INVISIBLE  MATTER  OF  FINE  ART

ACCORDING  TO  PYTHAGOREAN  STUDIES  ON  ETERNAL  BEAUTY

[by Naah Warsaw, 2013]

Fig. 1 _ THE FIGURE

[upperstanding practice;  performance of powerlessness in vertical position of the body]

Fig. 2 _ THE FOREGROUND

[limited square to the support a standing position;  the arrangement  which activates

the vestibular sensibility]

Fig. 3 _ THE GROUND

[triangular ligament of the pelvic floor;  the base of the corps as elevated fascial body structure]

Fig. 4 _ THE SUPERFICIAL FRONT BELT

[a tenseness from fascial belt when tied up between the bottom of pubic mound

towards the nasopharyngeal cavity;  prerequisite for immobilisation the lateral muscle

of abdomen and chest]

Fig. 5 _ THE DEEP FRONT BELT

[a tenseness from fascial belt when tied up between the bottom of pubic mound

towards the thoracic XII vertebrae at the back wall of abdominal cavity;

prerequisite for move down the relaxed diaphragm]

Fig. 6 _ DRIVIG TRACK

[a distance diagonally across the abdominopelvic cavity; where the tenseness of psoas fascia

pulls down the rear edge of diaphragm]

Fig. 7 _ COUNTERCURRENT BREATH

[the consequence of the inertial move of diaphragm along the spine;

simultaneous decompression and compression of the air in the immobilised chest cage

(left side view)]

Fig. 8 _ INSTRUMENT OF TRACHEA

[the windpipe divided into tree of 5 bronchi where each one is directed to its own

pulmonary segment;  the ensemble of pulmonary segments gathered as the upper (3 lobes)

and lower (2 lobes) configuration set]

Fig. 9 _ PHYSICAL FORMULA

[the windpipe when works as a pipe closed;

the distance between the two extreme nodes of the  standing wave (n’ n’’)  is always equal

to four lengths of closed pipe instrument (a b)]

Fig. 10 _ AUDITORY TUBE

[the nasopharyngeal cavity reshaped by  fascial knot of veli palatini;

- the vibrating air finds the shortest way to the middle ear]

Fig. 11 _ LABYRINTH

[the sense of spatial orientation and the sense of hearing combined in one structure; between them find a part

of key importance for both: the saccule organ with the otolithic membrane]

Fig. 12 _ WAVE ACCELERATOR

[the subharmonic wave reaches the  round window membrane of the cochlea 

and focusing its energy within cochlear waveguides of Corti’s Tunnel (?) is directed to the spatial refractive grids of saccule and utricle organs]

Fig. 13 _ GAMUT MAPPING

[mapping of the wavelength: in respect to the height of a vibrating column of air

in the tracheal tube of human body]

Fig. 14 _ GRAVITY POINT

[educated guess: probability of the overlapping the extremal node of the subharmonic wave 

to the point of gravity]

Fig. 15 _ GRAVITON

[hypothesis; probability of existence of a quasi-particle of time/space (p p’) according to twins phenomena

within primes continuity]

Fig. 16 _ ANALYTIC MODEL

[line of argument: according to the laws of physics the frequency ratios of the subharmonic vibration

are characteristic for the distribution of prime numbers]

Fig. 17 _ CLAIM OF ART

[a standing wave of a non-resonant frequencies generated as a vibrating air column,

set up by the counterflow breath in the trachea wind instrument,

said vibrating air column characterised in that exposes a new perceptive range of the vestibular sense

directed to the spatial paradigm of infinity]

Fig. 18 _ LOG IN

[personal identity code: ...  ]

Fig. 19 _ SOUND OF SILENCE

[notice: the founding texts of western civilization should to be read with the provisions

of the original version, according to the alphabet of consonants]

 _

Zygmunt Piotrowski, October 2013