Rutz, H. Halting Operations for Algorithmic Alignment. Journal of Science and Technology of the Arts, 9 (3): pp. 7-20, 02 2017.

Pirrò, D. Composing Interactions. Institut 17 Elektronische Musik und Akustik, University of Music and Performing Arts Graz (Austria), 2017.

Rutz, H., Pirrò, D. Körper. ( Carvalhais, M., Rangel, A., Ribas, L., Verdicchio, M. ). xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X) . 2018.

Rutz, H., Höldrich, R. A Sonification Interface Unifying Real-Time and Offline Processing. ( Lokki, T., Pätynen, J., Välimäki, V. ). Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC)) . 2017.

Rutz, H., Castillo, N., Grossegger, G. schwärmen + vernetzen. Transdisziplinäres Kunstprojekt. Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik , pp. 155-170, 02 2017.

Rutz, H., Castillo, N. Mexikanischer Tumulus. In Pruckermayr, N. , Demokratie und Frieden auf der Straße: Comrade Conrade. Ein Kunst-, Forschungs- und Friedensprojekt in Graz 2016 – 2019 (pp. 124-126). CLIO, Graz (Österreich), 2019.

Rutz, H., Höldrich, R. AP 4 - Verwertung von EEK-Forschungsergebnissen zum Aufbau transdisziplinärer Schnittstellen. [WTZ - Wissenstransferzentrum Süd]. University of Music and Performing Arts Graz, Graz (Austria), 2017.

Eckel, G., Schwab, M., Pirrò, D. DA TA. MER. Paper Kunsthalle, Gent (Belgien), 2017.

Rutz, H. Marking a Space of Algorithmicity. ( Carvalhais, M., Clifford, A., Rangel, A., Verdicchio, M. ). Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx) . 2016.

Rutz, H., Höldrich, R. A Sonification Interface Unifying Real-Time and Offline Processing. Poster at Sound and Music Computing Conference (SMC) in Helsinki (Finnland), Aalto University (Finnland), Aalto University (Finnland), 2017.

Rutz, H. Agency and Algorithms. Journal of Science and Technology of the Arts, 8 (1): pp. 73-83, 02 2016.

Publications

 

this is under construction. Please refer to the IEM website in the meantime.

Rutz, H. H. (2017). “The Temporality of (Un|Non)Selection”. In: Proceedings of the 5th Conference on Computation, Communication, Aesthetics & X (xCoAx). Lisboa.

Rutz, H. H. (2018). “Algorithms under Reconfiguration.” In: Transpositions, edited by M. Schwab. Aesthetico-Epistemic Operators in Artistic Research. Leuven: Leuven University Press, pp. 149–176.

Rutz, H. H. (2014). “Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework”. PhD thesis. UK: Plymouth University.

Marentakis, G., D. Pirrò, and R. Kapeller (2014). “Zwischenräume – A Case Study in the Evaluation of Interactive Sound Installations”. In: Proceedings of the Joint 11th Sound and Music Computing Conference and the 40th International Computer Music Conference. Athens, pp. 277–284.

Pirrò, D. and G. Eckel (2011). “Physical modelling enabling enaction: an example”. In: Proceedings of the International Conference on New Interfaces for Musical Expression. Oslo, pp. 461–464.

Pozzi, D. Process and Form in Feedback Systems. Institut 17 Elektronische Musik und Akustik, University og Music and Performing Arts, Graz (Austria), 2019.

Pozzi, D. Else - An Artistic Study on Algorithmic Agency in Sound Synthesis Composition. ( Park, T. ). Proceedings of the 2019 International Computer Music Conference . 2019.