[advanced instrumentalist, with rudimentary keyboard skills]
Participant plays top 2 voices of Num. 2 Primus Tonus transpositus per quartam superiorem. by Andrea Gabrieli after about 45 minutes of training in German tablature from the Bernhard Schmid II Tabulaturbuch.
[advanced instrumentalist, with rudimentary keyboard skills]
Participant plays the soprano voice of Num. 2 Primus Tonus transpositus per quartam superiorem. by Andrea Gabrieli from the Bernhard Schmid II Tabulaturbuch.
[professional Early Music instrumentalist, with advanced keyboard skills]
Participant attempts Num. 2 Primus Tonus transpositus per quartam superiorem. by Andrea Gabrieli after about 45 minutes of training in German tablature from the Bernhard Schmid II Tabulaturbuch.
[professional organist and pianist]
Participant and I discuss about tablature as performance notation.
[professional harpsichordist]
Participant performs Num. 2 Primus Tonus transpositus per quartam superiorem. by Andrea Gabrieli after about 45 minutes of training in German tablature from the Bernhard Schmid II Tabulaturbuch.
[professional harpsichordist]
Participant successfully plays Num. 2 Primus Tonus transpositus per quartam superiorem. and Num.3 Secundus Tonus. by Andrea Gabrieli after 30 minutes of exercises (German tablature).
[amateur instrumentalist, with beginner keyboard skills]
Participant plays separate hands and both hands in 2-voice “Ave Maris Stella” and 4-part chord exercises and Fabordon from Obras de musica (Spanish tablature).
[non-musician, with very little music knowledge]
Introduction to the keyboard and the Spanish tablature system.
Participant plays 5-note scale exercises in Spanish tablature.
[non-musician, without prior music knowledge]
Participant plays a melodic fragment from
Num. 2 Primus Tonus transpositus per quartam superiorem. by Andrea Gabrieli from the Bernhard Schmid II Tabulaturbuch (German tablature).
[non-musician, without prior music knowledge]
Participant plays the 1st 2 lines of “Ave Maris Stella” by Antonio de Cabezón both hands at the end of the 50-minute session (Spanish tablature).
[advanced instrumentalist, with rudimentary keyboard skills]
Explanation of the German tablature according to the Bernhard Schmid II Tabulaturbuch
Participant plays 2-octave scale and chord exercises.
[professional Early Music singer, with rudimentary keyboard skills]
Participant plays 2-voice “Ave Maris Stella” and “Duo” by Antonio de Cabezón from Obras de Musica (Spanish tablature).
[professional Early Music instrumentalist, with intermediate keyboard skills]
Participant trains in German tablature for about 45 minutes and performs the 4-voice Num. 2 Primus Tonus transpositus per quartam superiorem. by Andrea Gabrieli from the Bernhard Schmid II Tabulaturbuch.
[professional pianist]
Participant plays all 4 voices of Num. 2 Primus Tonus transpositus per quartam superiorem. by Andrea Gabrieli after about 45 minutes of training in German tablature from the Bernhard Schmid II Tabulaturbuch.
[professional Early Music singer, with rudimentary keyboard skills]
Participant sight-reads 2-voice “Ave Maris Stella” by Antonio de Cabezón from Obras de Musica (Spanish tablature) on the organ.
[professional organist and pianist]
Participant successfully plays Num. 2 Primus Tonus transpositus per quartam superiorem. and Num.3 Secundus Tonus. by Andrea Gabrieli after 30 minutes of exercises (German tablature).
[professional harpsichordist]
Participant plays 2-voice “Ave Maris Stella” and 4-part Fabordon by Cabezón from Obras de musica (Spanish tablature).