Al Nowais, Shireena (2018). “Talented Emirati Muezzins Sought to Lead the Call to Prayer.” The National, July 19.
DeMarinis, Paul (2011). “On Sonic Spaces.” In Caleb Kelly (ed.), Sound: Documents of Contemporary Art (pp. 73-75). Cambridge, MA: The MIT Press.
Eisenberg, Andrew (2013). “Islam, Sound and Space: Acoustemology and Muslim Citizenship on the Kenyan Coast.” In Georgina Born (ed.), Music, Sound and Space: Transformations of Public and Private Experience (pp. 186-202). Cambridge: Cambridge University Press.
General Authority of Islamic Affairs & Endowments (2012). “Manar Al Islam.” April Issue (p. 9).
Kahn, Douglas (2003). “The Sound of Music.” In Michael Bull and Les Back (eds.), The Auditory Culture Reader (pp. 77-90). Oxford: Berg.
Lee, Tong Soon (1999). “Technology and the Production of Islamic Space: The Call to Prayer in Singapore.” Ethnomusicology 43/1: 86–100.
Rasmussen, Anne K. (2010). "Learning Recitation: The Institutionalization of the Recited Qur’an." In Women, the Recited Qur’an, and Islamic Music in Indonesia (pp. 74-124). University of California Press.
Saeed, Saeed (2011). “Capital Muezzins: The Faces of Abu Dhabi’s Most Familiar Voices.” The National, August 1.
Sells, M. A. (2007). Approaching the Qur’an: The Early Revelations. Ashland, OR: White Cloud Press.
Thibaud, Jean-Paul (2011). “A Sonic Paradigm of Urban Ambiances.” Journal of Sonic Studies 1
Touma, Habib Hassan (1971). “The Maqam Phenomenon: An Improvisation Technique in the Music of the Middle East.” Ethnomusicology 15/1: 38–48. https://doi.org/10.2307/850386.