A visual, emotional & conceptual archive [2017-2019] of Performative reharsarls and Performative installations that anticipated the LGP Method's integrative logic.The images featured in this article are memories re-integrated through a daily practice of digital collage, using photographs, documentation of performances, installations, and photo-performances. This visual work serves as a lateral form of emotional elaboration within the collaboration with other artists and institutions that held this research previous to the synthesis. This archive links 2019-2025 anti autobiographic artistic process trough creative collaborations.
For a more specific exploration of the afective dimension, I recommend my parallel series Perfosentimientos, which crosses psychoanalysis, painting & performance art.
(Article in progress)
Before the method, there was a body in search — a series of scenes weaving meaning trough relationships and collaborations
Style in these collages emerges as a performative trace: a series of digital interventions on rehearsal photographs that, once printed and mounted, are reintegrated into the workspace. This constant feedback process generates a distinctive aesthetic, where the repetition of elements and techniques creates a coherent visual identity. Thus, style manifests not only in the final appearance of the work but also in the process itself, in the way images are built, deconstructed, and reconstructed in each rehearsal.
2019 Performers & Photographers Collaborations
Federico Ferrari
Ana Romans
Catalina Corredor
Diana Grieco
Florencia Tenaglia
Leticia Gurfinkiel
Lulú Jankilevich
Fabiana Barreda
Zoe Trilnik Farji
Florencia Labat
Ciro Zanela
Lorena Croceri
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“The negative or what didn’t happen in one of the Perfo rehearsals 2019,” collage 2025
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“Revelation of a (veiled) point of view,” collage 2025
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“Leg rehearsal 2019,” collage 2025
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“And the jelly beans flooded everything,” collage 2025
Reintegrating the Eye (2019–2025)
by L.C.
In 2019, LGP was a living tissue of open rehearsals, liminal materials, and performers —activating desire from the edge. F.F, artist and curator, documented those shared windows at Panal 361, where we both had studios. Today, his archive returns—not as nostalgia, but as raw material for collage: an act of reintegration, affective reading, and creative mentorship.
This gesture is also a form of hope. Because when experimentation is read, named, and supported—either in real time or retrospectively—it becomes method. Confusion turns into clarity. Overflow becomes a platform. Art, a technology for living.
On this mentorship process check this other article here.
LGP Performative System
2025
Before Transdisciplinary artist synthetized Las guerras púdicas method, there was a body in search — a series of scenes weaving meaning among relationships & collaborations than she later turned into collages. These collages function as veils over raw material from performance rehearsals conducted in 2019. The rehearsals, blocks of time and procedure dedicated to testing images, sensations, movements, postures, and sounds, focus on the liminal: transitional moments that are neither one thing nor another, ambiguous periods rich in possibility and openness. These sessions are photographed as a way to mark a symbolic tattoo, the sensations associated with the image. Subsequently, they are digitally intervened, resulting in collages that are printed, mounted on wooden stretchers, and reintegrated into the space as combinatory elements for future rehearsals. In this way, a critical mass of compact and coherent collaborative work is generated, aligned with the type of conglomerated feelings. This process can be summarized in the concept of performance as the primary mode of autobiographical research, but one that avoids the confessional mode by conducting a neutral analysis afterwards.
Institutions where we performed in Buenos Aires 2017-2019
Universidad Nacional de las Artes
Fundación Cazadores
Premio PIPA Projecto Audaz
Fundación Andreani
Maratón de Performance/Gallery Days
PANAL 361
Centro Cultural Paco Urondo
Centro Cultural Borges
Premio Estímulo a la Performance Brun Cataneo
"In these digital collages, what matters most is the blurred edge between memory, artwork, and archive. I invite you to engage with them not only from a rational perspective, but also as an affective and spiritual journey in the construction of a process.
This work shows how the LGP Method is in constant re-configuration—its pieces are mobile, responsive, alive. What matters is the transformation, the unfolding of identity, and who we become through it. The Liminal perspective where creativity arrises." (Transdisciplinary artist)
