Drawing Disambiguation by Russell Marshall

Hyperdrawing adopts a position, a perspective or viewpoint, that a lack of definition should be embraced and that ambiguity presents an opportunity. Drawing Disambiguation can be seen as the process of resolving the conflicts that arise when drawing is ambiguous. Our hypothesis is that Drawing Disambiguation could be established as a methodology for Hyperdrawing. The initial enquiry will take the form of a collaborative drawing, with text and image all being seen as ‘marks’, ‘lines’ and ‘gestures’ in a drawn dialogue / discourse.

Dialogue: Kristen Kreider & James O'Leary

Stage 3: Site, performance of place

A drawing of site - development drawings.

A disambiguation of Particles of Moisture or other Substance Suspended in Air and Visible as Clouds (Kreider and O'Leary, 2015). A staged process. Stage 3: Site, a drawing. The drawing situates Kreider and O’Leary’s characteristics of site (a middle distance; close engagement: material, spatial, temporal, cultural complexity, thereness; afar) and acknowledges movements or spatial practice on the ground (New Walk Museum), experienced phenomenologically and read in all of its semiotic complexity.

Marshall and Sawdon

Digital drawing

Dimensions: variable

2019

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