For Further Reading

Apel, Willi. “The Importance of Notation in Solving Problems of Early Music.” Papers Read by Members of the American Musicological Society at the Annual Meeting, 1938, pp. 51–61.

Bent, Margaret. “Editing Early Music: The Dilemma of Translation.” Early Music, vol. 22, no. 3, 1994, pp. 373–392. JSTOR,

Bent, Margaret. “IMPOSSIBLE AUTHENTICITIES.” Il Saggiatore Musicale, vol. 8, no. 1, 2001, pp. 39–50. JSTOR,

Blackburn, Bonnie J. “The Editing of Early Music: Now and in the Future.” Early Music, vol. 36, no. 4, 2008, pp. 671–672. JSTOR,

Boorman, Stanley. ”Early Music Printing: Working for a Specialized Market,” Print and Culture in the Renaissance: Essays on the Advent of Printing in Europe. Ed. Gerald P. Tyson and Sylvia S. Wagonheim. Newark, DE: Univ of Delaware Press, 1986), 222.

Dumitrescu, Theodor, et al., editors. Early Music Editing: Principles, Historiography, Future Directions. Turnhout: Brepols Publishers, 2013.

Kelly, Thomas Forrest. Capturing Music: The Story of Notation. New York: W.W. Norton, 2015.

Krummel, Donald and Sadie, Stanley, eds. Music Printing and Publishing. New York: W.W. Norton, 1990.

Kuijken, Barthold. The Notation Is Not the Music: Reflections on Early Music Practice and Performance. Indiana University Press, 2013.

Owens, Jessie Ann. Composers at Work: The Craft of Musical Composition 1450-1600. New York: Oxford Univ. Press, 1997.

Rastall, Richard. The Notation of Western Music: An Introduction. New York: St. Martin’s Press, 1982.

Riemann, Hugo. Studien zur Geschichte der Notenschrift. Leipzig: Breitkopf & Härtel, 1878.

Richardson, Constance. “BACH’S COPIES OF AMMERBACH.” Music and Letters, vol. XXXVIII, no. 2, 1957, pp. 209-a-209. Crossref, doi:10.1093/ml/XXXVIII.2.209-a.

Schulze, Hans-Joachim. “Wer Intavolierte Johann Sebastian Bachs Lautenkompositionen?” Die Musikforschung, vol. 19, no. 1, 1966, pp. 32–39. JSTOR,

Young, William. “Keyboard Music to 1600, I.” Musica Disciplina, vol. 16, 1962, pp. 115–150. JSTOR,