Test material (215 half spun) had arrived, so we were mounting a length in-situ.
{kind: caption, group: visit1, keywords: [_, fabric, measure]}
{author: hhr, kind: note, date: 02-dec-2019}
speakers should not be integrated into the lengths ; so they'd go on top to the rails ; we'll have narrow metal rails for each row ; sensors might go on the floor? ; we might use different elevation levels ; then think about motorised vertical lengths
Positions of the twelve rows, measures for the rails (sides to middle truss). As always, the big "fake" column is giving us a slight headache; we will either interrupt the rails there, or simply refrain from using it on both sides of the middle truss.
{kind: caption, group: plan, keywords: [_, architecture]}
We settled on the twelve rows, and iteratively found that a spacing of 93 cm between rows would work out with both the positions of the columns and desired spacing for visitors to walk through.
{kind: caption, group: visit2, keywords: [_, matrix, measure, space]}
Protoyping the sound on four nodes of four speakers each at Reagenz.
{kind: caption, group: reagenz-speakers, keywords: [_, loudspeaker]}
Even on a rainy day, daylight worked out with the translucency of multiple layers.
{kind: caption, group: visit3, keywords: [_, rain, transparency, layers]}
Protoyping and sensing in the TU light laboratory
{kind: caption, group: lightlab, place: TU Graz light lab}
PAR spots create a circular aureole on the material.
{kind: caption, group: visit4, keywords: [_, light, circle, material]}
