My take on the topic of minimalism is slightly different. Personally, I'm more interested in the application of minimalist strategies at the level of the artistic pratice itself, meaning that I consider them as a very efficient set of tools, that allow me to modify my perspective towards the medium of algorithms. By restricting the possibilities of operation I put myself in a specific (minimalist?) working space where my accostumed habits are challenged and need to be mostly rethinked. The adoption of a very restricted set of elements, the reduction to necessity that removes most of all the available possibilities, is for me a keypoint not in discovering something that is hidden, but rather in creating a new relationship with the medium, envisioning a different approach that I couldn't consider before.