end of WW2.
60s:
Miniskirts and dresses as a sign of emancipation, in opposition to previous strictness. Bold apperances, Mods
Civil Rights Movement, embracing cultural diffrences and ethnicities 
70s:
Disco, free spirit, sportswear, denim
80s/90s: 
start of more colorful patterns, disruptive, AIDS, androgynous silhouettes, grunge, digital
2000s:
apparition of fast fashion, mass produced clothes and also a form of conformity

Every decade had specifc trends and recognizable styles that we can now found again, in different obvious or subtil ways, still reflecting societal changes and beliefs.