Født 1985. Skribent, oversetter og språkvasker. Seneste oversettelse: Sitt Marie Rose av Etel Adnan (H//O//F, 2023).
1.40-5.01 Explains Unthought
Difference between consciousness and Non-conscious cognition
non-con is faster
can decode what is to messy
noncon is more in touch with what happens in the body and the world
con is the narrative faculty- aim is to make sense/world dont make sense
con can vipe out what is to bizarre for instance/non con knows whats going in
non-con lifeforms is the majority'
.............
5.00
all lifeforms has some cognitive capabilities
if they are alive htey a capacity to understand information from the environment, interpret and act on
how do we want define our relation other lifeforms?
drive to decenter the human?
the belief of our superiority
more non-human cells in the body than human
collective organism
contain multitudes w.whitman
cognitive assemblages
agency is distributed and cognition is distributed, and our most important relations are symbiotic
enlightentment-liberal humanism- rationality,free will, selfownership you own your own body your own labour you can use it to. Liberatory force for those who benefited
expanses could only be on behalf of others. Lisa Lo?
free will in a cognitive assemblage with i.e A.I?
listening without interpretation
understanding without getting
theorising is a constant in (my) artistic outlets
i try to avoid to formulate
stay part of the boddily reactions
drawing teaches that the eye can see a straight line just as good as a spirit meter
it's a matter of trust and nuancing straightness
most of this comes form digital sources
i shift between working on my computer and without.
friends and network. the social
is main source
conversations
space.geography
is I believe my main operating mode
the river has many different currents
constantly looking for the stones thats stuck
Where it happens
what words is used
how are they punctuated
how are they rounded or sharpened
what's blunt
language hold wrath, indignation, contempt, persuasion, love
read the sheet
list of true theoritical background paradigm glasses
cultural cristianism
working class/arbeidslinja
socialdemocratic/western liberal
leftism, hippie punk alternative subcult
mayan cosmovision
økosofi
Gunstein Bakke - Murskueteknikkane
I Iliadens tredje song ser Helena ned på kampane frå Trojas bymur, og må peike ut dei greske krigarane. Denne scena har sidan blitt omtala som murskuet, og i dramaet inneber eit murskue at eit eller fleire vitne fortel om kva som går føre seg utanfor scena. Slik skriv desse dikta seg ut av det kjende, ut av det overbelyste og inn mot det som beveger seg i skuggane av det vi er vande med å sjå etter
Frå Audiatur bokhandel
For Vicuña er skillet mellom ord og verden ikke tydelig, ord har også en egen virkelighet, historie, og er i stadig forandring, bevegelse. Lik alle levende ting får ord liv. De kommuniserer, danner nettverk og forbindelser. Når et dikt blir skrevet ned, sunget eller proklamert, får det en fysisk form i verden. Ord er som små frø som krysser alle grenser. Forandring skjer i det små, i små doser, det skjer sakte, og plutselig veldig fort.
Protesterende tunger | Vinduet.no
Den chilenske poeten og kunstneren Cecilia Vicuña har forsket på urfolks syn på språk. I hennes tenkning handler språk om utveksling mellom virkeligheter, elementer og krefter. Det er disse som til sammen blir til språk, men det gjør seg også gjeldende den andre veien, for språk genererer også utvekslingen. Innenfor urfolkelig andisk tenkning – altså tenkning fra Andesfjellene – kaller man denne formen for utveksling gjensidig eller resiprok, fra det latinske ordet reciprocare, «strømme tilbake».
Det er den språklige ekvivalenten til det som skjer i kvanteeksperimenter, der iakttagerens blikk og intensjon påvirker resultatet. Poesi og andre kunstformer ser tilbake på oss, og slik våre øyne påvirker tolkningen og effekten ordene har, endres vi av ordene. I forordet til Vicuñas tospråklige utdrag fra PALABRARmas i New and Selected Poems of Cecilia Vicuña kan man lese om tittelen at det er: «Et ord som betyr: å ordne med ord slik man ordner med jorda, er å jobbe mer; å tenke over hva arbeidet gjør, er å bevæpne deg med ordenes visjon. Og mer: Ord er våpen, kanskje de eneste akseptable våpnene.»
what and who is seen? what's missing?
the good intentions and pre-fixed meaning
informal.
Ånd. Spirit. Geist
the indigenous.
Ub'Ixik
From Cecilia Vicuna text
What is the name saying, what does it have to tell, say?
A way of reading. To read is is to read the day. , not a "day" but a conglomerate of events and dimensions that is possible to read in a multidimensional way.
look for the signs that can illuminate the say " el decir"/ what is being told
non-verbal signs with non determined signification
answer and question gets weved together. To read the body
read and riddle comes from the first word, germanic Ratan
The word theory comes from the Ancient Greek θεωρία (theōría), which meant: looking at, viewing, contemplation; spectacle or a sight, also used to describe philosophical contemplation or speculative thinking It derives from: θεωρός (theōrós) – spectator, one who looks at or observes; related to θεάομαι (theáomai) – to see, to behold
Født 1985. Skribent, oversetter og språkvasker. Seneste oversettelse: Sitt Marie Rose av Etel Adnan (H//O//F, 2023).
Den chilenske poeten og kunstneren Cecilia Vicuña har forsket på urfolks syn på språk. I hennes tenkning handler språk om utveksling mellom virkeligheter, elementer og krefter. Det er disse som til sammen blir til språk, men det gjør seg også gjeldende den andre veien, for språk genererer også utvekslingen. Innenfor urfolkelig andisk tenkning – altså tenkning fra Andesfjellene – kaller man denne formen for utveksling gjensidig eller resiprok, fra det latinske ordet reciprocare, «strømme tilbake».
That yellow house on the corner was my grandfathers workplace. I think both my uncle and my father had their first employments there.
It was the first place(as of family-lore) where they vacuum-packed food in Trondheim. The mentioned first job was handling the lapskaus(stew)-boiler. A hot and steamy 1000liter of boiling stew getting pressured into plastic-bags.
So those memories
were noted with a childs voice
I remember them because they were moments in my youth. Moments that became markers.
some moments grow with distance others diminish. Vanish
a constant exchange of now for then and then for what's next
that stream of water
What is close and what is near
whats vague and whats clear
whos there
whos not
(who call all the shots?)
I took this photo for that tiny speck of a view of the fiord. It's not even the water I guess, but the Fosen Peninsula, the other side of the fiord.
Steelblue?
once I waited on this exagt spot I got a text message:
I'm up the hill
I turned and saw the person I was waiting for, waving.
The way out of this used to be witht he fiord. A ship. A boat.
Now you can go to Rema1000 and its all there. The world in one place.
Whats near is the skateboarder, not chrashing, but using the stairs as landing cushion. I don't remember the year. The street was full of people. Excited. Two and two daredevils battled to get down to the finishing line before the other. Downhill. National Championship.
In the end technology(better wheels) won. But I guess most of us remember Maciek Korbut who did'nt care about the finishing line. He was going downhill as fast and stylish as possible
Why he chose to crashland. What immediate future was it that he saw that made the stairs seem like the best option.
He got up with some help from a paramedic and friends. Everyone cheered in relief,
What I remember seeing a piece of video art I this summer. A person, smashing car windows. Dancing and singing, walking down the street, whilst doing it.
Later we discussed. She convinced that it was staged. I was convinced of the opposite
the rest of what we had to say hinged upon it
we had nothing more to say about the work
https://www.nb.no/items/cfcc1f9c0322c856d157d771f41931b2?page=3&searchText=Eivind Slettemeås
KUNST OG PREKARITET 2008
Artist-run spaces
Self-organise(d)
Fra 90-tallet: Kunstfaglige lapper:
Relasjonell estetikk, mediebasert kunst, ny.konseptualisme, slacker-estetikk
Lene Berg Portrett av Stalin eller Kvinne med bart
https://www.nb.no/items/97fcbcc058c797b6844fe3d8609df8b8?page=11&searchText=Eivind%20Sletteme%C3%A5s
Jorunn Veiteberg: Kunstnardrevne visningsrom
Historie kunstnerdrevne/kunstnerstyrte, sjølorganiserte steder.
It was Pipilotti Rist smashing car windows with a flower. In 1997. It wasn't real. The car windows were.
In 2025 it was part of the exhibition Political Tension at the Neue National Galerie.
"The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling."
David Foster Wallace