Additional notes by the composer
The composition tries to investigate the sculptural presence of 3D sound objects.
How can we compose and reproduce the 'spatio-musical counterpart'?
How can we help the plastic sound object emerge as a spatial signifier?
The composition raises the question of individuals' self-localisation in a digital (sonic) environment. It is a way of continuously playing with the perception of movement, distance, and perspective.
Where is the composer, where is the listener?
Who is the composer and when does 'world' come into being, respectively? When does it withdraw itself from the composer and or the listener?
Will we ever find an answer?
(grrawe, composer's website: https://www.gksh.net/portfolio/grrawe/)