A visual, emotional & conceptual archive [2017-2019] of performative installations that anticipated the LGP Method's integrative logic.The images featured in this article are memories re-integrated through a daily practice of digital collage, using photographs, documentation of performances, installations, and photo-performances. This visual work serves as a lateral form of emotional elaboration within the collaboration with other artists and institutions that held this research previous to the synthesis.
The institutions that hosted these early experimentations—academic, independent, or self-managed—acted as symbolic molds where the recipe began to cook: an alchemical process between body, language, and context that laid the foundation for the LGP method.
Performers & Photographers Collaborations
Federico Ferrari
Ana Romans
Catalina Corredor
Diana Grieco
Florencia Tenaglia
Leticia Gurfinkiel
Lulú Jankilevich
Fabiana Barreda
Zoe Trilnik Farji
Florencia Labat
Ciro Zanela
Lorena Croceri
New developments of the Archive in this virtual Performance (2024). Living Performative Archive.
Before the Method: Sensuous Research and Spatial Experiments
for Multidisciplinary
Projects
(2017-2019)
Lead by Lorena Croceri
For a more specific exploration of that afective dimension, I recommend my parallel series Perfosentimientos, which crosses psychoanalysis, painting & performance art.
(Article in progress)
LGP Archive also includes other sections:
Digital collections available for exhibition/ NFT acquisition and physical pieces: photography, painting and textile.
Each piece is conceived as a living archive, ready to be activated in new curatorial or personal contexts.
If you're interested in exhibiting, collecting, or discussing any of these works, feel free to DM me.
I´m expert in site-specific installation, performance/workshop to activate the spectators.
Reintegrating the Eye (2019–2025)
by L.C.
In 2019, LGP was a living tissue of open rehearsals, liminal materials, and performers without support—activating desire from the edge. F.F, artist and curator, documented those shared windows at Panal 361, where we both had studios. Today, his archive returns—not as nostalgia, but as raw material for collage: an act of reintegration, affective reading, and creative mentorship.
This gesture is also a form of hope. Because when experimentation is read, named, and supported—either in real time or retrospectively—it becomes method. Confusion turns into clarity. Overflow becomes a platform. Art, a technology for living.
On this mentorship process check this other article here.
LGP Performative System
2025
Institutions where we performed in Buenos Aires 2017-2019
Universidad Nacional de las Artes
Fundación Cazadores
Premio PIPA Projecto Audaz
Fundación Andreani
Maratón de Performance/Gallery Days
PANAL 361
Centro Cultural Paco Urondo
Centro Cultural Borges
Premio Estímulo a la Performance Brun Cataneo
Before the method, there was a body in search — a series of scenes weaving meaning trough relationships and collaborations
Before the method, there was a body in search — a series of scenes weaving meaning among relationships & collaborations.
In these digital collages, what matters most is the blurred edge between memory, artwork, and archive. I invite you to engage with them not only from a rational perspective, but also as an affective and spiritual journey in the construction of a process.
This work shows how the LGP Method is in constant re-configuration—its pieces are mobile, responsive, alive. What matters is the transformation, the unfolding of identity, and who we become through it.
After the formalization of the method, my new identity—New Art—emerged.